Meng Chuan put down his pen and drew the 'World Entrance' in thick ink in the center of the whole painting, and a monster was densely coming out of the world entrance and spreading in all directions.

He drew slowly, just a rough outline of the phantom.

Then he focused on painting one of the monsters on the far side of the spread in all directions, which was a praying mantis demon, and the praying mantis demon was drawn very carefully, because it was the most impressive monster when he was chased by the monster when he was six years old.

......

When Meng Chuan was painting, in the space of the eyebrows, the translucent villain began to shine with spiritual light again. For so many years, since "The Appearance of All Beings", this is the second time that the translucent villain in the eyebrows has changed.

......

Meng Chuan was immersed in painting, and his main paintings were the mantis monsters and the family of three chased by the mantis monsters.

The father runs with the child on his back, and the mother rushes towards the mantis monster with a sword.

With this picture alone, Meng Chuan painted it very seriously for more than two hours. And that's just the corner of this huge painting.

When he stopped writing, Meng Chuan noticed the change in the space of the eyebrows.

"The villain in my eyebrow space actually glows slightly?" Meng Chuan was surprised, but gradually the spiritual light was weakening.

"The appearance of this eyebrow space is really related to my painting. Meng Chuan was very surprised, when he was sixteen years old, he painted the painting "The Appearance of All Beings", which was also his pinnacle painting for many years. But at that time, he was not completely sure that it had anything to do with painting.

I'm afraid it's just a coincidence.

But this time he painted, the strong emotions were no less than when he painted "The Appearance of All Beings", the scene of the villain in the eyebrow space blooming, which made him completely sure.

It's about drawing!

"I've never heard that painting produces a mysterious power of mind and soul?" Meng Chuan pondered for a long time, but didn't figure it out, "That's it, when you enter Yuan Chu Mountain, you must find out." ”

At least for now, it seems that the power of the soul has helped me a lot.

From this day on, Meng Chuan completely integrated the strong emotions in his heart into the painting, which also took a long time, as little as one hour a day and as long as two or three hours.

After spending more than six months, Meng Chuan finally finished painting.

This is a set of paintings, divided into three paintings.

The first one is six feet long.

In the center of the scroll, there is a dense number of monsters coming out of the entrance of the world, spreading in all directions.

Youkai chase everywhere.

There are parents who want to protect their children, but they are all pierced by the sharp tails of monsters.

There are scenes of corpses all over the ground.

There are children standing there crying, and the old man faces the scene of the monster.

There are also scenes where the father runs with the child on his back and the mother holds the sword to resist the monster......

Meng Chuan painted a full thirty-eight scenes, each of which clearly depicted the appearance of monsters and people, which were all scenes that he had personally experienced or seen with his own eyes. Every time you draw ...... all made the 'flame' in his heart more and more hot.

......

And then the periphery.

A little farther away from the monsters, the Taoist disciples on the road, the street vendors, and ordinary pedestrians were all panicking.

......

Outermost.

There is Yuyang Palace, and the three gods and demons are waiting for them.

There are many other places to go.

In the Dao Academy, the weak disciples all entered the tunnel, and the stronger disciples looked at the monsters in the distance one by one, either resolutely or worriedly. These teenagers, under the leadership of the dean and others, and some retired adults, are preparing to face the battle together.

Ordinary houses, restaurants and other prosperous places, gods and demons families...... Without exception, women, children, the elderly, and the weak are lining up to enter the tunnels.

And all the powerful ones, regardless of men and women, old people and young people, all face each other side by side.

......

The sun in China is just emerging from the edge, which clearly indicates that the demon invasion was in the early morning.

This is only the first painting.

The second painting is eight feet long.

It's much more brutal and bloody.

In the center of the picture, the core area invaded by youkai is a field of corpses, men, women and children, and some teenagers wearing dojo robes.

And on all sides, there is a fight everywhere.

One Terran warrior held a shield against the youkai, while another Terran warrior fired an arrow from a distance.

A Terran was impaled in the abdomen, but still held the youkai tightly. Another companion slashed the monster's head with a single sword.

The Terrans set a trap and successfully killed the youkai. There were other youkai rushing nearby.

There are fathers and sons teaming up to deal with youkai.

Disabled veterans deal with youkai.

......

All kinds of tragic scenes, which Meng Chuan has seen with his own eyes, are all very common for Dongning Mansion to be invaded by the demon clan. He just drew them one by one in his memory. The determination in the eyes of those who died with the youkai, but the pain of their companions continued to fight......

"What are they working so hard for?" Meng Chuan was once puzzled.

But in the process of his painting.

He understood when he drew a living person.

They do it for hope.

For the sake of the relatives who care most about your heart, there is still hope. You can also see the sun rising.

They need to fight and fight for their families to survive.

......

The Daoist Academy was also fighting there, and the demon clan entered the Burning Sun Castle, and the veterans, soldiers, and young men who were still very immature resisted frantically. He built a wall with his life to protect the weaker brothers and sisters who were hiding in the tunnels.

......

The gods and demons are also fighting, one by one the elders are rushing to the front to resist the monsters, and the younger juniors and teenagers are also fighting. A bald old man rushed to the front, but his chest had been pierced by tentacles, but he still killed a youkai with a single sword.

......

Yuyang Palace is also fighting, a god and demon has fallen, a female god and demon is struggling to support, and only a male god and demon is still fighting, facing four demon kings.

There is only one god and demon left in them and enough combat power, but they are still fighting.

It's also for hope.

......

The sun in this painting has risen a little more, a little higher.

There is a fight everywhere in the whole painting, and Meng Chuan painted this painting for three months.

The third picture is one foot and six feet long.

The situation on the battlefield reversed, and people from all directions began to attack the yokai, and the yokai began to flee in a hurry.

All youkai are on the run.

They will also be afraid, they will be embarrassed, and they will be killed one by one.

They frantically rushed towards the central 'entrance to the world', where they came from, and where they fled for their lives.

And the periphery.

In Yuyang Palace, a sword light fell from the sky and slashed towards the demon king, and the other demon kings also fled in embarrassment.

In the Taoist courtyard, everyone was treating those seriously injured companions, both adults and teenagers.

At the same time, there were people who died in battle, men, women, and children, who were still very young, or very beautiful, or very old, but they all fell. There were also many people crying.

Everywhere and everywhere.

Ordinary houses, restaurants, teahouses, gods and demons families, etc., all began to treat the wounded and collect the corpses of the war dead.

Although the victory is won, the whole painting does not feel joy, but feels the 'fighting spirit', a stronger fighting spirit! The hero is dead, but the living people will continue to move forward and continue to fight, and never stop.

To the east of the city, the sun rises even higher.

The whole painting is also brighter, as if illuminated by the sun.

......

Meng Chuan was silent for a long time after finishing the painting, and only then did he write four words on the last painting - 'towards the sun'. Neither the first nor the second painting was written by name.