Depiction of ancient architecture

1. There is a big case of Huali marble in the local area, and there are various celebrity laws on the case, and dozens of treasure inkstones, various color pen holders, and pens inserted in the sea of pens are like woods. On that side, there is a big Ru kiln flower sac, and a bag full of crystal balls is inserted in the white chrysanthemum. On the west wall, there is a large rice Xiangyang's "Smoke and Rain Map", and a couplet is hung on the left and right, which is Yan Lugong's ink, and its word cloud: Yanxia idle bones, Quanshiye career. There is a big tripod on the case. On the left red sandalwood shelf is a large plate of a large view kiln, which contains dozens of delicate yellow and exquisite Buddha's hands. On the right lacquer shelf hangs a white jade flounder, and next to it hangs a small hammer. On the east side, there is a couch, and a gauze tent of green double-embroidered flowers and grass insects hangs on the bed. ”

2. The big kang near the window is paved with scarlet yangzi (jì), and the front is set with a big red money python backrest, a stone blue money python pillow, and an autumn fragrant money python large mattress. On both sides, there is a pair of plum blossom lacquer small tables. On the left is a box of incense sticks, and on the right is a gū (gū) of Ru kiln beauty, which is filled with fresh flowers, tea bowls, phlegm boxes, and other objects. On the four chairs in the west of the ground, there are silver and red flowered chairs, and there are four pairs of foot pedals underneath. On both sides of the chair, there is also a pair of high tables, and several tea bowls and vases are available.

3, Lin Daojing and Yu Yongze live together. Two small Chinese-style apartment rooms, very tidy and tidy. There is an ancient porcelain vase on the bookshelf, and on the desk there is a pot of evergreen asparagus in winter and summer. On one side of the wall hangs a photo of Tolstoy with a white beard, and on the other side is an eight-inch half-length photo of Lin Daojing and Yu Shuize. The picture is embedded in a delicate frame, looking at people with a smile. In short, this old-style cottage has been arranged by them in this way, warm and elegant, as if it has the breath of spring.

4. I saw that the entrance is a zigzag verandah, and the stones under the steps are spread into a road. There are two or three small rooms above, one bright and two dark, and there are beds and chairs in them. There is a small door from the inside room, and out there is the backyard, where there are large pear blossoms and plantains. There were two more small regressions. A gap suddenly opens under the wall of the backyard, the clear spring is a faction, the ditch is only a few feet, poured into the wall, around the edge of the house to the front yard, circling under the bamboo. ”

5. The room is full of sunshine and luxurious furnishings, and there are all kinds of clocks and watches inlaid with diamonds on the windows. Each room has an ornate bed with neatly folded bedding and a white candle carved with a dragon with teeth and claws. The interior of the house is furnished as before.

6. Entering the garden, the tall orange crown is like a green umbrella, they open the branches next to the ground, the branches are countless, the leaves on the branches are crowded next to each other, a cluster is piled on the order of a cluster, the leaves grow a layer of new green under the moisture of the spring rain, and the new green reveals a little oily green in the sun. Pick a piece and rub it in the palm of your hand, the strong leaf fragrance is refreshing. The most attractive should be the orange blossoms, dotted with green leaves, clusters, like snowflakes full of trees, and the thick fragrance is even more intoxicating.

7, is the lofty pavilion, the floor rises, the face of the palace hugs, the road lingers, the green pine eaves, the jade fence is around, the golden beast face, the color of the head of the mantle", and then write a jade archway "above the dragon pan mantis protection, exquisitely chiseled.

8. In the shade of green trees, neat tiled houses and old thatched huts are intertwined, just like a chess piece in full swing.

9. It was a low and dilapidated south house, the house did not see sunlight all the year round, it was dim and damp, the wall skin had long been peeled off, and the wall was uneven.

