Let's talk about the recent plot, no, let's talk about the overall plot of the third volume so far.

Originally, in my thoughts, the third volume is about the story of the juvenile detention journey, wandering the rivers and lakes, and writing about the characters and events on the rivers and lakes, the idea is very good, but the reality is often skinny.

In order to write the third volume well, I watched a lot of travelogues, anime, and film and television works.

Frustrated to find that travelogue works, if they are placed in the online literature circle, the only ending is that they are not adaptable.

The reason is very simple, in the travelogue genre, the protagonist keeps walking and embarking on the journey, which leads to two results:

One: The character cannot be shaped in depth and is reduced to a passerby.

Two: Readers have no sense of substitution and expectation.

The first point doesn't need to be explained.,It's hard to shape the characters.、Familiar with the place.,And leave immediately.。。

The most fatal point is the second point, the reader has no sense of substitution and expectation. As a reader, you may not have summarized this phenomenon, but as an author, I have a relatively deep study of the reader's sense of expectation and substitution.

Fixed maps, plump characters, and a sense of expectation and substitution.

For example, Xu Qi'an wants to sleep with a girl, sleeping with a national teacher or sleeping with a girl in the hook bar, which one has more sense of expectation? Xu Qi'an wants to pretend to be forced, pretending to be forced in front of the bigwigs in the capital or pretending to be forced in front of a group of Jianghu puppeteers, which one has more sense of expectation?

The former's sense of expectation is paved by the number of words, while the travelogue is too "erratic" and walks around, so it can't shape this sense of expectation.

Before the beginning, I originally planned to use the mode of a unit drama to write the Jianghu chapter.

For example, with the Nine Dragons hosts as the main line, write their stories, and the protagonist participates as a bystander. But in this way, the protagonist's sense of presence is too low, and the cool point is not enough.

If it's not cool enough, it means it's not good!

Later, I thought that I could make up for it with a lot of small events to increase the tension of the plot, and those small events don't have to be useful, but when I pass by a certain village, I find that there are ghosts and monsters.

When passing through a certain town, there are squire bullies bullying men and women.

These are all common techniques in travelogue works, writing about the events and customs encountered by the protagonist on the road, but they are not very useful for the main story.

Such a fragmented story, it's okay to write it occasionally, but if you write too much, there is neither a sense of substitution nor a sense of expectation, but it will give the reader a feeling that the author is in the water.

Until now, I haven't thought of a better way to solve these problems.

I want to ask the big guy, but after thinking about it, there are not many people who can teach me, and besides, I don't know either.

Throughout December, I was in a state of burnt writing.

I desperately wanted to find the excitement and improve the tension of the plot, so I had the plot of the Futu Pagoda, but when I wrote this, I found a problem: the foreshadowing is not enough.

This foreshadowing is not that the incident is too abrupt, but that the characters on all sides have not yet plumped up, and the characters are not plump, and there is no charm in pretending.

But the way to write the travelogue genre, that's it.

Next, I will focus on "conflict", "crisis", "escalation" and sleeping national division. Then, according to the effect, based on your feedback, the length of the first half of the third volume will be decided.

The Juvenile Detention Brigade is only the content of the first half of the third volume.

Let's just talk about it first, I don't have a word today, and I've been thinking about these questions.

To write this single chapter, the first thing is to complain and spit out the bitterness of the creative process. The second is that if the reader has any good suggestions, they can mention them in this chapter.

The stones of the mountain can be used to attack jade, maybe your opinions will bring me inspiration.

I long to have some deep, heart-to-heart collision with you. (Doghead)

Okay, let's eat and finish the codeword.