Coming down from Guoliang Village in Taihang Mountain, Jiang Xun has always taken the little green jujube with him.

She is very obedient and well-behaved, and in the car, she has been holding Jiang Xun's hand tightly, and her two clear eyes are constantly looking at the fresh world outside.

"This is Shanghai." The prosperity outside the car window made Xiao Qingzao finally let go of Jiang Xun's hand, lying on the car window curiously, looking at the traffic, looking at the pedestrians, and also looking at the flowing Huangpu River.

When the group arrived at Shangying, it was already evening, and when they stayed at the guest house of Shangying Studio, Jiang Xun took a hot towel and carefully wiped her little face with green jujube red, and clumsily tied two pigtails for her.

"Is it pretty?" In the mirror, the faces of a young monk and a little girl were reflected, and the little girl smiled happily, revealing two small tiger teeth.

At dinner, Qing Zao sat next to Jiang Xun, and when Kurihara Komaki heard that this was Jiang Xun's little girl, he was very surprised.

Director Xie Jin explained the reason with a smile, which moved Kurihara Xiaojuan, and Jiang Xun couldn't understand the Japanese she said, but fortunately, there was a translator, and the translator translated Kurihara Xiaojuan's words to Jiang Xun as they were-

Jiang Xunjun has a compassionate heart.

Compassion, Jiang Xun didn't know it, he just felt that he couldn't see any human suffering these days......

Sandwiched a piece of chicken thigh into a small plate of green jujubes, Director Xie Jin sandwiched a few more pieces of braised pork, the little green jujube was still a little shy at first, she looked up at Jiang Xun, and her eyes like two black grapes were shining.

"Let's eat......" Jiang Xun was a little sad, maybe this child had never eaten such a delicious thing since he was born.

The little green jujube was eaten with relish, but Jiang Xun only found some green vegetables and fruits.

"Jiang Xun, after filming this scene, you can re-enter the red dust, and you don't have to suffer like this," Director Xie Jin looked at the young actor's emaciated cheeks, and was very moved, "When the time comes, Allah will invite Nong to eat old wine." ”

But after all, this scene was not filmed, and he still had to maintain the status of a monk.

"Director, I want to take the green dates to the temple for one night......"

Oh, isn't it good here? Director Xie Jin frowned slightly, but he knew Jiang Xun's intentions, and he wanted to keep himself in the best condition.

……

The Jade Buddha Temple in the twilight carries many joys and sorrows in the world.

The sound of law is lingering, the sandalwood is permeated, and Jiang Xun is holding the hand of the green jujube and walking in the light and shadow of the years.

Xiao Qingjube was very sensible, and did not pester Jiang Xun, lying on the wooden bed, and fell asleep unconsciously.

Jiang Xun sat on his knees, letting the night be like water, and the dew was thick.

Early in the morning, after morning class, take a broom, bamboo branches across the stone slab, making a rustling sound, followed by a string of silver bell-like laughter, Xiao Qingzao took a small broom, followed behind Jiang Xun, she raised her eyes to look at Jiang Xun, and her two eyes smiled into a crescent moon......

After the meal, Jiang Xun said goodbye to the Jade Buddha Temple.

Today is the last highlight of the bell of Qingliang Temple in the movie, entrusting the green dates to the scene reporter, Jiang Xun sat on the side and played silently.

In this scene, Jiang Xun had to talk to Kurihara Komaki in Japanese, and Jiang Xun also prepared his Japanese lines early.

"Xiao Jiang ......" Deputy Director Yu Daiqin gently called Jiang Xun three times before he turned his head.

"The situation has changed......"

Assistant Director Yu Daiqin's face was a little anxious, worried, Kurihara Komaki asked if the role of translator could be removed in this scene.

Oh, Jiang Xun just let out a soft sigh.

If he had put aside the past, he would always be uneasy, anxious, and even angry when he encountered such a sudden change in the plot during filming, but now he is as calm as water.

"Teacher Yu, can you design a kind of stumbling for me, that is, I am not very proficient, but the meaning can still be understood by each other."

"Oh, can you be in time," Yu Daiqin, the assistant director, looked at her watch, "how long will it take you to ......?"

"Twenty minutes." Jiang Xun said calmly.

The lines were quickly designed, and Director Xie Jin looked at Jiang Xun with a frown, his face was calm, and there was no trace of waves on his face.

"If you don't know the inside story, you really think that I have hired a mage to play the role of Spiegel......"

The calm and soft face made Director Xie's impatience disappear.

Kurihara Komaki was a little embarrassed, Director Xie waved his hand, "It's best to shoot like this, it's best to change like this, I believe that the best young actors in my country can play this scene well." ”

"Director, do you want to rehearse first......" Deputy Director Yu Daiqin tried to ask.

Watching the cameraman try to set up the camera, Director Xie Jin said directly, "No need to rehearse, set up the camera and shoot directly." ”

Shoot directly?

Deputy Director Yu Daiqin pinched a handful of sweat, she couldn't help but look at Jiang Xun, Xiao Qingzao ran over at some point, Jiang Xun was smiling and patting the little girl's face.

The warm morning sun shines through the window, and the bright light makes the figures of the two people dreamlike.

"Okay?" Yu Daiqin's heart didn't know which string moved, such a warm scene was like a movie picture.

"Director, I don't have a problem." Jiang Xun stood up calmly and said calmly.

……

This scene of mother and son recognizing each other, Kurihara Komaki has also been preparing for a long time.

The central scene of this scene is when the mother goes upstairs and takes out the clothes that the father once wore, and asks the son to change the robe into a kimono.

With mixed feelings, Jiang Xun called his mother in Japanese......

Kurihara Komaki looked at Jiang Xun in front of her, tears had already blurred her eyes.

At this moment, her heart is aching, it is really hurting, as if she has been pulled by someone, and her heart hurts.

In the haze, the man's voice echoed in her ears, and she understood that this was an actor's empathy......

A sentence of mother in the calm made her tears come out of her eyes.

Director Xie Jin behind the monitor, his eyes were red, and he gently wiped away the tears from the corners of his eyes.

In just this one piece, Jiang Xun contributed the most moving empathetic performance in the movie.

How important is an actor's empathy?

If you don't read a script thoroughly or don't really put yourself into the script, then the play will only be boring, let alone drive empathy from the audience.

How strong is Jiang Xun's empathy?

In the next scene, when he changes his kimono and puts on his robe again, just with his lonely back, he doesn't need to observe his face, and the tide in his heart can rise and fall in his mind......

The people present, from the director, scene notes, artists, lighting, and actors, are all infected by the atmosphere revealed by this interpretation, maybe they can't tell whether they feel sorry for their mother or their son, this is the real drama for the audience to watch!

At this time, the people here have completely forgotten Jiang Xun, only remembering that he is Master Mingjing!

Jiang Xun himself had long forgotten about himself, "Switch the camera." ”

Director Xie Jin snorted, he still has to be freed from the play, because he is the director, and others can be immersed in the play, but he can't.

This scene will definitely move the audience!

"Director, Kurihara Komaki seems to have a problem......" Xie Jin was staring at the monitor, and Assistant Director Yu Daiqin hurriedly walked to his side.