10. It was a huge ancient mansion, at the foot of the pale mountain rocks. Behind the house was a bamboo forest, and knobby bamboo roots like whips hung down from between the walls. A ruined well covered with duckweed below has become the best retreat for frogs. I was frightened of the seclusion and yet felt a kind of attraction to the colorful wings of the butterflies in the barely inhabited grass path, and the red and green dragonflies that were rare elsewhere. I myself grew quietly like the plants and trees that no one was paying attention to. 17、

11. In the south of the Yangtze River where apricot blossoms and spring rain rain, the exquisite and handsome attic and the concise and elegant bamboo building maintain harmony with nature; in the vast and sparsely populated Saibei, the tiled houses with eaves and ridges show the solemnity of life; in the vast North China, the flat-roofed houses cut down are as simple and rich as the Great Plains.

12. Turn to the east, pass through a hall of east and west, and after the south hall, the large courtyard in the Yimen, the five large main rooms above, the wings on both sides of the deer top ear room drill the mountain, extend in all directions, and be magnificent

13. The walls are painted with colorful patterns of small light blue squares, surrounded by gilded, ornate frames, and delicate flowers and fruits are carved on the corners, on which the fat little goddess of love flies freely. The ceiling is painted with a golden caisson and a cluster of lights in the middle—light bulbs dotted between the glittering prisms and gilded stucco leaves. The floor was waxed, polished, and glowed reddish, and all around were mirrors—tall, clean, carside mirrors—reflecting countless figures, faces, and lampstands. The table itself is not very remarkable, but the name of the restaurant is printed on the tablecloth, the Tiffina brand is engraved on the silverware, the name of Havlan is on the porcelain, the light under the small red lampshade illuminates the utensils, and the color of the walls reflected on the clothes and faces of the guests.

14. The room was very tidy, with a simple bed in the corner, a checkerboard curtain at one end, and only a whitewashed wall at the other. The floor was covered with mud bricks, and it was spotless, but it was so damp that it seemed that it would never dry again after the last wash. The basement window faced the street, and for fear of children throwing stones, a shutter was installed, and it was covered with strange weeds from the fence, the ditch, and the fields,...... The room was full of herbs, and the light was blocked, and when they dried, they gave off a foul smell.

15. I saw the beautiful trees and green onions, the strange flowers were burning, and a clear stream flowed from the depths of the flowers and trees under the stone gaps. A few steps further, gradually to the north, flat and wide, both sides of the flying building plugged in, carved embroidered sills, all hidden in the col between the branches. Looking down at it, then the clear stream is pouring snow, the stone pierces the clouds, the white stone is the column, the edge of the pond is embraced, the stone bridge is three ports, and the beast face is spitting.

16. There are white marble pillars standing in the four corners of the room, the walls around it are all carved from white stone bricks, the orchids carved from gold are blooming charmingly between the white stones, the blue curtains ripple with the wind, and the blue marks stand in this ten-meter-high building, as if it were not for the killer's unique calmness, it would have fainted, and two words have been floating in my mind: luxury.

17. Building, the group of buildings that rise like a dense forest, is as majestic as the banyan tree in the south, tall as the poplar in the north, white as the cedar, bright green as the bamboo, golden as the ginkgo biloba in late autumn, and red as the kapok full of flowers in late spring...... 20 floors, 20 floors, 40 floors, 50 floors...... There were even three days of high speed soaring, like countless huge exclamation points, splashing around me like a torrential rain. I ascended, descended, rotated, looked down, looked up, looked up, looked at each other, and while admiring, I couldn't help but feel a sense of dizziness and weightlessness.

18. The exquisite villas with rural style are scattered in the shade of verdant trees, and it is as if you are far away from all the hustle and bustle of the city, and the feeling of tranquility and remoteness is fascinating.

19. The guests were welcomed into a pale blue villa. They were presented with rooms where some of the world's heads of state once lived—comfortable bedrooms, palatial living rooms, and imposing reception rooms. Parquet floors made of ash are covered with large red carpets with intricate wainscoting panels. Passing through the room, there is a crystal clear warm corridor, and looking out of the window, the gorgeous and colorful garden scenery comes into view like an oil painting......

