These poems are artistically characterized by the following three aspects:

(1) Seiko rich style;

(2) vivid and delicate depiction of scenery;

(3) Stylized characteristics in structure.

The first two characteristics can be said to be his artistic achievements, as for the third is the biggest difference between him and Tao Gong, Tao Gong does not pay attention to any fixed format when writing poems, as for Xie Gong likes to use the same mode when writing poems, his poems from the overall structure, often make a tour first, then write about what he has seen and heard, and talk about Xuan reasoning at the end, dragging a tail of Xuan Yan. This structural mode formed by narrative, scene writing, and reasoning makes Xie Shi present a stylized characteristic. As for the reason for the formation of this stylized structure, it can be said that it is related to the limitations of Xie Lingyun's aesthetic consciousness of landscapes. Xie Lingyun could not forget political power all his life, and when he was politically frustrated and then traveled to the mountains and rivers, he only used the mountains and rivers as a sensory stimulus to cover up his enthusiasm for power. Therefore, when he writes scenes, he cannot really achieve the perfect integration of emotion, scenery and reason, nor can he form a complete and seamless artistic conception.

I had read Sima Qian's "Historical Records" as early as elementary school, but at that time, it was purely in the form of a storybook, and then I grew up slowly, and my literary literacy began to gradually improve, and I began to really like this "Historical Records", and even developed a deep reverence for Sima Qian. Today, what I want to discuss with you is one of the famous articles in the "Historical Records": "The Biography of Lian Po Lin Xiangru".

"The Biography of Lian Po Lin Xiangru" vividly portrays a group of characters with different personalities, such as Lian Po, Lin Xiangru, Zhao Hao, Li Mu, Zhao Huiwen Wang, etc., who are either upright or loyal, reckless or witty, and the images are vivid and convincing.

Sima Qian is good at grasping the main characteristics of the characters and trying his best to render them. For example, when dealing with the image of Lin Xiangru, who has a lot of deeds, he grasps the characteristic of "wisdom and bravery" as the core to describe. As he praised at the end of this biography: "Taishi Gong said: Knowing death must be brave, it is difficult for those who are not dead, and it is difficult for those who are executed." Fang Lin is like a pillar of inattention, and the king of Qin is around, but he is not too strong to be punished, but he is cowardly and does not dare to send it. It is like working hard to prestige the enemy, retreating and giving way, and the name of Mount Tai is important. "When describing events such as the return to Zhao and the meeting of Michi, Lin Xiangru's wit and bravery are tightly linked, leaving a deep impression on readers.

Sima Qian did his best to render things in the text, gathering momentum layer by layer, like a river intercepting the flow. For example, in the text, he exaggerated the wisdom of the general trend of the world for his own use five times: relieving the difficulties of the country, using international public opinion, and taking advantage of the momentum of Qin's negative song, to send the bi to Qin; the king of Qin did not pay for the city, just like after obtaining the jade bi with "the bi is flawed, please instruct the king", he grasped the weakness of the king of Qin's greed, and wanted to hit the pillar with the bi, and threatened the king of Qin with the momentum of "Qin is afraid of the bi", and seized the fault of more than 20 monarchs of the Qin state of "not being firm and restrained", and took advantage of the situation on our side to make people return to Zhao; and the meeting of the pond, using the "blood splash of the king with his neck within five steps" The momentum forced the king of Qin to submit to the law, which was a blow to the enemy, and forced Qin not to dare to use force by taking advantage of the situation of "Zhao Yisheng to set up troops to wait for Qin". Like courage and wisdom, it is already radiant. At this point, Sima Qian's pen gesture took a sharp turn: the resourceful and high-spirited Lin Xiangru actually repeatedly forbearance and avoided the vexatious Lian Po, and even the doorman felt ashamed. When the doorman was about to leave him, he revealed his mind of "first the urgency of the country and then personal enmity". The same supreme wisdom and virtuous demeanor stand out in front of the reader's eyes. This is also a characteristic of Sima Qian's writing, using the contrast between the front and back to highlight the characters and make them more vivid.

