The twenty-first episode of "Drama Fairy".

1,000 episodes (10 minutes per episode, 10 full scripts for every 10 episodes, equivalent to 100 movie scripts in total)

Author: Miao Sister

Part 3, Episode 1 (equivalent to the first ten minutes of the movie)

"My Tramp Wife" one

Preface:

A few words before the third installment in this series.

My film era will surely come with the practice of these hundred scripts.

Scripts are written for actors, while novels are written for readers. This is essentially the biggest difference between a script and a novel. Filmmakers will aim in their own direction according to the play to perform, make lighting, costumes, props, and scenes. That's the work nature of the script.

My script should combine ornamentation and work, and at the same time delete as many words and ideological games as possible, and add more actors' actions, props, and scenes.

Scripts are often divided into four steps, conceiving the whole - framing - adding dialogue and action - and the last step is to organize it into a book that can be filmed. And my practice ended in the third stage. When he is going to shoot, he has to refine the specific details according to the scene and the actors.

Hollywood is not made in a day, human creativity is also strengthened or reduced with practice, the rules of the brain are to use in and out, we don't seem to need to do some work that is not used at all, but the all-round development of the brain is to switch at any time. And the exercise of the script is an exercise in creativity, but also a track. Human beings can control their brains to do anything, calculate, imagine, balance, strength, speed, emotion, and sift if they want to. The so-called beauty, as long as the analysis will also have its summarized rules, curves or straight lines, complex or simple, contrast or foil. And the collaboration of human emotions and brains will lead us into completely different choices and different paths in life again and again.

That's what the brain does. And it is with this function that the creation of the script is practiced in an era when the public imagination is scarce. I don't want anything else, just something different. Different and mature style scripts, in order to bring high yield benefits and efficiency returns.

If a director doesn't have to write a script, that's okay, and it's okay to use someone else's script to guide other people's feelings, but when I stepped into the film class for the first time at the age of 17, I told myself, "Be a director who only shoots your own script." ”

Because there are too many things to say and too many opinions to express, they need to be shown through the movie, and if you can't do it after practicing the script, you are choosing rather than creating.

Creating seems difficult or easy, but it's just a track anyway. You can choose or not to choose, and intelligence and emotional intelligence are not very related, and the choice itself has a meeting point between fate and persistence and perseverance and understanding of oneself.

Whether it's my ancestors in the past, the people who will continue to create in the future, or me now, there is not much difference between my film era, the skills they use, the effort they put in, and the time they practice. It is just a choice, something that can be done or done by anyone and requires energy, time and physical strength.

Hollywood does not grow in a day, Doraemon, Dragon Ball, Shaw Brothers, Marvel, Bruce Lee's works, nonsensical, Miyuki Nakajima's works, Ultraman, Nagabuchi Tsuyoshi works, Lin Xi works, Li Bai works, and Hokage are all created by human beings relying on the strength and practice of the cerebral cortex.

Master, it's just a track. Hollywood didn't happen overnight, there were Hitchcock's mature scripts before Hitchcock's mature films.

I wish all the people of the world all the best wishes.