As the relationship with the Gu brothers deepened, Yun Susu finally figured out what the spirit pattern was.

It turns out that the spirit pattern is the rune on the talisman, the handprint during alchemy, the instrument pattern on the spirit weapon, the spiritual power route in the formation, and the energy trajectory in the prohibition, which is the spiritual power sequence, energy code and magic mark of the cultivator who colludes with heaven and earth.

The spirit pattern on the earth originated from the nature of heaven and earth, was born from ancient witchcraft, and was completed in Dao Saint Fuxi.

Hetu Luoshu is a spiritual pattern rich in Taoist machines naturally generated by heaven and earth;

Back then, Fu Xi looked at the world and made gossip, and entered the Tao with the ability of the great witch, and the pictures and texts drawn were actually spiritual patterns, which were the keys to the Tao recorded by the Tao machine of heaven and earth. From the most basic to the most complex, the spiritual patterns discovered and deduced by the great god of Fuxi cover all the needs of life, cultivation, and battle. Because of the deep and long immersion in this Dao, this understanding of the Dao Law Heaven and Earth gradually integrated into the bloodline of Emperor Fuxi and was passed down from generation to generation.

Bagua is the most basic spiritual pattern. When a monk draws a hexagram, he can comprehend the spiritual energy, and use the spiritual energy to hook up the surrounding spiritual energy, and the hexagram he draws is naturally a spiritual pattern; when a mortal draws a hexagram, because he does not perceive the spiritual machine and has no spiritual energy to use, the pictures and texts drawn can only be ordinary graphic symbols.

After Fuxi, the emperors of the past dynasties were able to inherit the essence of the spirit pattern from the bloodline, and after practice, they all became the master of the spirit pattern of the way, according to this way, the emperors could easily complete the important task of establishing the country, defending the land, and protecting the people.

But there are always some descendants of the lineage who cannot be awakened, and the descendants of the side branches awaken this part of the bloodline and get the inheritance. Therefore, by the time Xia Qi established the country, the actual controller of the Spirit Pattern Art had already shifted from the Emperor's House to the Princes' House. At that time, the lord of the Kunwu clan was the prince of the Xia Dynasty, known as Xia Bo. The reason why the Lord of the Kunwu Clan was able to dominate Zhuxia was because he had mastered the most complete spirit pattern technique at that time.

By the time Shang Tang destroyed the summer, the branch of the Kunwu clan: Gu Wen, Su Dong and other lords, the bloodline of Emperor Fuxi was already relatively thin, and the inherited spirit pattern technique was gradually incomplete;

After 5,000 years of grinding from ancient times to the present, the Gu family's bloodline has faded to the point where even the inheritance has disappeared. Although the heads of the Gu family in the past generations attached great importance to the inheritance of the spirit pattern technique, and organized the clan to record the spirit pattern they knew one by one many times, the spirit pattern technique was still gradually lost in their Gu family.

"The spirit pattern technique that dominates the ancients seems to have been completely forgotten in this world, and now the monks only know the talismans, handprints, formation patterns, and forbidden tracks, how can they know that these are all born from the spirit patterns? The disappearance of a civilization is the sorrow of mankind, and the cessation of a Dao method is the sorrow of heaven and earth. Gu Zhongxing's flat voice conveyed a deep sadness.

At that time, he was sitting in Yun Susu's house with his two brothers: Gu Zhonghe and Gu Zhongguan.

Yun Susu listened to Gu Zhongxing's narration, his expression was faint, but he was secretly thinking in his heart: When the great god refines the lotus house, he can leave spiritual patterns when he makes furniture with his hands, so will there be more spiritual patterns on the walls, floors, roofs, and railings of the lotus house?

When she was ready, she went into the lotus house to look for it, and if she could find the spirit pattern, she would draw it down and give it to Gu Zhongxing Gu Zhongguan to study well.

When I was in school, I learned from history class that there were four major civilizations on the earth: ancient Babylonian civilization, ancient Egyptian civilization, ancient Indian civilization, and Chinese civilization. Even the Chinese civilization is like a broken candle in the wind, destroying and shaking at several levels, and it is easy to survive to this day. At that time, I also had a choke and regret, but I didn't take it to heart because it was not my business.

Now it is the most brilliant immortal cultivation system in Chinese civilization is dying, she is not only a member of the Chinese ethnic group and a member of the immortal cultivation, but also a possible master of spiritual pattern art, the former Kunwu clan leader Xu Xuan's daughter in her previous life, she couldn't help but feel heavy and piercing when she heard the words, and wanted to do her best to save one or two.