20. The veil hangs low, creating a hazy atmosphere, and the surrounding stone walls are all covered with brocade, and even the ceiling is separated by embroidered felt, which is both warm and warm. The furnishings are also used in the girl's boudoir, extremely luxurious, the finely carved jade tooth bed, the brocade quilt is embroidered, and the curtain hook also hangs a small sachet, scattering a faint fragrance.

21. The tender cold locks the dream because of the cold spring, and the aroma is the fragrance of wine. On the case, there is a treasure mirror set up in Wu Zetian's mirror room, and on one side is a gold plate where Feiyan has danced, and the plate contains the papaya that An Lushan threw and injured Taizhen milk. There is a couch where Princess Shouchang lies under His Royal Highness Hanzhang, and it is a bead tent made by Princess Tongchang.

23. Pavilions, pavilions, ponds, pavilions, and water pavilions are reflected in the green pines and cypresses; rockeries, flower beds, bonsai, vines, and green bamboos are dotted among them.

24. The courtyard of the Liu family is very elegant. On the fence full of loofahs and pods, the green leaves shower in the warm sun, giving people a sense of beauty and tranquility. Three bright north rooms, smoke slowly wafting from the rooftops.

25. Walk through the courtyard and step up the nine-fold stone steps to arrive at the splendid Daxiong Treasure Hall. It is said that this is the imitation of the Tang Dynasty building in the Ming Dynasty, the hall is more than 10 meters high, and the four cornices are hung with copper bells; the breeze blows, and it is played on the ground of "Ding Ding Dongdong", which is awesome! Entering the main hall, I saw a five-meter-high Buddha sitting on the lotus platform with a smile, and listened to my father say that this big Buddha is all made of red gold paste. I leaned up and looked at it carefully, the Buddha statue was copper-colored, and there were disciples, Bodhisattvas, wrestlers, heavenly kings, arhats, etc. on both sides of the Buddha, all of them with kind eyebrows and good eyes, and their faces were serene.

26. The kitchen is a whitewashed room. There were a few prosciutto hanging from the rafters, potted flowers on the windowsill, guns hanging from the nails, and rare large cups, porcelain and wax vessels, and several portraits of Queen Victoria. Bowls and spoons were laid out on a long, narrow wooden table, over which a bunch of onions hung high, and two shepherd dogs and three cats lay sparsely on the ground.

27. The pavilions and pavilions of the Imperial Garden are dotted with vibrant green bamboos and strange-shaped stones, and those strange stones are stacked together, abrupt and rugged, and the momentum is extraordinary.

28. Stay here, listen quietly to the flowing spring plucking the rhyme, and the ancient acacia to figure out the breeze. Oh, what a beautiful treat this is.

29. The powder wall outside the courtyard is encircled, the green willow hangs around, there are three hanging flower gatehouses, and the verandah is copied on all sides. In the courtyard, the Yong road is connected, the mountains and stones are embellished, and the plaque of "Yi Red Fast Green" is hung on the five hugging buildings. The whole courtyard is magnificent, graceful and luxurious, the garden is splendid, clear and exquisite, the backyard is full of roses, treasures, and a pool. Qinfang Creek converges here and flows out of the Grand View Garden, and there is a white stone road across the Qinfang Creek to pass to the other side.

30. On both sides is the verandah, in which is the hall, and there is a large interstitial screen of red sandalwood shelf marble on the ground. Turning the interstitial screen, there are three small halls, and behind the hall is the main courtyard at the back. The five upper rooms in the front are all carved beams and painted buildings, and the wings of the verandah through the mountains on both sides are hung with birds and birds such as parrots and thrushes. On the platform, there are a few girls dressed in red and green.

