Everyone looked at Master Zhang Yangzhang together, and no one thought that he, an old man, would make such a request at this time after such a long time. Although Feng Fengqiu couldn't speak, his gaze towards Zhang Yang had begun to be aggressive.

Xiao Linzi is his third brother, from the beginning to the end, it is you who are Zhang Zhang who is overwhelming people with power. The three of us were just passing by, and I took Lin Pingzhi and Yue Lingshan to take a look at the atmosphere of this school, but I didn't expect to be completely ruined by this teacher's good mood!

At first, you don't know it, at most, you can represent that you have some problems with your own quality. But after Shangguan Jinglu and Master Xu Jin came together, you also saw the relationship between me and Brother Lin Xian. After eating, you still have to let Lin Pingzhi try to paint with you, this is obviously not giving me face?

Shangguan Jinglu was even more surprised, after he came to this school, what he said was not obvious? Could it be that this Zhang Yang Master Zhang lived to be a dog? What was the purpose of coming here with his own people? Wasn't it just that he was afraid that Zhang Yang would go his own way and delay these students?

If it's those who practice martial arts, it's better, learning some cultural courses is just to cultivate sentiment and self-cultivation. And these dozen or so people obviously want to learn a skill and plan for their future lives, and no one will eat, drink and enjoy themselves in this castle for a lifetime.

It's fine if you contribute to the castle, but these people who don't contribute are actually more sensitive. None of them wanted to be seen that they relied on the castle to survive. They want to be able to do something in the future, and then give back to the castle and contribute to more people like them.

It's still possible that others don't understand these people, Shangguan Jinglu now wants to understand the ideological dynamics of everyone in the castle every day, can he still not understand?

After he heard Master Xu Jinxu's suggestion, he deliberately came to this school with Master Xu, he just wanted to see how this Zhang Yang taught. He was really afraid that Master Zhang would delay the future of these children.

Those who practice martial arts delay some cultural courses, it is better to say, these twenty people will have to rely on their own knowledge to live themselves in the future. So every day is very precious for them, and they really can't afford to waste it.

I didn't expect that this incident that went wrong was that it was with these children that something happened. If they can't learn the real skills, then the road will only become more and more difficult to walk.

It's not that the castle is unwilling to help them with food, clothing, shelter and transportation, but that they themselves may be slowly spurned by their own inaction. The lighter ones may give up on themselves, and the worst ones may endanger society......

Either way, forget it before you find out about these problems in time. Now that it has been discovered, it must be corrected in time. The key is to see what they are suitable for learning, what they like, and what they can learn, which is the root of the problem.

Shangguan Jinglu found that he needed to do more and more, and in his position, he had to prepare for everyone's future future, instead of ignoring it. Is there any way for the young man who was brought by the storm to change all this......?

Chen Yong looked at Zhang Yang and said, "Master Zhang, do you really think that I can't win you? If you don't want to innovate all the time, you may be on the road to becoming a master all your life." This revered master is just the words of others to flatter you. Don't you know whether your own knowledge is worthy of being called a master?"

That Zhang Yang is most afraid that others will use the words of the master to squeeze him, because there are very few people in the castle who are really willing to call themselves masters, and he will be happy when he hears that he is called a master, otherwise he will be extremely depressed on this day!

Zhang Yang said: "You kid, you are ashamed to say that I am not worthy of being called a master? You can tell me, what is wrong with my peony? This is what I painted according to the peony flower in my mind, and it took me two days to paint, witnessed by these students, and they also learned to paint this peony with me!"

You've also seen the paintings they have learned from me before, but what kind of hard work have I been working on in the past two months? They have started to learn to draw chickens, and they have slowly started to get started with Chinese painting. Not everyone has the talent to become a master, the key depends on whether he is willing to devote a lifetime of energy to learning to create!"

Chen Yong picked up the painting of the classmate in front of him and said: "Master Zhang, don't you know that you have checked the painting scrolls of your own students? No matter who you are, if you want to truly become a master, you must go deep into life and experience the true meaning of this painting you have created with your heart!"

Look at your chick's paws, if the chick is as you draw, can it really stand up?

Painting is like being a human being, whether it is a chicken, a swallow, or a magpie. As long as it is a living thing, you must paint it with its spirit, not for the sake of creating! Then your painting will always be just graffiti, and you will never be a master!

Since your teacher Zhang Yang has repeatedly asked me to give you a lecture, I will start with this little chicken to teach you how to paint and how to paint each work in simple terms.

Don't think that your paintings are unappreciated just because your knowledge is limited. As long as it is a work created by yourself, you must complete it with your heart and give the painting a soul, so that there will always be someone who will like them.

Otherwise, you don't have to put your heart into it, how can you make others like this work without a soul? You must think clearly about the scenery in the scroll, and then draw your own things, this is painting! Otherwise, it can only be called graffiti!"

The students below applauded Chen Yong together, including Master Xu Jinxu on the stage, all secretly applauded this young man's words! At least these words had already passioned the mentality of these dozen or so students who wanted to become masters, instead of thinking that they could only become masters after decades of tempering!

Chen Yong walked to the Eight Immortals table and said, "Master Zhang Yang, can I borrow this table of yours to give these students a lesson in simple terms?" I know that my level is limited, and my current level of painting is still not worthy of the title of master. But I will teach these children with my heart, and giving these children the opportunity to become masters is the purpose of my teaching!"

Chen Yong's remarks once again won bursts of applause, and Master Xu Jinxu on the stage all applauded this young man! This is the humility that a teacher should have, not to show that he is superior to others from the beginning, and only when students look up to themselves can they appear to be knowledgeable.

