Although the name of the supernatural power is similar to that of ordinary martial arts, the names of the eighteen moves are not vulgar names such as "sweeping thousands of armies" and "splitting mountains and rivers", but have become elegant and quiet again. It is said that tracing back to the source is the eighteen artistic conception pictures that the four generations of heads have dabbled in the mountains and rivers and comprehended in turn.

The actions of Gui Wujiao, Mo Qing and the two of them were launched simultaneously, like a mirror, and there was no lack of speed in the slightest.

I saw that Gui Wuyi's left foot was lifted and put down, and the right palm was pushed back to the loop, and after drawing half a circle, it was sent straight out, and the yuan light sprinkled like rain turned from invisible to tangible, and the virtual phase condensed into reality, and manifested into a huge palm obliquely struck out.

That Mo Qinghe also had the same move, and the two palms were facing each other, which immediately stimulated violent changes and tremors. However, unlike the previous three battles, the two muddy yellow big hands only existed in the middle of the palm of the "giant hand", and the infinite subtle earth qi continued to annihilate, and constantly replenished the new life, maintaining the pattern of fighting for every inch of land.

At the five fingers of the two "giant hands" and the edge of the palm, all the contours are not only intact, but also seem to have a bit of a round and jade artistic conception penetrating and revealed. Not only that, but there are two other momentum condensed like substance, encircling the edge of this "giant hand" for a few feet, stretching and contracting.

On the bursting and spectacular scene, although this fight is known as an absolute frontal hard fight, but it is slightly softer than the first three,-for-tat is only at one point, the latent materialization is everywhere, the inside is rigid and the outside is soft, the inside is real and the outside is virtual, and the artistic conception is stirred, which is wonderful.

The surging and magnificent momentum fell like a tide, and Gui Wujiao, Mo Qing and the two of them were also dignified, and even the sleeves did not shake in the slightest.

Evenly divided.

But Wu Jingchun's face changed slightly, and there was a faint melancholy in his surprise.

Bad!

It turns out that this style is called "Half Round Autumn Moon", which is already the fourth style of the Dragon and Tiger Fist.

The first three styles of "Ten Zhangs of Red Dust", "Pine Nest Crane Wild", "Flowing Water Peach Blossom", between the three breaths, three head-to-head battles, Mo Qing and the artistic conception of "pushing the edge of the sword" really took the lead and gained the upper hand.

The first form is to quit the three steps without blame;

The second form, blamelessness, is the exit of six steps;

In the third form, the blameless retreat is nine steps in a row.

"Pushing the Blade Sword" is a kind of Taoist technique that is gaining momentum and strengthening, as long as it takes the lead, the offensive is like a layer of waves, and it is endless. Even if the opponent raises Dan power to a level comparable to mine, it will not be enough to recover the disadvantage.

According to the momentum of the first three styles, Wu Jingchun and others estimated with divine will that at most, when the twelfth type of "incense elephant crossing the river" was used, Mo Qinghe's momentum would be able to rise to the top, and it would be impossible to escape defeat without blame.

But the fourth type of "Half Round Autumn Moon" unexpectedly made a draw, and everything returned to square one.

Gui Wuyi's face is flat, and he doesn't seem to be complacent about moving back to the disadvantage.

Needless to say, after the first three styles suffered a slight loss, they were blamed for borrowing a few more points from the Void Dan Dan Power in the "Yuan Yu Jinghu".

In fact, the first type of "Ten Zhangs of Red Dust" fell slightly behind, and the gap between the two sides was estimated without blame, and the Dan Li was slightly boosted in the second and third forms. But the wonderful thing is that the shape of the superior and the inferior has not shrunk, but has been further enlarged.

In the fourth form, Gui Wuyi doubled the increase in one go, and finally moved back to a draw.

But at this time, Gui Wu's heart is excited: there is a big gain!

When he fought with Chu Danqing and Lu Jianyuan before, he certainly benefited a lot from the artistic conception and empirical experience of the sword technique, but the sum of those two people gave him almost half of the inspiration for the blameless, which was almost half of Mo Qinghe's sword intent method.