I used to think about a question that people are used to divide into poor and rich people in society, but what kind of door is a door that is colder than a cold door? But I think if there really is that division, I must be a level lower than Hanmen. Don't worry, let me tell you a story:

There is a child who lives in a poor mountain village, and his family is the poorest family in the village. When he was in the first and second years of junior high school, his living expenses were only 50 yuan a week. And, perhaps it was destined by God that his life would never be spent on a relatively smooth road. Just last March, because of a cold, he went to the hospital for a check-up, but accidentally discovered other diseases - congenital heart disease, atrial septal defect. We all know that the human heart has two atria and two ventricles, and atrial septal defect means that there is a congenital gap in the membrane between the two atria that needs to be surgically closed.

No, if that's it, it only means that he is a poor person, but there is never a shortage of poor people in this world, and even worse than him, and there are many poor people. So next, let's listen to another version of this story together.

There was a boy who started working part-time when he was a freshman in junior high school. The day after graduating from junior high school, he took a hundred yuan from home and went to the city to work for the summer vacation alone. When he was about to return home from school, he used the money he earned to buy a mobile phone and pay for his tuition. After going to college, he didn't feel that he could finally relax like other classmates, but used his little living expenses to join Yilang, to learn to host and speak, and shuttle back and forth between school and Yilang every day, busy, it seems that just like high school, the freshman year has become what the junior and senior years should be.

Then, one day, he himself went to officiate at the wedding, went to a large warm-up, and participated in a speech contest, standing on the sacred stage today!

That's right, this person is me, an ordinary plant and tree, but it is born to the sun. A friend once asked me: Baoping, you are working so hard at this age, don't you feel bitter, don't you feel tired? My answer is: It's okay, I'm just afraid that I'm mediocre, I'm afraid that I'm timid, I'm afraid that I'm going to die in the same place before I set off!

I've always felt that life is never an easy road, and there is no real equality of all beings, and you can't decide what you are born against, what you look like, and what you are gifted with. However, I think one thing is fair to each of us, and that is that the process of life is from birth to death, from the beginning to the end, and we should not be presumptuous or deceive ourselves. The length of life is never about how long you can live, but about how many things you have done in your short life and how many traces you have left in the world.

So, friends, today, have you worked hard for your dreams?

Finally, I have written a poem to encourage you:

Breaking the Formation - Yesterday and Thousands of Miles

Mu Chen

Yesterday and thousands of miles, today I am dreaming for a thousand years. Life is like grass and trees, although small, not afraid of cold and heat to the sun. Youth is in its prime.

Why not be afraid of the wind and rain ahead, how can you be afraid of getting lost in your heart. If the heart is true and strong, why is it difficult to become famous!

Hey, let me tell you, I recently fell in love with a girl and wrote a love letter specifically for her, you come and listen to me, and by the way, help me with your opinion:

You know what? Actually, I've been looking forward to an encounter, with a lot of people, or someone. I knew that the person would pop up in front of me one day, tell me, "Hey, I've been waiting for you for so long, why did you get there!" and put her hand in my jacket pocket. I would walk with her through the cafeteria, walk into the classroom, and walk aimlessly in the city. In fact, it doesn't matter where you go, as long as it's with her

Later, I really met her, she was like a petal, quietly falling on my palm, bringing me a hint of fragrance, a little sweetness.

You know what? Actually, I didn't have a hamster before, I didn't know how to take care of other people, and I used to live a rough life, like most boys. However, after I met that person, I changed, and I suddenly became no longer the same person I was, but I knew that all my changes were for the better, which made me happy. I don't know what it means to be really in love with someone, but I think that if I could change my original self because of someone, then that person must be very important to me!

Really, I'm scared of missing out. I've been in a relationship before, and I've liked someone else, but I've never been so solemn and determined as this time. It made me feel as if everything I had missed in the past was waiting for this encounter with her here and now. I really can't control my feelings anymore, and I don't know how boring life will be if I can't be with the person I'm really in love with.