"Get out of here, get out of here, whoever likes to do this job will do it."

The staff scolded angrily in their hearts, "Bao Shet", and didn't say anything, and closed the door on the spot, letting Director Vig calm down.

In this wave, it is not only Vig who is on fire, but the entire Daiying Museum is on fire.

I haven't dared to open the museum recently, but even so, when I go to work, I go in and out near the museum, and from time to time someone asks "what does it feel like to take care of the world's stolen goods", and the words are full of ridicule, and the ridicule of oneself is not limited to netizens, passers-by, and even relatives

Vig is the curator, and he can rush down when he has the air.

And what about below?

There's no underneath!

Those who can run have already started to run, and those who stay are purely out of work.

At the critical moment, you can imagine how much pressure on the follow-up work will increase when there is such a big resistance.

But all this has nothing to do with Li Jinglin.

After handling things properly, Li Jinglin began his teaching routine again.

The slight change is probably the attitude of the students.

Obviously, among the student body, Li Jinglin's reputation is quite high.

In addition to the main course, some elective courses are full of grabbing, and even if they don't grab it, if they catch up with the time when there are no classes, there are students who are willing to come to listen to the classes.

It's not just schools.

Some of the contacts within the music industry have also begun to become more subtle.

It seems that things are calming down, but in fact a larger reaction is gradually manifesting itself.

Internationally.

Almost any musician with a name or surname.

seems to be controlling the distance between themselves and Dai Ying a little, and some musicians with Ying are also diluting the labels on their bodies.

Those masculinous masters of disguise who say "music has no borders, art belongs to all mankind, and should not be contaminated with the ZZ factor" also began to keep a low profile and no longer shout these slogans.

Li Jinglin looked at such a trend in the industry, and inevitably sneered a few times.

Although, in the short term, there will be waves, and even slightly affect the development of the music industry.

But in Li Jinglin's view, such fluctuations are necessary.

These people seem to be great speeches, but in fact they are a kind of double-standard washing, what is the truth, those who have insight into the essence of art understand too well, just pretend to be confused, and deliberately deceive the people.

It is precisely because of this that Li Jinglin gave a very detailed answer to his two apprentices in this regard.

"See? This is the so-called art without borders, and art should not be tainted with the ZZ factor. ”

Liu Chenyang and Xu Xin recently returned to China.

In the long-lost small class, Li Jinglin sorted out some reactions in the music circle in detail during this turmoil.

All of them opened their mouths sarcastically.

"It's nice to say, but how can it really not be contaminated? Hiding one's head in Piguri and ignoring the real influence and logic of reality is the real art in the sky. ”

Li Jinglin's series of words.

Xu Xin and Liu Chenyang are too much in favor.

After glancing at each other, they all nodded again and again.

Following Li Jinglin's study, it can be regarded as going south and north.

There are no less than four or five colleges and universities for educational exchanges, although it is true that there are very few ZZ factors, but in fact, there will still be differences in terms of training, and they will be affected by ZZ.

"So, after so long of exchange and study, what do you think about this aspect?"

Hearing Li Jinglin's question, Liu Chenyang answered after thinking for a while.

"I think the essence of music is emotion, and emotions are indeed not contaminated with the ZZ factor, but most of the emotions of musical works have a source, and they will also involve narrative issues, at this time, cognition, right and wrong, values, all aspects will have a huge impact."

Li Jinglin nodded and didn't comment on anything.

Instead, he looked at Xu Xin.

"What about you?"

Xu Xin thought for a moment, and then spoke.

"As Liu Chenyang said, but, if I had to add, it would be another perspective."

"The so-called height of art, the connotation of art, in fact, is essentially culture and thought, especially thought, are inevitably different, and there will be a collision, so my personal opinion is."

"Like thought, there is no right or wrong in art, which means that the definition of right and wrong is different for different groups."

"That's right."

Li Jinglin nodded.

Finally opened his mouth.

"Talking about music, talking about art, you can't talk about it."

"The concept I have introduced today is -—— [representation of the group]."

As he spoke, Li Jinglin wrote a line on the whiteboard.

The two students began to take notes.

Behind the two students were several professors and directors who were attending the lectures.

Several directors glanced at each other, although they felt that there were some different opinions, but generally agreed with Li Jinglin's statement.