Zhang Yang watched Chen Yong come to his face, knowing that he was about to paint, so he naturally did not hesitate to lend him these things. So he said, "Children, you came to teach at my invitation. So in this room, all my rice paper, pen, ink, paper, inkstone, and other things are at your disposal, and we will all watch you teach together, and please start lecturing on this little gentleman. ”

Zhang Yang doesn't believe that a child can tell something with profound meaning. When it comes to drawing, it's even more difficult. Being able to draw well by yourself and being able to explain it are two different concepts.

I've been teaching for so long, and I'm not sure how to tell everyone what I'm going to understand. You're a stinky kid who is still talking about teaching here?

Chen Yong first took out three brushes, a big white cloud, a small pen of wolf hair, and a crab claw. Chen Yong took an inkstone and began to grind the ink. After grinding the ink, Chen Yong took two small plates, a small saucer was used to put the brush, one was used to adjust the ink color, and a small basin was filled with half a basin of water.

Chen Yong said: "Students, you have all seen chickens, if you want to draw chickens well, you must have an understanding of chickens." Chicks I'm sure everyone has seen them. The chick is fluffy, about the size of a fist.

The chick can be divided into three parts, the first part is the head of the chick, the second part is the torso of the chick, and the third part is the legs of the chick.

The head is divided into the hilum of the brain, which has a cockscomb, and the mouth and eyes below the portal of the brain. The chick has a small cockscomb at the door of the head, and the comb is on the door of the head, never on the top of the head, let alone in the occipital region, or at the back of the head. The mouth should be a little lower, never in the middle, and the eyes should be a little closer to the mouth. ”

As he spoke, Chen Yong drew a schematic diagram of a chicken's head on a piece of rice paper. Chen Yong asked the students to come directly to him and sit in front of him, so that they could easily see how they drew with their pens and could see the diagram of their chickens up close.

Chen Yong continued: "The torso is like an egg, with its back on top and its two wings on either side. The wings of the chick have a small head, so we draw three strokes on the left and right of each wing, and the three strokes of this wing are drawn with thick ink. ”

As he spoke, Chen Yong drew the two wings of the chick on the schematic diagram, and deliberately drew three strokes with thick ink at the tips of the wings. Then Chen Yong marked the chest, abdomen and buttocks of the chick one by one. The chick's thighs and calves are added below.

Chen Yong said: "You see, the thighs are backwards, the calves are forward, the color of the thighs is the same as the torso, and the calves are painted with thick ink. Chicks are divided into four toes, with three toes facing forward and one toe facing backwards. ”

As he spoke, Chen Yong added the four toes of the chick to the schematic diagram, and a chick jumped on the paper. Chen Yong handed the schematic diagram of the chick to the classmates to see, and Zhang Yang looked at the schematic diagram of the chick next to him, with a smile on his face.

He thought to himself, "Is this also a painting?" If a chicken is drawn on paper like you, how ugly and ugly it is. I'm going to see what you're doing with explaining this to these students, who hasn't seen a chicken, and you need to repeat it here? Isn't that a recipe?

Chen Yong said: "The students have all seen the schematic diagram of the chicken, and I believe you have a deeper impression of the shape of the chicken." Now you see me drawing, we first use a small pen dipped in thick ink and apply it to the edge of the plate, and then the big white cloud dips it in water, and gradually mixes the ink.

This is to slowly adjust the thick ink on the edge of the plate, and then dip the tip of the pen in the thick ink. That's how you start drawing chicks. Because the big white cloud has a lot of moisture at this time, it will have a fluffy feeling when drawing chickens, but because the moisture is too large, it is easy to spread on the rice paper, so you can use waste rice paper to absorb water. ”

As he spoke, Chen Yong drew chickens directly on rice paper.

Chen Yong said while drawing: "A nod is to hide the front, the head must be round, and there must be no sharp point." Two or three strokes of wings, such as a big eight characters behind the head, first point near, and then point far. Four or five small buttocks should go forward, and don't leave too much blank space in the middle. ”

Chen Yong drew four of these five-stroke patterns on rice paper in succession. It varies from near and far. Except for starting to use waste rice paper to press down and absorb water, the other three don't need to do this.

Then Chen Yong began to light the ink again, that is, he used the big white cloud to add water, adjusted the light ink, and began to draw the chest and abdomen of the chicken.

Chen Yong draws one stroke from under the head of the chick and one stroke from the hip forward, the two strokes are connected, leaving no blank space between the chick's wings. Then draw two strokes back, which is the thighs of the chick, and the thighs and chest and abdomen are unified in ink.

Then Chen Yong picked up a small pen dipped in thick ink and began to draw the calves of the chicks, the calves forward, the three toes of the paws forward, and the one toe backwards. The middle toe is long and determines the direction of the chick, and the other two toes are short. The calves should be low near and the calves high at the distance, so that the chicks can be more natural.

Then draw the mouth with your hand, then dot your eyes, and three strokes on each of the little wings, so that a chick jumps on the paper. Then Chen Yong added the other three chicks to the calves and four toes, and the mouth, eyes and wings. In this way, the four chicks have different postures, and the four chicks are sparse and dense, echoing, and they complement each other.

At this point, everyone thought that Chen Yong's chickens had been painted, and the drawing method of these four chickens was simple, but the molding was very good, and anyone could quickly master it, which was indeed a good way to teach. That Zhang Yang was a little panicked in his heart, Master Xu Jin's face was happy, and the children could be taught!

At this time, Chen Yong took the cinnabar again, adjusted a little on the plate, and used a small pen of crab claws to dot the cinnabar. In this way, a cockscomb is added to the door of each chick's head, and the chick is completely formed. The ink color of each chick is black, white and gray, and with the bright cinnabar cockscomb, each fluffy chick is as if it is alive, jumping on the paper!

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