31. This is a three-room thatched house, and it is so short that Bai Yun's not tall man has almost touched the eaves. It can be seen that because it is too old, it looks like a hunchbacked frail old man, and it is in danger of collapsing at any time. The door panel has rotted a few pieces. Two small windows on the mud wall are clogged with broken mats and grass. 56. She looked around, this is the kind of one-by-one unit house, and Le Jun has lived here for many years. By the window was a hardwood and marble desk left by her parents, and against the wall was a cabinet piano, next to which was her cello. A screen with two painted floral feathers obscured her bed. There are two single sofas outside the screen, among which is a small round table, and behind a few are a large floor cover, the edge of the apricot yellow lampshade is slightly upturned, and the soft light makes the room appear very quiet. 57. It is a three-bedroom unit dwelling, with a kitchen and bathroom next door, two transepts as bedrooms, and a main room with a balcony for entertaining guests. Although the interior is not spacious, it is neat and fresh, there are two pots of spider plants on the TV case shelf in the corner, the green and tender stems and leaves hang straight to the ground, a writing desk full of pen, ink and paper next to the window, and the two bamboo bookshelves next to it, crowded with books of various colors, obviously someone often reads and writes here.

32. The serf huts are all remarkably decaying. The wood is moth-eaten and old to gray. Many roofs seem to be sieved. Some of them have no roof visible except for the rafters, and there are a few rungs in between, like ribs on a skeleton. ...... There are no window panes everywhere. Occasionally, the window holes were plugged with pieces of cloth or rags. The small terrace with a railing under the eaves, I don't know why,...... But they were all slanted, old, and even the paint was peeling off cleanly.

33. Fruitfully see the verandahs of the main room, all of which are small and chic, not as magnificent as the square side, and the trees and rocks everywhere in the courtyard are there. When I entered the main room, there were already many concubines and maids dressed in beautiful makeup and beautiful clothes.

34. The farmhouses in the village are almost completely covered with snow, leaving only a few black windows, like a pair of wide-open eyes, looking at this snowy world in surprise.

35. The architecture of this courtyard can be said to be somewhat close to the "Beijing style" - there are five rooms in the north room, three rooms in the south room, and the kitchen is close to the gate. There is also a well outside the kitchen, and a basket of verdant bamboo grows next to it. In addition, there is a plane tree, a willow tree, two apple trees, a peach tree, and two pear trees in the yard. If there is a defect in this yard, it is the fact that the fence is crooked and dilapidated. Some of its gaps could even fit into a person, and there was a large vegetable garden outside. Fortunately, this was after liberation, and if it had been before, it would not have been possible to live in peace for a day.

36. This is a clean and elegant room. A Simmons double bed in the middle of the room, covered with a white bedspread embroidered with small flowers. On the left is a pair of delicate small sofas, a bedside table, and a small table lamp stacked with shells on top of it. On the right is a pale green refrigerator with a set of carved glass drinking glasses. In the middle of the room, a large color photograph hangs......

38. When autumn and winter come, people's houses are on the cliff, waterfront, all of which are eye-catching, the yellow mud walls, the black tiles, but the location is always so appropriate, and it is extremely harmonious with the surrounding environment, so that people get the impression head-on, it is really very pleasant

39. The high well platform, surrounded by a few weeping willows, the wellhead is inlaid with four large bluestones, covered with thick shade, in the hot summer, the brick wall of the wellhead is covered with tender moss, and there is a coolness, even the air is like green, transparent and fresh.

40. The paper door on the front of the room, the inlaid kang bed, the hanging screen with the fragrance of four Zhang Shengyu warblers and bees and butterflies cut and pasted in various colors of silk satin, the pillar frame on the table, the box and jar tin ware are piled up, the stick incense is inserted in the ground, and there is a Dongpo chair on it.

41. This is a huge ancient mansion, at the foot of the pale mountain rocks. Behind the house was a bamboo forest, and knobby bamboo roots like whips hung down from between the walls. A ruined well covered with duckweed below has become the best retreat for frogs.

42. Standing halfway up the mountainside and looking at the village, the low huts are scattered in the col like small mushrooms that come out of the ground after the rain.

