Summary of the Candle Night Walker dungeon
Well, that's the end of this quest for the Night Walker.
I never thought I'd write this long, let alone make a summary of it.
But it is necessary. Because it's my longest copy yet.
The summary comes from the following perspectives:
1. Group portrait.
Later in this book, I will follow the group portrait stream, but what is shameful is that I dare to let this go if I have never written a group portrait! So this copy tried to write a group portrait.
First of all, the group portrait is very space-consuming, so it is obviously a small copy of a realistic one-month scene world for two months, and I wrote it longer than the fifteenth year of Haiguo. The rhythm of the whole text is a bit broken.
However, if nothing else, all group portraits will be at this pace. Because I find this rhythm a little more eloquent?
Secondly, the setting of group portrait characters. Something went wrong with this.,I've set up a little too many characters with names, surnames and personalities.,Although this copy is very long.,But I always feel like they're almost funny when they are huddled together.。 Later, they will come out and make up for it.
Finally, the primary and secondary issues. I should be okay with this in this dungeon, and there shouldn't be a situation where the crowd is dominating (I'm sure x)
2. Copy background.
First of all, this background was a bit restrained at first, and it was written that I didn't know where I had gone astray, which I had to give myself a bad review.
Secondly, this copy is set too richly. Trying to expand my setting led to an infinite expansion of the text. But it doesn't seem to be able to change, if it's too simple enough for this group of people to show their skills, it will seem very perfunctory, and there will be comments like "Are they really geniuses? Why do they seem to be mentally retarded?"
Finally, to my great regret, I was not able to write a real presence here as an NPC native representing the world of this scene. Elder Yun and Great Elder Nanzong were all my attempts, and I tried my best to portray them, but due to the limitations of patience and ability, I didn't succeed in the end, and it was almost meaningless.
3. Emotional rendering.
This one is divided into two parts.
Part I, Contestants. As players and passers-by, the contestants should be very emotionally detached, calm and restrained, but they are touched by the appeal and similarity of this background, reaching a contradictory and complex emotion of "being a little moved and knowing that this is all fake".
Part II, NPCs. Their emotions are real, pure, contagious, and they bring the world to life.
I did a good job in the first part, but the second part was a bit bad, which made this copy feel a little bit worse. If there was a great NPC, that feeling would probably change.
4. This is the most important.,It's a small survey.,I hope to see the cutie here can ignore me (Sort me out.,Please!!)
For me personally, the portrayal of male characters and female characters is the same, there are only individual personality differences, and there are no overall gender differences. And for OCD, it is important for a book to strike a balance between the quantity and quality of great male characters and great female characters!!
But my own feelings are skewed. I always feel that when I set up a likable character, I will become a little sister. Even if you want to be set up as a male character, you will become a girl if you set it up......
So, please take the time to tell me when you see the cutie here, do you feel that the ratio of male and female matches in this article is balanced?
Above.
The ghost blows the lamp