The decoration in the drunken grass pavilion does not have any luxury, and when you look at it, you can see that the windows are bright and clean, full of fresh and elegant style. On the surrounding walls, there are a lot of calligraphy and paintings, almost all of which have not been signed, which should be from the handwriting of the Tsing Yi monks themselves.

Tsing Yi is the former Guanhai Immortal Palace in the dignified high-level Yuan Emperor, which is equivalent to standing at the top of the secular world, the so-called glory and wealth no longer means anything to him, what he pursues is the sublimation of his own state of mind, since it is known as the three unique books, paintings, and wine, it is natural to take pleasure in these three things. Therefore, in this drunken grass pavilion, it does not look like a cultivator's residence, but rather like a grass house for an old pedant, painting and reading.

In such a place, is there really any treasure left for those who come after him?

Kong Ming's gaze looked at the surrounding walls for a while, and his gaze fell on a large calligraphy and painting more than one person high on the wall in front of the main hall.

This calligraphy and painting is one of the few rare calligraphy and paintings in the drunken grass pavilion, and there are a few small characters of wild grass dancing in the dragon flying and phoenix dancing, which is written "Guanhai Tsing Yi is drunk and graffiti here!", as for the painting, it is a painting of a light palace dress woman dancing with a sword, and there is a line of small poems on the picture:

"One sword and one dance to level the business, and lose the fame for 50 years!"

Looking at this calligraphy and painting, the woman in the painting is lifelike, although she is a character in the painting, but the sword in her hand is like dancing out of the rotation of the sun and the moon. As for the small poem on the painting, although there are only fourteen characters, the power of the words is through the back of the words, and between the strokes and paintings, there seems to be infinite sword intent hidden in it, which is like a sword and a move. Just like the sword-dancing woman in the painting, it exudes the atmosphere of Sensenjingo. That kind of passionate sword intent is definitely not something that ordinary dead things of calligraphy and painting can have.

This calligraphy and painting in front of me. Look at the fall should be made by the Tsing Yi monk after he was drunk, so this painting naturally includes the Tsing Yi monk's book, painting, and wine, which is definitely his masterpiece, no wonder it is hung in the middle of the main hall.

Following Kong Ming's gaze, Wu Yucheng also saw this calligraphy and painting, and after carefully tasting it for a while, he couldn't help but pat his thigh and said loudly: "Okay! What a treasure! The sword qi and sword intent are all integrated into the painting, and the world can block the sword blow in this painting." How many more?"

Wu Yucheng has the peak cultivation of a junior marshal, and his vision naturally has its own uniqueness, and he can see the extraordinary features of this calligraphy and painting. seems to be an ordinary calligraphy and painting, but in fact, the sword energy and sword intent refined by the monks in Tsing Yi are all integrated into the sword dancing beauty in the painting, and the row of fourteen-character poems. Even, the drunken payment that seems to be like a wild grass is also sealed with a great magical power, if it can be stimulated. It is equivalent to a blow from the high-ranking Yuan Emperor of Tsing Yi.

Therefore, this large-scale calligraphy and painting is definitely a treasure, after all, the sword intent and supernatural powers comprehended by a high-ranking Yuan Emperor. It is all contained in this calligraphy and painting, how can it be casually underestimated? If the sword qi and sword intent in this painting can be like the "painting absolute" in the prohibition of water waves outside the palace. Directly come to life and practice the magic power of sword intent and sealing, it is definitely as Wu Yucheng said. How many people in the world can block the blow of the sword in this painting? After all, no matter which state in the Tianyuan Kyushu, the high-level Yuan Emperor is a rare existence. And except for the high-ranking Yuan Emperor. Ordinary people, etc., it is naturally difficult to stop the power of the sword in the painting.

Since such a treasure was seen by Kong Ming, it was naturally not to be missed, so Kong Ming immediately picked up the "Eye of the Divine Examination" and identified the calligraphy and painting in front of him.

"Sword Dance Cursive, a special type of top-level Yuan Soldier Spirit Weapon, is expensive!"

When the purple light word of the "Divine Eye" appeared, Kong Ming saw such a message.

It can be identified as a top-level Yuan Soldier Spirit Weapon, and it is expensive, plus it is a rare special type of Yuan Soldier Spirit Product in the world, this "Sword Dance Cursive" is definitely a priceless treasure!

At that moment, Kong Ming was not polite, and directly removed the "Sword Dance Cursive" from the wall, held it in his hand and looked at it carefully.

The beautiful woman dancing the sword in the painting is like coming to life, and the sword aura is vertical and horizontal when dancing the sword, which seems to be decisive and decisive. As for the row of fourteen-character poems, it is a very powerful sword intent hidden in it, although it seems to be not as powerful as the sword qi of the sword dancer, but in fact, this word and one sword intent are equivalent to a continuous fourteen sword intent combos, even if you put aside the advanced cultivation of the monks in Tsing Yi, there are really not many people in the world who can block this continuous fourteen swords.

When Kong Ming was looking at the painting, his fingers were still slowly rubbing along the sword qi of the beautiful woman dancing in the painting, as well as the sword intent in the fourteen-character poem.