43. In the northeast corner of the wall, there is a purple bookcase, the warm sunlight penetrates through the vermilion carved wooden window, scattered on a supported guqin, the pink gauze curtain brings in some petals from the window with the wind, gently brushes the strings, and the incense burner rises from the bursts of cigarettes, wrapped in the gauze curtain, and fills the whole boudoir.

44. This study seems so extraordinarily quiet. The air is average and warm. The fire also slowly floated with a red light. The walls were white, and the white paper was printed with some silver patterns, and the two bookshelves were also white, and there were many books in gold letters on them. And on the top of the bookshelf was a pot of asparagus, which had grown more than three feet long, and hung down like a fragrant vine, and the small green leaves faintly concealed some books. On the delicate writing desk, there are several English books, a marble inkwell box, a small delicate month card, and a copy of "Hope" set in a silver-gray copper frame. These decorations and moods clearly show that the owner of this study has a very high level of interest in everything......

45. The courtyard is not big, but it is clean and neat, full of vitality; there is a tiled house in front of the hall, and there are two thick persimmon trees standing on the left and right, with branches and leaves; a big yellow dog stares at the living people majestically, two old hens lead a group of fluffy chickens, and they are leisurely foraging under the trees, and several little flower cats are chasing and frolicking with the chickens.

46. On the shore of the Lake of Eternal Rest, there are large swaths of golden flowers, like golden stars lying between the green leaves, but there is no kind of star that can be so dazzling, brilliant, and so enchanting that it seems to be able to take away people's breath. 33. The gold-topped stone wall is painted with a variety of bird patterns and is colorful. The floor is covered with a carpet embroidered with soft brocade and satin, with the occasional bright red flame burning.

47. In the park, the exquisite pavilions and pavilions, the quiet and beautiful pool pavilion water corridor, as well as the masterpieces of ancient gardens such as large rockeries, ancient theaters, and jade Linglong, all make me nostalgic for going back and forth. In particular, the carved dragon built on the ridge of the wall, with its scales and claws fluttering, its whiskers flying, as if it was about to take off, is even more moving.

48. The shadow of the tree moved on the carpet, and the smoke of a good incense in the big xuan furnace continued to rise. The wall coat on the east side is bathed in the sun's rays, and the gold and splendid scenery attached to it reflect the dazzling brilliance. There is a painting of Chen Soweng's ink dragon hanging in the middle hall, and the image of teeth and claws is about to fly down. On the west wall is a landscape of horses and horses, with soft and soft brushstrokes that want to protrude from the silk surface, making people forget that they are sitting in a house in Beijing.

49. He went to his mother's room and looked around, and felt that this house was really a fairy cave, beautiful and interesting, and dazzling people's eyes were dazzled. There are beautiful clothes hanging in the closet, pale red, light blue, and colorful. On the dresser is a beautiful bronze hand, hung with sparkling rings, and next to it is a jewelry box with silver buckles. There is another dressing mirror in the house, which is really a wonderful work of art. He could just see his own face in the mirror. After seeing so many rare things, my face was stupid.

50, Xiuyu has just become a reality, and it is suitable to treat the phoenix. The rods are green, and they are all green and cool. Burst out to prevent the water, wear the curtain to hinder the fragrance. Don't shake the broken shadows, good dreams are just growing.

51. However, after moving here, when I saw the balcony with iron railings and painted pale green, a kind of joy filled my heart, as if a child had received a long-awaited toy. Yes, I love balconies, in the middle of an increasingly crowded city, like a small island jutting out of the ocean, from which you can look out at the turbulent sea, the jagged roofs at your feet, and the people who are busy in the middle of the house. A lamp in front of you, a bamboo pole of clothes, an old man sitting at the door with his eyes closed, and the red corner of his clothes that flashes in a certain window will cause you a mysterious reverie.

52. On the wall hung a curtain embroidered with hunting pictures with gold and silver silk threads, and the embroiderer was the most exquisite at that time. The bed was covered with an equally rich silk sheet, surrounded by a short purple curtain. The chairs also have colourful covers, one of which is particularly tall and has an openwork ivory footstool in front. There were at least four silver lampstands, lit with tall candles, illuminating the room.

