Condell was very tired at the moment, and his body, which had not fully recovered its strength, had gone through fierce battles, and it was completely with super willpower that he persevered.

Especially in front of Long Zhongyang, who was arrogant and arrogant, he couldn't show weakness at all.

His body was not harmed, although the loss of fighting spirit was not small, but it was not to the point of overdraft at all, and his greatest fatigue still came from mental, especially in underwater combat, which had a lot of inconvenience for him.

Although he was tired, this could not be used as an excuse for him to be lazy in his cultivation, so he picked up the Aoba Sword and practiced in the room.

The room wasn't too spacious, but fortunately, although he was using a long sword, his martial arts style wasn't the kind of long weapon that opened and closed.

Rather, it is subtle and swift, like the wind blowing the leaves, so there is room for "a big tree" for him to perform.

Agile footwork and agility are the basis for his subtle swordsmanship, however, the most important part is the arms, more precisely the wrists.

The wrist is the last link in the control of the weapon, whether the wrist is flexible or not, determines whether the weapon is flexible and changeable, and the strength of the wrist affects the power that the weapon can emit.

So, Condell has been practicing his wrists in a targeted manner.

Holding the sword, constantly flipping, constantly adjusting the next batch upward, and constantly adapting to various angles.

After practicing for a long time, my arms were sore, and my wrist tendons twitched slightly. These pains were nothing to him, for the pain he had experienced was a hundred times greater.

As the saying goes, "once the sea was difficult to turn into water", those who have experienced strong winds and waves and retreated in front of small rivers and ditches cannot say that there are none, but can only say that there are too few and too little.

The physical pain was nothing, but there was another aspect that really distressed him.

Because he found that no matter how much he practiced, it was as if he was repeating the movements that he had been so skilled in the past, and it was impossible to innovate again, which was something he had never experienced before.

In the past, every time I practiced my wrist, I could have more or less adjustment to the last time, and this adjustment was of course benign and conducive to actual combat.

But this time, there is no room for improvement and progress, which should be a good thing in a sense.

There is no improvement and no progress, and it can be summed up in one word that is very proud - perfect!

But is it really perfect? Is it really so simple to reach the pinnacle in a certain field, impossible! Absolutely impossible!

If you are the kind of person who is easy to satisfy, you will definitely be very happy, and if there is no room for improvement, it means that you are already flawless in this aspect, and there is still a need to continue to practice?

But is Condell, apparently not that kind of person, really perfect? Condell asked himself over and over again.

"No!" Condell suddenly had a flash of inspiration, figured it out, and instantly rejected the question of whether it was perfect or not.

The reason why I feel that it is perfect is because it does not have enough ideological realm.

Just like a big fish in a small blister that grows to the size of a whole small blister, it will think without doubt: I am the biggest fish, I can't grow up, and no other fish will be bigger than me.

But what if you put it in the lake? it will be amazed that it has room to grow up, and if you put it in the sea, it will be shocked to find that it is so small.

What Condell lacks now is the "lake" and "sea".

It's not easy to figure this out, but it's even harder to find that kind of vast space.

Because in order for the fish to find the lake and the sea, it needs to first leave the blister, get out of the water, and cross the land with no direction and no unknown distance.

How to find this breakthrough, Condell tossed and turned, and was puzzled.

Scene by scene, he recalled the process of his father teaching him to cultivate wrist strength.

Scene by scene, I recalled my feelings when I flipped my wrists again and again during the practice.

Scene by scene, I recall the battles of those famous powerhouses who relied on wrist dexterity...... Always clueless.

Suddenly, the image in his mind jumped to the battle at the bottom of the sea.

The way the goldenrod sharks fought caught his attention, and the hovering teeth of the golden whirling teeth were not only sharp, but also extremely flexible, which was not the most interesting for Condell.

What caught his attention the most at that time was that the golden-veined whirltooth shark didn't seem to be using its body force to drive the spiraling teeth, but more like the circling teeth slamming away.

The whole body seemed to be violently ejaculated by the trajectory driven by that row of teeth, which was very strange.

He noticed this at the time, but he didn't think too deeply about it because this golden-veined whirling tooth shark was an ancient race, and its fighting method must have its own uniqueness.

Looking back now, I suddenly felt that my mouth suddenly opened, and I had an urge to look up to the sky and smile.

Use the wrist to control the hilt, and then the hilt to drive the blade, even if the angle is too tricky, it also needs a process of conduction, and this process will inevitably have a waste of power and control.

What if the focus of the hand is directly on the blade?

Of course, the focus of the wrist falls on the blade, not to say that you have to grasp the blade directly with your hands, so that you will injure yourself before you touch the enemy.

To put it simply, it is to change the original three-point line to a two-point line, for example, the sword suddenly wants to change from the original oblique slash to a front stab,、。

If the focus of the wrist is on the hilt, you must wait until the sword is completely upright before you can stab it out to ensure that it hits the target.

But if the focus of the wrist is on the tip of the sword, there is no need to wait.

When a sword is stabbed, even if the sword is originally evil, as long as the wrist and the tip of the sword are aimed at the target, even if the sword body is bent by force, the tip of the sword can still stab the target.

Thinking of this, Condell couldn't help but suddenly open up, as if there was a broad road in front of him, condensed his mind, devoted himself to that feeling, and practiced repeatedly.

I have to say that Condell's Aoba Longsword has given him a lot of help, but it is just an eight-forging spirit weapon, which itself has extremely high spirituality.

Not only is it extremely powerful, but it can also bring a hint of understanding of kendo to the owner.

The so-called Eight Forging Spirit Weapons are not as simple as forging them eight times, each forging can be understood as the tempering of blood and fire, and the sublimation of both the sword body and the sword spirit.

The eight-forging spirit sword can be said to be the top "dead thing", because once the spirit sword reaches the ninth forging, it can have the most primitive combat consciousness of its own, and it can fly thousands of meters away and cut off the enemy's head without the master's control.

As for the top of the Nine Forgings, that is a level that Kandell can't understand, but there is an ancient legend that a spiritual weapon above the Nine Forgings has brought unprecedented disasters to this world.

In the end, several legendary powers joined forces to resolve this epic disaster.