Thinking of what Gu Zhongxing said: Since the Spirit Pattern Technique was born from witchcraft, she suddenly remembered that when she was a child, didn't she follow Old Lady Yun to visit a witch who behaved strangely? The reason why she felt strange was because the witch's hand drew in the air from time to time, and when she asked her what she was drawing, she muttered and couldn't tell. Now that I think about it, it seems to be a rune!

"Old lady, old lady, old lady!" she immediately shouted at the East House.

"Crazy, what's it called!" Old Lady Yun moved out of the east room for a long time, and scolded her angrily.

"Do you remember? When I was a child, I always had a fever, and you took me to my cousin's house in Donghuang Temple to find a fairy girl, and the fairy girl drew in the air for a long time before blowing a breath of fairy breath on me, and then I will be fine when I come back?"

“。。。 Oh, you said she, I heard your cousin and grandmother say that she was arrested during the crackdown, and she went crazy after she was released. The old lady thought for a while: "I don't know if I'm dead now." He stared at Yun Susu with suspicion and asked her, "What kind of demon did you come up with?"

"I... "Yun Susu Qi Knot: Have I ever been out of the demon Ezi?

"What is the 'Fairy Gu' drawing in the air? Is it drawing a talisman in the air?" Gu Zhonghe hurriedly helped her out.

Now that I think about it, it's like drawing a sigil in the air, similar to what Madhyamaka demonstrated on paper. The air talisman is also a spirit pattern talisman, right?" Yun Susu asked with a look of hope against Gu Zhongguan's white eyes.

"Yes, if the talisman she drew had spiritual powers, it would be amazing. The air talisman is a relatively high-level spirit pattern technique... She is from Puyang... Puyang is exactly where my Kunwu people lived! Susu, I really want to thank you! Even if the talisman she drew did not have spiritual power, as long as it was not a lie, it was very valuable. Gu Zhongxing was also excited.

"Then what are you waiting for, let's go find her!" Gu Zhongguan jumped up.

The group was driven by Gu Zhonghe from the capital to Puyang, and then to the Donghuang Temple.

Thirty years have passed, and these thirty years have been the era of the fastest changes in history, and the changes in the countryside have naturally been the greatest, and the roads, villages, and trees of the past are all different. They asked all the way to the Donghuang Temple, and then to the home of their cousin and grandmother, who led them to the house of "Xiangu" with the help of a cane, and found the old "Xiangu" in a small room closest to the pig house—she was too old to look good.

The people in the village looked at this group of strangely dressed people in amazement: Yun Susu has a wide and long skirt, only talking about freedom; Gu Zhongxing has a Taoist robe and shoes, a high-ranking atmosphere; Gu Zhongguan is wearing a flowing white silk moire Tang costume (since receiving the moire furniture sent by Yun Susu, all his clothes and utensils, or embroidery, painting or carving have used moire), but he looks like a gentleman; the most normal is Gu Zhonghe, wearing a light gray casual suit and mille-feuille cloth shoes, which can be seen in the blandness.

There are only old people and children in the village, and young and middle-aged people have gone to work in the big cities. Several children followed the group of strange people to the door of the fairy aunt's house, and looked inside, and their grandparents pretended to watch the children follow.

Gu Zhong walked into the fairy girl's room and closed the door casually, isolating the curious visits of the villagers and the family members of the fairy aunt's descendants.

The five of them were crowded into the room, which seemed cramped, and the windows were small, making them look dark and oppressive. Gu Zhongxing waved his hand and turned on the ceiling lamp on the roof with a spell, and looked at the fairy girl carefully.

She sat on a shabby rattle rattan beside the bed, covered in dirt and age. . .

It seems that I really haven't cultivated. Even if the monks who have entered the Tao cherish their spiritual power and refuse to take care of themselves casually, the combing of their bodies by the spiritual energy or true qi will also make them not too old until they die.

However, under her stacked eyelids, there are a pair of eyes that are sometimes gray, sometimes shining—she is a real wizard, and her mental power is much stronger than ordinary people.

Gu Zhongxing hid the surprise in his eyes and made a complicated gesture to her.

The fairy girl looked at him, and then at her cousin and grandmother in the same village, and shook her head in confusion.

Gu Zhongxing made two more gestures, and the Immortal Gu looked at him in surprise, opened her mouth a few times, and asked, "Who are you?" Did the Boxi Divine Ancestor send you to collect me?"