53. When I looked up, I first saw a big plaque of red gold and nine dragons and green land, on which were written the three big characters of Douda, which was "Rongxi Hall", and there was a line of small characters at the end: "A certain year, month and day, the book was given to Rongguo Gong Jia Yuan", and there was "Wan Ji Chen (chén) Han Zhibao". On the case of the large red sandalwood carving, there is a three-foot-high blue-green bronze tripod, hanging to be leaked with a large painting of the ink dragon of the dynasty, on one side is the golden dragon (ěi) Yi, and on the other side is the glass (hǎi). There are 16 nanmu chairs on the ground, and there is a couplet, which is an ebony couplet, inlaid with the handwriting of chisel (zàn) silver.

54. A huge banquet hall of white marble: red curtains, shiny intarsia floors, many tables in the middle of green columns, and white tablecloths with gold, silver, and glassware glittering. On the high platform was a long table, about a hundred feet long from one end of the hall to the other, and the rest of the tables were arranged in rows at right angles to the high platform. Two gigantic chandeliers hang from the high red and gold ceilings, and the countless round lamps of frosted glass on the chandeliers shine brightly. On the walls there are also ornately decorated sconces that shine brightly.

55. This is a Tibetan-style flat-roofed building with a civil engineering structure. The hall was very dark, which added to its mystery, and there were many large pillars inside, and a few of my classmates and I counted them curiously, and there were 160 of them! If you look closely, you can see that each pillar is wrapped in colorful blankets, interspersed with embroidered streamers, and there are various cut-and-paste Buddhist stories on them. The hall is a wooden floor with a carpet on top of it, and it is a place for lamas to meditate and chant sutras. The roof of the Great Scripture Hall is unique, all kinds of inverted bells, exquisite and unique pagodas and ingenious **, golden deer, etc., decorate the Great Scripture Hall magnificently and rich in religious atmosphere.

56. Walk into the main hall, in the middle is a vermilion lacquer square platform about two meters high, on which a gold lacquer carved dragon throne is placed, behind is a carved dragon screen, there are six tall dragon golden pillars on both sides of the square platform, each big pillar is coiled with a vigorous golden dragon; The jewel is facing the golden luan throne below, the color painting between the beams is gorgeous, bright and pleasing to the eye, the red and yellow gold dragon pattern pattern, there are double dragons playing with pearls, the single dragon flies; there are walking dragons, sitting dragons, flying dragons, descending dragons, colorful, the dragon's surroundings are also lined with flowing clouds and flames.

57. The main building is made of a color bluestone, straight up to seven floors, and the stone strips are deliberately not polished and smooth, rough and dignified, like a giant exposing a strong chest and open bosom.

58. The furnishings of this room are simple, but they are gorgeous. The room is round, against the wall, with a ring of fixed benches. The benches, the walls, and the ceilings were covered with richly nailed animal skins, which were as soft as the most precious carpets, and among them were the lion's skins with fluffy manes, the striped Bengali tiger skins, the leopard skins of Cap, the bearskins of Siberia, the foxes of Norway, and the skins of the sheep, which were scattered with beautiful dots, which had appeared in the presence of Dante, and the skins of the bears of Siberia, and the foxskins of Norway, all laid on top of each other, as if on a walk on the most grassy racecourse, or lying on the most extravagant bed.

59. On the combing table, there is an ivory inlaid Dou Bo Nan makeup reduction one, a spotted bamboo Wanzi bed is laid on it, a Luo tent of Xiang Yuebai Baidie Lake is hung, a collar of extremely thin mats is laid on the bed, a long rattan pillow is placed, and a single quilt with two thin filigree filigree eyes is placed next to the pillow of Shen Su incense nose incense There is a small round box of double-headed peony flowers in the Song Dynasty gold fetus carved lacquer, which contains a real Burmese bell from Burma.

