Take advantage of the small number of words and write it in the front so that more people can see it, so as not to feel "fooled" when you read the back. It also saves me from sending a single chapter to explain later.

Water up.

This chapter is watery.

It's the same as not looking.

Why don't you push the plot yet?

Ladies and gentlemen, is the farming plot also called water?

Let me ask a question, to promote the plot, the protagonist pretends to be forced, so where is his capital and confidence in pretending to be forced?

At the beginning of the book, the protagonist is at the bottom, the life scene is very monotonous, and he doesn't know a lot of what happens in the upper echelons, and he is not qualified to participate, so his time flies quickly, because there really isn't much special in his life.

Sometimes months go by in a flash, and he doesn't have much to write about except training for training.

Therefore, at that time, you can say that the "rhythm" is fast, and the protagonist pretends to be slapped in the face one after another.

But the life process is not linear, different time periods, different platforms, and different statuses.

Now the protagonist, whose official position is in the upper middle, has unlocked more life scenes, met more people, and has more things to do, the flow of time will slow down, and the rhythm will inevitably slow down.

Let's talk about driving the plot.

I gave an example in my last book: Li Shimin.

In his life, he could write a book, cool and intensive, one after another.

But for such a cool and dense person, there are also a lot of extremely slow-paced periods of time in the process of his battles.

In some wars, he confronted people for seven months and never went to war.

Sometimes, he doesn't have a brilliant plot for a year or two.

This is what you call "water".

In real life, he won't pretend to be slapped in the face endlessly.

He had moments of center stage.

There are also stages where you work hard behind the scenes and don't know what to do.

In fact, most of the time, real life is "water", even if Li Shimin is a person with dense refreshment, his real life is still slow.

Old readers know that I don't have an outline when I write a book, and I always deduce it under the existing plot.

Some people in the author group say that they want to arrange a small climax with xx words, and no more than 50,000 words to arrange a big climax.

As a book, this rhythm can effectively mobilize the reader's emotions.

But everything has advantages and disadvantages, and to write it like this, it is necessary to sacrifice reasonableness.

As far as I'm concerned, some innocuous reasonableness can be ignored, but some must be emphasized.

I'll give you an example, a decisive battle that determines the life or failure of the protagonist, the logistics system, weapons, money, and food are all out of thin air......

To be honest, I can't accept this unreasonableness at all.

It's so fucked up, you can't even think about logistics when you fight, this hangs too big, right?

I also open the hang, but I don't want to open such an outrageous hang.

I am willing to open the hanging, generally something may succeed, or it may fail, or some equipment, you may or may not get it, this time to open the hanging.

Just like the Xuchang arsenal, the equipment in it was easy for the peasant army Wang Mi to get his hands on in history, and then Wang Mi's army changed its guns and changed its guns, and it developed all of a sudden.

The protagonist will not be more difficult than Wang Mi to get it.

Of course, there must be advantages and disadvantages in everything, what are the consequences of Wang Mi taking these equipment? He was feared by Shile and finally killed by him.

The protagonist took the equipment, and there were consequences, that is, he was jealous of Sima Yue.

What you want, you have to give. How is it possible that there are no good and no harm?

Back to the book.

Have readers forgotten that the protagonist is only 18 years old?

I'm just a shallow learner, I don't know how many people since the Wei and Jin dynasties can be released at the age of 18 to be county commanders, Taishou, and assassins? Very rare. It doesn't even exist at all - I didn't read through everyone's biographies, if anything, reminded me.

At the age of 18, he was released as a guard and a stabbing history, and this hanging was too big.

I made a distinction myself: small hangers and big hangers.

For a very small number of people, it is called a small hanging.

What works on the whole is called a big hanging, or even a super hanging.

At the age of 18, you can command 50,000 or even 100,000 people, which has been rare in history. But when a local magistrate, such as Taishou, this is an unspoken rule that challenges the whole society, and it is a bit big.

At least you're past the age of a weak crown.

Fighting a war without considering logistics is a challenge to the physical rules of this plane, which belongs to the super invincible hanging, which is so fake that it is bubbling, and there is no coolness at all.

So, before the age of twenty, don't think about going out.

In this case, I made a deduction.

Background: The Yongjia Rebellion has not yet broken out, and the Western Jin Dynasty officials still have the pressure to suppress it.

The first way: resign and go home and run your own territory.

Result: You don't have an official status, you can't shelter the fields and tribes, and others come to you to ask you to collect taxes.

You are worthless to Sima Yue, and his men will come and try to embezzle Ling's property.