I continued to listen with interest.

"I'll give you the simplest, most common, most common example, you can just don't think about the ZZ factor."

Li Jinglin wrote two words on the whiteboard.

【Love Song】

"For example, if you write a love song, or perform a love song, then it is easy to have a story or substitute identity."

"Is it dumped, or love but can't, love but regret missing out, or finally find your own puzzle after half a life."

"Representatives of different groups can elicit different emotions and feelings, which is the cognition formed by the combination of music experience and reality, and the audience has such feelings, in fact, the creator's subjective feelings will be more."

Li Jinglin suddenly knocked on the whiteboard.

"Unless you're creating untitled music."

"Otherwise, the same is true for other musical content."

"For example, if you want to write a nursery rhyme, you can't think about chord construction and emotional factors from the logic of adults, and you have to write the content from the perspective of children, that is, you need to represent the group of children."

To tell the truth, if you keep mentioning the ZZ factor, several directors and teachers will think a lot.

This is true even for two students.

But once the main point is stated in this form, it is easy to understand.

The professors nodded naturally.

"To Mother, to Father, to Children"

"Even when singing the praises of workers, peasants, soldiers, or the content of music about a certain phenomenon in society, the most important element implicit in this is the [representation of the community]."

"That's what I always say, when you write music, you have to know which groups you're going to serve."

"In this process, in fact, it is inevitable to touch some ZZ factors, rather than running away from it, it is better to face it."

Speaking of which.

Li Jinglin couldn't help but tease.

"At least, in our country, the musical description of love can not consider Walmart plastic bags."

"Hahahaha!"

In a short burst of laughter, Li Jinglin opened his mouth with a smile.

"Therefore, the creation of music content depends on what kind of social class you serve, what kind of social group you want music to circulate, help them speak, or give them comfort, and what kind of musical power you need in the society you live in, what kind of sound you need to make, these are all things that need to be considered."

"Therefore, in the follow-up of this class, what we need to carry out is a group experiment in music."

"Theory should be combined with practice."

Bang Bang Bang!

Several professors and directors immediately gave applause.

It is indeed easy to ignore what Li Jinglin said.

A phrase like "music actually serves ZZ".

It's a little empty, a little hard to understand.

But if you say that, it's very understandable.

"Brother Lin, does that mean that as long as it's a popular song, it's because they have clearly defined the service object?"

"No, not necessarily."

Li Jinglin shrugged his shoulders and pursed his lips.

"It can only be said that it is easier to spread like this, as for whether the fire is hot or not"

"Look at whether you push it or not."

"Theoretically, even if your music is mediocre, has no content, or even a work that is not music, or a work that is particularly outrageous, as long as you are willing to push it, the pig can be popular."

"Hahahaha!"

Another burst of laughter rang out.

"Brother Lin, does that mean that from the popular trend of music, you can analyze the composition of society, or some problems?"

"Not necessarily, but there will be some trends, generally speaking, not all sections of music, pop trends can represent the problem, the most important thing to pay attention to here is the small day and the cold country music."

Xu Xin's words immediately made Li Jinglin pay attention to it.

I really got to the point.

"You see, some domestic music tends to be simplistic, catchy is the best communication, the melody is short and fast in the ear is the key to popularity, and the content is more inclined to be free and easy."

Li Jinglin couldn't help but raise his eyebrows.

"Some people even feel that they are a little young, and take this opportunity to explain how exciting European and American music is, which is a very naïve understanding and interpretation of the function of music."

"In fact, European and American music has been going downhill, and the decline is much greater than imagined, but it is more brutal in terms of emotional outpouring, and it also covers up some problems in the development of music itself."

"What does that mean?"

Li Jinglin's smile.

The two students seemed to get something.

"It shows that in China, at work, it is indeed very volatile, and sometimes I feel tired, so I need relaxed, short and fast pop music, which mainly plays a role in [releasing the pressure of work and life]."

"And what about abroad? In terms of security, the convenience of life, in fact, most people are far inferior to the domestic one, the population problem, the equal rights problem, the flour problem, the raising problem, and a series of very popular ZZZQ, plus the pressure is far ahead, and they have always had the arrogant mentality of the nouveau riche, so their musical role is sometimes more inclined to [release the pent-up anger]. ”

(End of chapter)