Charms can be designed by themselves, as long as you understand the meaning of the laws represented in the Book of Heaven and Earth, even any young monk who has just entered the immortal gate can design his own unique charm. In this Xianxia world, www.biquge.info past generations of immortal cultivators have left countless spell patterns, but like everything in the world, the more complicated the better—only those spells with simple structure, remarkable effects, fast casting, and less mana consumption can withstand the test of time and be handed down.

During his explanation, Senior Brother Lu Jiashan demonstrated to everyone some of the most common talismans in the world of cultivating immortals today, but they are often the most common and widely used, all of which belong to the classics in the talisman world - such as the small breeze talisman and thunder guide talisman that were just displayed, which are among the best.

As for combining a large number of Heavenly Seal Books and using them to achieve very complex goals, this kind of use is not uncommon, but it is usually classified as the other two major items in the Six Arts of Xianmen: Formation or Refining. Therefore, it is often said that the formation refiner is an extension of the spell, and if you want to learn the formation refiner, you must first master the spell. The reverse is also similar - a skilled talisman master will often naturally enter the world of studying formations or refining weapons, because for them, this is a continuous path forward.

"There is a basic requirement for drawing talismans, which you must remember, that is, 'one stroke' - the strokes of all talismans must be continuous and cannot be broken. Because when you draw a talisman, you use the mana in your own body as a guide, and continuously inject it into the pattern of your finger or pen, and finally form a talisman that can sense the outside world. If the stroke is broken or the mana in the body is not interrupted in the process, then the talisman will inevitably fail, and the mana injected into it will also get out of control. If you're lucky, you'll only burn the rune paper itself, and if you're unlucky, it's possible to self-detonate and backfire. ”

A master like Lu Jiashan and Senior Brother Lu with sufficient mana in his body can show the charm pattern in the void with his finger drawing, and there are even more powerful ones who don't need to really draw at all, just by meditating in their hearts, they can draw the talisman, and they still generate heaven and earth induction. But the vast majority of people can't do this, "a good memory is better than a bad pen" This sentence is particularly obvious in the world of spells, and for most immortal cultivators, the word "drawing talismans" is really worthy of the name: it must be drawn with a pen and paper.

However, there is an advantage to drawing a spell on paper to form a physical object - that is, time-lag. Senior Brother Lu casually waved a spell in the void just now, although it looked chic and beautiful, but even he couldn't let this void talisman last for a long time - he would use it immediately after drawing it. On the paper, as long as the seal inscription containing the meaning of "seal" in the ground is added at the end of the pen, the spell can be temporarily suspended. And wait until you need to use it before taking it out, activate the seal script with the meaning of "open" at the top of the spell, and you can use it normally.

Even better, the charm – or the rune on the paper – is painted with the required mana, which is then sealed in a special piece of paper and ink, and the inspirer only needs to have the small power to activate the "open" seal to make the spell work.

Compared to the mana required to make the entire spell work, it is of course much less mana to activate a script from the ground that represents the meaning of "opening". Even some ordinary mortals, if they inject them with superb internal force, or splash their body's essence blood at the expense of Shouyuan, they can also be excited!

"Do you know what that means?"

Senior Brother Lu asked with a smile when he said this, and just when those new disciples were still confused, Huang Chang, who had adult thinking, had already raised his hand and responded:

"Wealth. ”

"Yes, wealth—exchange, to be exact. This characteristic allows us immortal cultivators to draw talismans that can be used by others, even those mortals who would not otherwise be able to cast this spell. This allows us to exchange talismans for many other items, including wealth, of course. ”

For immortal cultivators, mortal wealth is not of much use, but since "immortals come out of the world", most immortal cultivators still have relatives and friends in the world, and a talisman can make them temporarily possess the power that only immortals can grasp, or sell it to those who have a huge need for it...... Regardless of whether it is forcible or exchanged, anyway, as long as it is a person who has a relationship with an immortal cultivator, it is easy to get huge benefits.

Therefore, the mortal world will be so yearning and envious of immortal cultivators, and every family that has produced immortal cultivators will soon be able to develop - even if the immortal cultivator doesn't know anything else, just draw a few talismans to help the family get rich quickly. Not to mention the power, insight, and connections that are necessary to become an immortal cultivator...... And so on, under these conditions, even if he was originally a farmer and a beggar, it was not difficult for the prince of Fugai to ascend to the immortal.

Another benefit of talismans is reflected in the diversity: a Qi refining stage cultivator is limited by the techniques he has learned in the early stages, and there are not many talismans that he can fully master. For example, Huang Chang, he currently only practiced the Ten Thousand Wood Evergreen Technique based on the "Wood" character Heavenly Seal, even if he broke through the induction level, the spells he could cast were only limited to the Wood Dao Technique based on the "Wood" character Heavenly Seal, such as "Little Rejuvenation Talisman", "Winding Talisman" and the like. The other new disciples were the same: Ji Ruo would only be able to draw a water line spell with the word "water" as the core of the heavenly seal for a long time in the future, Murong Ying could master the gold line, and Wu Da Niu was the earth line. Only after reaching the middle stage of qi refining and learning to transform mana, can the shortcomings in this area be made up, but it is impossible to learn many types at the same time.

But just because they can't draw other kinds of spells doesn't mean they can't use them - using a talisman only needs to activate a non-attribute script seal, and any mana can work, regardless of the type of spell each person cultivates. What's even more interesting is that due to the relationship between the five elements, people who practice the Wood Exercise are more effective when they use the Fire Talisman - Wood Makes Fire, while those who practice the Water Exercise are more suitable for the Wood Talisman, and the Water Movement Talisman itself is more suitable for the use of the Golden Monk...... And so on. Therefore, the exchange of talismans between monks to make up for their own lack of spells is also a common phenomenon in the world of cultivating immortals. And if you can't get a talisman that satisfies the other party, it is also a common way to buy it directly with spirit stones - the price of low-level talismans in the immortal cultivation world is quite fixed: it is usually a piece of spirit stone, and you can earn spirit stones by drawing talismans.