In the end, losing both sides is the best outcome, and it is more likely that you can only run away, and all the accumulation will be zero.

The second way: pull the troops to rebel.

There are 1,000 private soldiers, and with some troops and some forbidden soldiers, it is estimated that at best, about six or seven thousand troops can be pulled.

What is the final ending?

Sima Yue shook five thousand Xianbei cavalry over, and you will be finished and the whole army will be annihilated.

The third way: do not rebel, just wander around.

Then, with so many troops, I am afraid that they will run out of food as soon as they leave Beijing.

Storm the dock fort to get food, just these thousands of people, how many can be killed? The slightly larger ones can't be taken down, and it's not worth exchanging the lives of elite soldiers for the lives of the tribes, villagers, and even old farmers, healthy women, and children in the city.

A few teenagers, a bucket of gold juice can make you die ten or twenty silver-spear sergeants, distressed or not? Loss or not? They are good at field warfare, and it is the greatest waste to use them to siege cities.

And it will still be suppressed.

Now the Western Jin Dynasty officials still have enough strength, Shi Le started his first business, was beaten to only 18 horses, and went to the Huns.

Is the protagonist of this book also going to the Huns?

So, he can't go anywhere now.

This is the inevitable price he has to pay for climbing to his current position.

What you gain, you have to lose.

The protagonist of a book has his own personality, values, accumulation of knowledge, way of doing things, and way of thinking about problems.

Some people will say that how to write is not yet a pen for the author.

This is also true.

The author does have considerable authority, but it is not free to write either.

What the author writes, in the final analysis, is the ups and downs of the protagonist in such an era, and there are many things to consider, not what the protagonist wants.

Some of the protagonist's ideas are the thoughts of a certain process and stage in his life, and I wrote them out, but they are not necessarily right, and they may not necessarily come true.

The protagonist is also learning about this era, different ages, different accumulations, and ideas will change.

The protagonist of the previous book is a growthal protagonist.

At the beginning, I didn't have much military knowledge, but I continued to study and practice repeatedly throughout my life, and slowly improved.

At the beginning, the three views were very positive, but slowly they were impregnated by the times, from a person who was not too embarrassed to do anything in the face of sin, to a victorious battle and capturing the enemy's wife and daughter.

In fact, I'm curious about the word "persona".

In a person's life, juvenile, youthful, middle-aged, prime-like, and old-fashioned, there will be huge changes in personality, three views, etc., and a person's character will not change from beginning to end?

From the beginning, it was "rigorous", "ruthless", and "ruthless", and then for more than ten years or even decades, I have experienced countless things, my experience is different, my status is different, and my knowledge reserve is different, and I still maintain my previous personality.

Let's go back to the protagonist of this book, he has a martial arts military strategy (which can be understood as a godsend), but nothing else, it has nothing to do with the previous book, his personality, family, and experience are different.

He is a teenager with modern memory + martial arts and military strategy, a new character, a different personality - compared to the previous book, the character of the protagonist of this book is obviously unstable, which can be seen from the time of killing, more impulsive, sometimes extremely bold, after all, he even dares to seduce his empty and lonely sister-in-law.

Finally, let's briefly summarize that the author's pen can indeed write a lot of things, but there are also some great limitations.

After the author gives the initial setting (the origin, ability, personality, etc. of the protagonist), it is time to simulate the deduction.

The characters in the book will have their own trajectories under the interweaving effect of their own personalities, abilities, and the background and atmosphere of the times.

There is no outline in this book, and I only have a vague direction in my mind, which is all based on current deductions.

It's like playing a game, where the author peeks at cheats when there is a fork in the road, chooses a path for the character, and increases his success rate, but it is impossible to create a shortcut out of thin air.

Or there has been a similar thing in history, and it's contemporary, but this kind of good thing may not be the turn of the protagonist, I, as the author, used the authority to give it to him.

The rest is all about deduction.

Shao Xun is the character, I am the player and administrator, I can open the back door for him, but I can't ignore the game's running program.

The book has developed to the present, and everything the protagonist has done is the ultimate in the current situation.

He opened the base, which was the best solution in desperation.

These will slowly become his accumulation, and over time, continue to play a greater role.

Have you seen the protagonist refining magic weapons in Xianxia text? This is the magic weapon for growth.

Readers who read this probably know my way of writing, right?

At the starting point, a large group of certain Lu authors came, with a clear outline of the emotional rhythm, assembly line work, cool points one after another, almost flying.

I'm not the same as them, so I'll write so much.