60. Walk through the Dacheng Gate and come to the Dacheng Hall, one of the three major halls in our country. This majestic and towering huge building with heavy eaves and nine ridge tops, the bucket arches are staggered, and the yellow tile covers the roof, like a golden luan palace. In front of them were ten stone pillars, each carved with two dragons, one above and one below, coiling and rising, soaring through the clouds and swimming towards the middle, and in the middle, there was a jewel surrounded by some flames. Oh, two dragons are fighting for the orb!

61. The gloomy window faces the same courtyard, with the same fence, and between the railings is a spider's web, perhaps twenty-five years old, and the curtain that was twenty-five years old and originally green, has now faded because of its attachment to the sun. Next to the window was the same black table, covered with a tablecloth that had been green before, but was now spotted. On the table were a large, black inkwell and a large bottle of black anti-spray powder, both fixed to a single seat, and a pair of brass candlesticks, which no one used to light the candles anymore, and a pair of copper scissors for cutting the wicks, which no one used to cut the wicks. An iron bed with a thin mattress hung a double-barreled shotgun that had never been used. Under the bed, there is a six-stringed box that looks like a small coffin. A narrow leather couch, two leather chairs, a large white iron washbasin, and a small red cupboard of deep cherry blossoms make up the furniture of this room. The room, because of its long and narrow topography and often shrouded in darkness, resembles a tomb rather than a room.

62. The early morning sun is wisps, like a drizzle of rain falling on the dream-like house in front of you, sprinkled all over every corner that has been dusted by the age, the air is filled with the fresh smell of plants, and the smell is followed by the European style building covered with moss on the outer wall, the fingers gently caress the slightly cool rocks, which is particularly wonderful, and the copper fence with a graceful body is placed outside the window, and the branches on the top are slightly curled like sunflower leaves, so that the stereotyped building and the woods next to it are integrated. Although the lacquer oil of the gate is corroded by antiquity, it has a kind of vicissitudes of beauty, the golden doorknob shines with a small light in the sunlight, although it is small, it seems to be able to shoot into people's hearts, even if the cold morning dew is on the body, it will evaporate because of the light, the creak of the door being pushed open, although harsh, but unexpectedly can calm people's hearts, even if the bricks on the roof fall off a little, but still have an indescribable beauty, looking at this huge and exquisite historical precipitation, Suddenly we found that the world was so big, and we were just a speck of dust.

63. The tiles on the roof are pressed as dense as fish scales, and the Tianhe Breach will not leak in a bit.

64. Classical and cheerful, with a spire-shaped sloping roof, plastered wooden frame and column decoration, natural building materials and vines clinging to it are in contrast to each other, classic and fashionable.

65. As soon as you enter the Yu Garden, you will see the "Sansui Hall", there are several cycad trees planted in front of the hall, and there are some famous trees, and the little green leaves around you are clear and shiny in the drizzle. Walk along the path of "Sansui Hall" through the "Yangshan Hall", cross the stone gate, and it is really like the plaque written "gradually getting better": the big rockery more than ten meters high is tall and upright, and the momentum is majestic. The winding path of the lotus pond under the mountain, the sound of the water of the small bridge flowing water "Ding Dong, Ding Dong" is mixed with bursts of laughter and laughter, intertwined into a moving "spring song"; Standing on the top of the mountain, looking down at the Yu Garden, the green mountains and green waters, the picturesque scenery of the pavilions and pavilions, the panoramic view, the Yu Garden, your exquisite garden architecture really attracts people, and your resident spring scenery is even more fascinating!

66. In its courtyard, I only feel a strange fragrance, the colder the strange grass fairy vines are, the greener they are, the more the vines lead the vines, and they are tired and lovely. The strange grass fairy vine wears the stone around the eaves, and strives to grow upward,

67. The Gothic building, painted with a thick milky white, pierces the clouds sharply and abruptly. Brick by stone, ancient bells, pious kagura, white doves piercing the sky, swimming.

