Unlike later generations, before the mid-90s, film studios allowed screenwriters and directors to enjoy the best living environment, rather than actors.

Beiying's Fangqing Building lives at most seven or eight crews at the same time, and when Jiang Xun and Jiang Shan walked in, a group of people on the corridor were discussing.

The room where the director lives is also the place where the crew has a meeting, and the team leaders who participate in the crew meeting are the leaders of various departments, reading the script and discussing the script.

Later generations also said that the reason why Korean dramas are so good is because the director and actors attach importance to the reading and discussion of the script.

In fact, this important creative method has long been a tradition of Chinese film production.

In the past 30 years, China's film industry has developed rapidly, and there is a view that we should learn from the film industrialization system of Hollywood in the United States.

In fact, China's industrial film production system has been running and practicing for decades, and at that time, there were stereoscopic feature films "The Adventure of the Magician" (produced by Shanghai Film Studio in 1962) and "Laughter" (produced by BJ Film Studio in 1981), which are now 3D films, as well as giant screen movies.

From the founding of the People's Republic of China to the mid-nineties of the twentieth century, Changchun Film Studio, Beiping Film Studio, Shanghai Film Studio, Film Studio, etc., all used industrial processes to organize film creation and production.

Like canneries, sewing machine factories, bicycle factories, etc., film factories were part of the national industrial system that provided daily necessities for the people, and produced spiritual daily necessities.

"Look here, the women are carrying a bag of grain," said a man who looked like a director, "and you go and bring me a bag of grain, and see how many steps you can take." So no, it's supposed to be carrying a bag of grain, I can't figure out what kind of rural drama is written, no, you have to continue to live......"

Yes, interesting.

Jiang Xun's footsteps slowly stopped moving, and he didn't care why Jiang Shan came to him.

Walking forward, there was still a director talking, "You wrote that the workshop was busy, what did you ask me to shoot these words, it's too general......"

"That's right," Jiang Xun smiled, "The busyness of the lathe workshop and the planer workshop is different......

Jiang Shan also smiled, Xunzi is still Xunzi, a little bit is transparent, and it is really the same as what the director said.

"You see, everyone can understand it at once, so your things have to be detailed......" The director gave Jiang Xun a thumbs up, and Jiang Xun also gave him a thumbs up.

He meant it.

It is these people who adhere to the true realist tradition of Chinese cinema with rigor.

"Gao Mantang, it's over!"

He was looking around when a shout made his jaw drop.

"This is not the Public Security Bureau, this is the Beijing Film Studio, don't be afraid." Jiang Shan smiled softly, and at some point, she gently took Jiang Xun's hand.

In this era, the competition for screenwriters is fierce, and literary editors are also very strict, "My dad said that the profession of literary editor is picky. Screenwriters, no matter how big or small, have to face the review and discussion of the literary editor and the deputy director in charge of the script......"

Jiang Shan explained to Jiang Xun that the shouts of "who is passing the hall today" are often heard in the corridor of the imitation Qing Building, that is, the screenwriter's book passed the review that day.

At this time, the scripts were handwritten with the manuscript paper of Beijing Film Studio, and rewritten over and over again according to the revised opinions, but I was too lazy to recopy, so I pasted the newly written content with glue on the revised paragraphs, and repeatedly revised and pasted it many times, and the script manuscript paper was as thick as a pancake.

Such a manuscript was put in front of the factory leader, "You see how many times I have changed it", and first get a good impression score.

"Oh, my Uncle Jiang, is that the director of the first workshop of Beiying?" Jiang Xun watched a middle-aged man rushing over excitedly holding the "meat patty", and he subconsciously stepped aside.

This is the screenwriter who later broke into Kanto, but at this time he met at the Beijing Film Studio.

Although Jiang Shan didn't say it explicitly, he roughly guessed what he was asked to do.

Jiang Huaiyan of the Beiying Literature Department, he is Jiang Shan's father, and he is in charge of imitating Qinglou.

The Department of Literature grasps film scripts, which is the first workshop of the film factory and the core of production, and the film literary scripts are the engine of film feature films.

Jiang Shan is also a ghost horse elf, "There are five or six editors in the literature department, who are responsible for connecting with the screenwriters, and the screenwriters live for a few months or even a year." ”

Oh, Jiang Shan took him to the door of a room, and Jiang Xun was surprised to see Li Zhun, Bai Hua, Su Shuyang, and Xin Shisiniang's screenwriter Peng Mingyan......

Most of them are raunchy, and they are boiled by the script at first glance.

In the eighties and nineties, housing was very tight in China, and most screenwriters went home and had no place to calm down and write. In the imitation building, the bathhouse, canteen and other living facilities are complete, and when you come, you don't want to leave.

"Dad, I invited the young master over, my task can be regarded as complete." Jiang Shan said, smiling and sitting on the bed, with a relaxed expression on her face.

"Hello Uncle Jiang...... I, I wanted to come here a long time ago, but I didn't think I would come today......" Jiang Xun called Jiang Shan's father uncle, and he couldn't write two Jiang characters in one stroke, but it also corresponded to the situation.

"Shanzi, didn't you tell Xunzi, why are you here......" Jiang Huaiyan glanced at her daughter, "Dad, how good it is to leave a layer of suspense......" Jiang Shan smiled, smiling softly all over the room.

"Xunzi, we have all watched the contemporary, we have seen your Fanghua, your book is good......" Jiang Huaiyan explained with a smile, poured a glass of water for Jiang Xun, and introduced Zhang Shaoting, the deputy director in charge of creation, to Jiang Xun.

"Alas, it's no wonder that people think that our eight major studios don't have good films, no good scripts, where are good films? ......" Zhang Shaoting looked at Jiang Xun, and before he could do anything, he sighed, "Now that I have a good book, I have to criticize." ”

"Yes, it's a good flower!" Jiang Huaiyan said with a smile, "This, Xunzi, we have all read it, I came to you today to discuss with you, you see, this book, we want it from Beijing Film Studio." ”

Do you want it?

Jiang Xun was very surprised, yesterday the literary and artistic circles were very criticized, and today Beijing Film Studio extended an olive branch.

The taste of this ice and fire makes people unbearable for a while.

But these words came out of Jiang Huaiyan's mouth, he is the screenwriter and director of the Beiying Literature Department, and has served as the literary editor, team leader, director of the literature department, and director of the planning department of the Beiping Film Studio, and what he said will not be changed.

"Last year, Jiang Wen was invited to play this phone call in the year of my birth, and I couldn't shoot it, who would have thought that such a character would be the hero of the movie before......" Jiang Huaiyan smiled, "Your book, we want it." ”

"What do you mean, Beijing Film Studio is going to shoot this book?" Jiang Xun asked.

……

Shanghai, Shanghai Film Studio, it was raining heavily today, Director Xie Jin sat at his desk, watching the magnolia outside the window swaying in the rain.