Kong Ming's friction seems to be a meaningless action, but as long as he is a person who has achieved cultivation, he can see that Kong Ming's movements follow the sword qi and sword intent hidden in the painting, as if he wants to learn the sword qi and sword intent in the painting.

With Kong Ming's ingenuity, as long as he starts to study hard, what is there in this world that is difficult for him?

A moment later, as Kong Ming's fingers flicked, the sword qi in the painting seemed to be stimulated by Kong Ming, turning into a series of substantive sword qi breaking out of the painting, almost instantly filling the entire space of the Drunken Grass Pavilion.

It is conceivable that if someone besieges Kong Ming, but Kong Ming stimulates the sword qi in the "Sword Dance Cursive", it can definitely give the besieging people a good look!

It can be seen that the sword qi hidden in the "Sword Dance Cursive" is an effective means of attack when dealing with group attacks. As for the sword intent in the fourteen-character poem, it is equivalent to a series of fourteen blows, and when fighting alone, I am afraid that not many people can withstand the continuous blows of the fourteen-character sword intent.

The useful moves during group attacks and heads-up are all included in the "Sword Dance Cursive", and it is no wonder that this strange treasure is all rated as a top-level after-the-back spiritual weapon by the "Divine Eye".

As for the supernatural powers contained in the "Sword Dance Cursive" inscription, Kong Ming did not stimulate it, because Kong Ming faintly had a feeling that the magical powers sealed in the inscription could only be effectively emitted at one time. Once the outbreak is over, then this payment is just a payment, and there is no magic power hidden in it.

This kind of one-time burst of supernatural powers, the power must be extraordinary, if it is equivalent to the full force of the Tsing Yi layman's blow, then the lethality is really extremely amazing, just thinking about it, it makes people feel excited!

It can be said that no matter from any point of view, this "Sword Dance Cursive" should be the evaluation of the top-level Yuan Soldier Spirit Weapon, and it is worthy of Kong Ming. Moreover, with this "Sword Dance Cursive" in his hand, he can take it out at any time to figure out the sword qi and sword intent in the painting, which can be regarded as another way to teach the art of mastery, how can Kong Ming refuse? At the moment, Kong Ming was not polite, and directly put away this "Sword Dance Cursive".

After putting away the "Sword Dance Cursive", Kong Ming took a look at the calligraphy and paintings hanging on the four walls, and found that all the calligraphy and paintings with the inscription have their own unusualness, even if the magic contained in them is far less than the "Sword Dance Cursive", but it also has its extraordinary, and it can be regarded as a treasure to the outside world.

It is estimated that these calligraphy and paintings were completed before the "Sword Dance Cursive", and were used by the monks in Tsing Yi as pen practice. However, if the work of practicing the pen can have a certain effect, the monks in Tsing Yi can't bear to throw it away, so they will hang it together in the drunken grass pavilion.

After Kong Ming had "Sword Dance Cursive", he was naturally not very interested in these works that were considered "Little Sword Dance Cursive". Yes, these "little sword dance cursive" have all become Wu Yucheng's trophies.

In addition to the calligraphy and painting with the inscription implied magical powers, the rest of the calligraphy and paintings hanging on the four walls are just some ordinary calligraphy and painting works, which are estimated to be all the proud works of the life of the Tsing Yi monk, and he will hang them around the residence so that they can be appreciated at any time.

finally broke the ban on water waves and entered the Drunken Grass Pavilion, and finally did not run in vain, Kong Ming and Wu Yucheng could be regarded as having a little gain. However, the monk in Tsing Yi is obviously a person who is indifferent to fame and fortune, and there are no longer any long things in the drunken grass pavilion except for those few calligraphy and paintings. However, the value of these calligraphy and paintings is no less than that of any treasure.

When exiting the Drunken Grass Pavilion, Kong Ming bowed to a desk in the middle, which could be regarded as a thank you for the ink treasure left by the former predecessor of Tsing Yi.

But thousands of years have passed, and the empty official hall and the absence of digital paintings can only make future generations think of the demeanor of their predecessors out of thin air, which has to be said to be a pity. Moreover, even if Kong Ming inherited the "Sword Dance Cursive", the three unique calligraphy, painting, and wine of the Tsing Yi lay scholars were still lost after all!

With a hint of understanding in his heart, Kong Ming left the Drunken Grass Pavilion with Wu Yucheng and continued to wander around the Lianhai Palace.

Lianhai Palace occupies almost all of Cirrus Yuntai, and it is a palace complex with more than 100 palaces, almost every palace is protected by prohibition, and it can be said that every palace is a treasure trove!

In such an environment, how to choose next?

Wu Yucheng had read the codex handed down by the ancestor Wu Tianpeng, and he had a certain understanding of Lianhai Palace, so he immediately proposed on the side: "Sir, there is a place in this Guanhai Palace, called the Huanhuo Room, which is said to be the place where the elixir master and the refining grandmaster of the Guanhai Immortal Palace used to open the furnace for alchemy or forge the Yuan Soldier Spirit Weapon, do you need the disciple to take a look?"

After hearing this, Kong Ming smiled and said, "Since there is such a place, how can there be a reason not to go?

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