Theory: Everyone understands that when there are no competitors in the market, the heat must decline, and if there are several strong competitors in the market, it will inevitably attract a lot of attention and heat.

Therefore, this National Day file lacks popular films that can fight in the ring, so although the box office market of this National Day file is okay, it is not as good as everyone imagined.

It's already October, and another thing is also lively, that is, the first annual film awards, and now the final registration is in full swing, according to the rules, the deadline for registration is 24 o'clock on November 30.

So it's now the last two months of the countdown, and there are a lot of movies that have signed up after a bit of 'tangling'.

Why 'tangle'? Because they have to pay a part of the royalties and box office revenue. However, if you can really win the prize, if nothing else, that prize alone is very attractive. Because 70% of all the income of the annual film awards is used to distribute bonuses, and 30% is used to operate.

According to the rules of this award, if the net income of the film award is 500 million, then 350 million of them are bonuses, and the first basic award is deducted from the 350 million, which is the nomination award.

That is, there will be a bonus if you get nominated, and there will be a reward of 500,000 yuan for getting nominated, theoretically there are 24 awards, and each award has 10 nominations, and it will cost 120 million here.

Of course, the producer can only get 60% of the basic bonus of 500,000, that is, 300,000. Among the remaining 200,000, 75% of the professional judges are 150,000, then 20% of the non-professional judges are 40,000, and finally the audience accounts for 5% of the 10,000 yuan.

The remaining 230 million is given to the winners of the 24 awards, and the weight of each of the 24 winners is different, so the prize money for each prize is different.

For example, the annual film award is divided into four weights for 24 awards, that is, the first award (best screenplay, best editing, best actor, best actress, best director, best film) These six are the most important weights, which can be divided into 40% of the total bonus, that is, 92 million.

Tier 2 awards are 30% of the total prize money, Tier 3 prizes are 20% of the total prize money, and Tier 4 prizes are 10% of the total prize money.

The six prizes in each tier are not evenly distributed with the corresponding bonuses, but are different according to different weights.

For example, in the first gear, there are best film, best director, best actor, best actress, best screenplay, and best editing are still different in weight from large to small, according to the award for the best film, 25% of the weight is 23 million of the total prize of 92 million miles in the first gear, 20% of the best director is 18.4 million of 72 million miles, the best actor and actress are 15%, that is, each award is 13.8 million, and the best script and best editing are 25%, that is, 12.5% of each award That is, each prize can get 11.5 million.

Of course, the bonus here has not yet deducted the dividends of professional judges, non-professional judges and audiences. For example, the total prize money for the Best Picture Award is 23 million, but the producer can only get 60% of it, or 13.8 million, and the judges and the audience share the remaining 40%, or 9.2 million.

The 9.2 million points between judges and audiences are divided into three weights: professional judges (75%), non-professional judges (20%), and audiences (5%).

The same is true for the other awards in this file, which ensures that each award has a significant prize money and can be inconsistent in terms of weight.

Of course, there is another question, when the winner wins, is the prize money from the producer or the winner?

For this problem, the Film Award Organizing Committee also discussed a distribution plan, and the specific method is as follows:

80% of the prize money for each award belongs to the production company and 20% to the individual, which will be distributed by the organizing committee.

This is set up to ensure that the bonus is given to the producer and at the same time to ensure that the individual can also get the bonus, maybe people will think that many awards are individual awards, why allocate 80% to the producer?

In fact, because these huge bonuses are generated by the producer's contribution of part of the copyright fee and box office, most of the prize money should also go to the producer, otherwise they will not be able to harm the interests of the producer and subsidize the winning individual, which is unfair.

In the face of such a strict and reasonable and fair distribution plan, it is really too tempting for some movies, how much temptation is there? If a film receives 10 nominations, the producer of the film with these 10 nominations alone will receive 3 million.

If the film can win a Best Picture award, it will add another 13.8 million, which adds up to 16.8 million. If you win a few more awards, then you can get tens of millions of dollars just for a movie on the bonus.

Tens of millions of income, this is not tens of millions of box office, tens of millions of box office has to be shared with others, these tens of millions of bonuses are pure income.

So is there a big temptation for the producer? Big, unbelievably big.

Is that a big temptation for the judges? Just as big.

For example, if you are a professional judge, and you vote for 10 films, and all 10 films are nominated, then you can share the nomination bonus of 150,000 yuan, of course, this may be shared with hundreds or even thousands of judges, but you can also get hundreds of dollars in each nominated movie, and 10 films can get thousands of dollars.

Maybe this is not the biggest temptation, but there are still points, and the real award voting in the back is the time to score the big head. For example, if you vote for the Best Picture Award, then the film may share 6.9 million with the judges, and at this time, you share the 6.9 million with hundreds or thousands of judges, which is a big benefit, and there are thousands of bonuses.

Although these don't seem like much, hundreds here, thousands there. But 24 awards, as a professional judge, you can basically see who has the best quality in the industry, and the possibility of winning the award is the greatest, basically you vote for 60% of them is still possible, if the 60% probability is not reached, it proves that you are not professional as a judge.

If you vote 60%, then the income of a judge in the whole award is tens of thousands or even hundreds of thousands.

This is only assuming that the overall net income of the film award is only 500 million, but the network copyright income of so many films, part of the box office revenue, advertising title income, and film broadcast income of the awards party are ...... How can it be that there is only a net income of 500 million?

The Organizing Committee of the Film of the Year Awards will also disclose all the income from the Film Awards, and a third audit firm has been introduced to monitor and impartiality.

The organizing committee clearly only charges 30% of the total income, which makes all the participants feel at least fair.

The judges and producers are all elites, everyone knows how to calculate, and as soon as the award rules of the Annual Film Awards came out, many people calculated that they had a lot of benefits.

Therefore, the final registration deadline is almost over, and the enthusiasm for the participation of the jury and the audience at this time is also unprecedented stimulation, and everyone is looking forward to whether their algorithm is correct.

The design of He Fang and Tuanhuo Company actually refers to two things, one is to refer to the design of the lottery draw, and the other is to refer to the setting of the Champions League bonus.

Especially in the Champions League bonus setting, why do all the awards be proud to enter the Champions League and get the trophy?

It's because as long as you get into the Champions League, you have income, and then what is the income in the group stage, what is the income in the round of 16, what is the income in the top 8, what is the income in the top 4, what is the income in the final, what is the income of the champion.

These are all layer by layer, the higher the income, the more reasonable the setting, and it is also very attractive. Some teams rely on the income of the Champions League to maintain part of the operation of the team, and once they do not enter the Champions League, their team's income plummets in the second year, and they have no money to buy people and operate, and then fall into crisis.

This mechanism is very good, and if you transfer this mechanism to the film awards, isn't that what the major production companies and filmmakers don't want to want?

Not only can you get a rich bonus, but also so many professional judges around the world vote to show the authority and professionalism of this award, which is the real fame and fortune.

"Director He, your award design is really amazing, who in the film industry can resist the temptation? Anyway, I was the first to sign up. "What did Wang Jing say to when she came to visit the crew of "Ghost in the Shell".

(End of chapter)