The reason for this is of course because of the technique of "pushing the edge of the sword", which is the absolute purpose of pressing the bottom of the box in the eight-vein sword transmission of Chenyang Sword Mountain in the stage of practicing qi and stationing form---;

Although I don't know the name of "Tuifeng Sword", I can already get a glimpse of the general idea of this method.

The so-called "pushing the edge of the sword" is originally a point of straight access to the middle palace and a point of advance and retreat, and the infinite decisive killing intent is condensed at one point, which is like a broken bamboo. If the opponent wants to resist, it can be said that it is a big test for the pure condensation of his skills. If there is little deficiency in the subtleties, even if the merits of the two sides are not much different, it is inevitable that they will be like a cone and a thorn, breaking the screen, and they will not be able to escape the end of defeat.

And the head-on move and abandoning the change is the magic method to maximize the power of this Dao technique.

But if the technique stops here, even if this Dao technique is clever, it cannot be called the supreme method of the realm under the shape of the Chenyang Sword Mountain.

There is another mystery of this Dao technique, except for a little edge in the center of the sword intent, the surroundings are empty, and farther away from the edge, there is an invisible and phaseless "general trend" pressing over, layered on top of each other, seemingly inconspicuous, and cannot cause any direct damage to the opponent, but it can be secretly related to the sharpness in the center, and they are horns of each other.

If you encounter an opponent of equal strength, you can catch the sharp edge of the "push" head-on, but even if the scene is evenly matched, and the aftermath of this head-on collision has another wonderful use, inadvertently, inexplicably turning to the edge of the upper and lower left and right, borrowing the power of new life, and secretly superimposing the power of this "general trend".

And the direct defense of the invisible "potential" is extremely difficult and there is no trace.

The so-called "pusher" is not only the meaning of moving forward; the point of edge in the center has the word "edge"; and the "general trend" that is buried around and exerts invisible pressure occupies the word "push".

The combination of the two is the ultimate purpose of "pushing forward".

If such a one-trick fight continues, the opponent will inevitably become depressed, obviously the combat power of the two sides is equal, but the initiative on the scene is controlled by the opponent, and his own Dan power is like suffocation.

This way, which does not go through any medium and is invisible, is similar to the method of the "Empty Mind Sword", which is like a curse, and there are hidden similarities in it, but in a hurry, it is just that the blamelessness is not fully clear in the heart.

Four, five, six, seven, eight, a row of five fights, both sides are evenly divided.

Blameless and calculating in his heart, using the method of war, there are victories and defeats. Now although Mo Qinghe has done his best, he has also benefited a lot. However, since the opponent's fighting skills are so skillful, there must be other changes that have not yet appeared.

Victory can be complete, defeat is not chaos, is the means of the general. You have seen the former, but you can't miss the latter.

So the ninth type shot, on the basis of the first eight types of lifting and closing, blameless secretly ran the essence, and added two or three points of strength.

His heart is bright, this style is a turning point, not only fighting with Mo Qinghe, but also fighting with Ming Xuanlie, Yin Jiuchou and others for five consecutive battles so far, and he has gained the upper hand for the first time.

Sure enough, under the attack of the ninth-style "Vermilion Bird Soaring", the situation suddenly changed.

But after seeing the two dim giant hands spin apart, Mo Qinghe's face suddenly turned blue, his toes suddenly rose three feet out of thin air, and his back changed three times like a bow, and then except for the slightest immobility at the toes, the entire upper body was shaking gently.

At this time, his left arm hung down, and his right hand was like a well railing, protecting his chest. If a scroll is placed between his five fingers, then Mo Qinghe's image at this time is very similar to a storyteller shaking his head.

However, if you look at it from the Taoist method, it is actually similar to the "body fit instrument dao and instrument master's voice" when Yin Jiuchou finally entered the state before.

Wu Jingchun, Chu Danqing, and Lu Jianyuan were shocked again, it turned out that Mo Qinghe's posture was indeed the same as Yin Jiuchou's realm of entering the Dao, it was a mental method that had both offense and defense, and raised the strength of the whole body to the limit. ”

PS: Originally, this chapter was interpolated with other content, but now the entire plot has been taken away for backup, and the main flow is back in the way.