68. I saw the beautiful trees and green onions, the strange flowers were scorching, and a clear stream flowed from the depths of the flowers and trees under the stone gaps. A few steps further, gradually to the north, flat and wide, the two sides of the flying building plugged in, carved and embroidered sills, all hidden in the mountain col between the branches. Looking down at it, then the clear stream is pouring snow, the stone pierces the clouds, the white stone is the column, the edge of the pond is embraced, the stone bridge is three ports, and the beast face is spitting.

69. A European-style villa in the secluded mountain forest comes into view, and the careful observation is made of a piece of wooden plank, with a sharp tip and a fresh and unconventional approach, a white stucco wall combined with light red roof tiles, continuous arches and corridors, and a living room with high windows that make people feel refreshed.

70. In the imperial garden, the ancient cypress is towering, and each one grows very luxuriantly. A variety of strange rocks and flowers dot the garden.

71. The house is also very different from the average farmhouse. In general, there is a broken bed in the house, and sundries such as chopping boards and pans are placed on the bed. Here is a bit of the landlord's style, in the middle of the table, the eight immortals table, on each side of the Taishi chair, the chair is also covered with red cloth cushions. The big chiming bell on the bar table was polished brightly. The partition doors on both sides were covered with snow-white curtains, and the furnishings of the inner rooms were obscured.

72. The gray tile and white wall and tall gatehouse shared by the Hui school building, the gatehouse wall has exquisite carvings, the carvings on the roof are more delicate and beautiful, and there is a set of water systems in the whole building, coupled with the green trees into the shade and the mountains echoing, so that you have a sense of being in a fairyland.

73. Looking at the knotweed flowers and reeds on the shore, and the green wattles in the pool, they all feel swaying and falling, as if they are reminiscing about the old people, which is not comparable to the usual reckless and fighting colors. After appreciating such a bleak and miserable scene, I couldn't help but chant a song: The pond was cold in autumn overnight, blowing away the red jade shadow of the lotus. The knotweed water chestnut leaves are not worried, and the heavy frost presses the stalk again. I don't hear the sound of chess in the eternal day, and the swallow mud stains the chess table.

74. Most of the Uygur residences are courtyards, and the gate is generally not open to the west. The house is square in shape, with a deep front porch, and the courtyard is planted with flowers, grapes, and fruit trees, and is very clean. The interior is built with clay kang, tapestries are hung on the walls, niches are opened, and decorated with a variety of floral patterns.

75, Yi Gong led in front and walked into Bingru's guest room. It was a Western-style room: above the fireplace, a reproduction of a young girl with one hand and her beautiful eyes slightly drooping, pondered there. Two large sofas of different styles, separated by figures, are placed in front of the fireplace. On the opposite side is a delicate piano table, a vase after the rain and a sunny day, and a few branches of plum that have not yet been fully opened. There are four strips of Wu Changshuo's calligraphy on the wall inside, which are vivid and condensed, and the whole thing looks more interesting than one by one. Under the wall is a coffee table and two chairs with low backrests. There is a round table in the center, surrounded by four round chairs. The floor is carpeted. Light poured in from between the two tall and wide windowsills, and the room was bright enough. A wall clock in the front of the right wall plays a light and gentle tune.

76. Outside was a small courtyard with a few bamboos and a flowerbed covered with green moss, and beside the altar stood two or three shabby pots of purple mud, with some weeds growing in a mess.

77. A good elegant and delicate courtyard: the east wing room is full of green bamboos, two green pines on the west wall, more than a dozen pots of autumn chrysanthemums under the south eaves, with buds to be released, and the center of the courtyard is full of red dates, which will be harvested.

78. On the west side of the courtyard, on several long bamboo poles, there are flowers and vines crawling, and the dense green leaves are lined with purple-red flowers, which are delicate and bright, and look like a beautiful colored satin from a distance.

79. The romantic and solemn temperament, the high entrance hall and the magnificent door, the round arched windows and the stone masonry at the corners, show grace and luxury.