In addition to this ornament, Huang Chang also got a few strange loot in the process of going down the mountain last time and exterminating the thief cultivation, and he couldn't find a use for a while. Pen, fun, pavilion www. biquge。 infoThis is a very common thing for immortal cultivators - the enemy will not carry the product manual with them, and sometimes they will even deliberately mislead or even trap them.

Therefore, in this Xianxia world, "killing people and grabbing treasures" is actually a very risky thing, but the benefits are difficult to determine - even if you get the opponent and get one or two loot from the enemy, if you can't identify the true value of the item and find out the right use, it is just a waste.

Huang Chang is already extremely superior in this regard - the sect where he is located is the first major immortal sect in the world, and the master he worships is the head of the dignified West Kunlun, if he says that his vision is broad, and his knowledge is profound, he really can't find anything more superior than him today, not to mention the infinite imagination of the previous life as a supplement.

But even so, there are still things that he can't see, such as the small bead dug up from Hu Tianlong's body, no matter how he observes, tests, and experiments, he can't judge it, that thing is neither an elixir nor a magic weapon, but it faintly emits a little aura fluctuation, indicating that it is still a treasure related to immortal magic. It's just that Huang Chang can't see the mystery.

However, he is not in a hurry, this kind of thing is very common in the immortal cultivation world, and encountering this situation is nothing more than a sign that the fate of this thing is not on him, at least not at present. Then you can only collect it first and wait for fate, and the time and energy saved can be used for other things that are more clueless and more certain......

For example, the terracotta figurines he bought from Baiyunfang City earlier, which was claimed to house the ghost of a great monk of the Yin Shang period, Huang Chang planned to study it carefully.

............

On this day, it happened to be three o'clock in the afternoon, which was the time of the day when the yang energy was the most vigorous, the yin and ghosts were easy to dispel, and all evils were difficult to invade, but Huang Chang was alone, sitting in an independent stone house behind the courtyard of his residence, and the clay figurine statue was placed in front of him.

The room is uniquely furnished, itself hemispherical, with walls and roof integrated into one, like an inverted bowl covering the floor. There were no windows in the room, the only stone door was very tightly installed, and there was a double door bucket outside, covered by curtains, and when the two doors were closed tightly, not even a trace of light could be seen inside.

The lighting in the room is made entirely by a ring of night pearls embedded in the surrounding walls. It's just that there are not many night pearls, and the light emitted is dark green, reflecting the green misery on people's faces, and it looks quite terrible. The whole feeling is like being in a grave.

- That's right, the stone house that this kind of cultivator specially used to cultivate and study the way of ghosts is completely arranged according to the layout of the tomb, because this is the most familiar and easiest environment for the genus of ghosts and ghosts to adapt to. It's easier to communicate with the ghosts here.

Huang Chang has been studying this ancient terracotta figurine for several days, and first studied it from various aspects, such as the production age, production style, and material of this terracotta figurine, so as to confirm the seller's statement that there is an ancient soul of the Yin Shang era hidden in it. Of course, Huang Chang had roughly confirmed the other party's statement before buying, but since he had more time and energy after returning to the mountain, he studied it more carefully. The result was quite satisfying to him - he didn't look away, this terracotta figurine was indeed an antiquity of that time, and he could even date it to about the late Pangeng era or the work of the Dixin era - because he had been to the Pangeng Mausoleum once, Huang Chang was also the most familiar with the style of that era.

However, he didn't buy the figurine to collect antiques, so today, it's time to come into contact with it head-on - he wants to release the ancient ghost and try to control it.

The monk's control of ghosts is actually similar to that of an animal tamer facing a beast, as long as he understands his nature and avoids harm, he can control it freely. Since it is the nature of ghosts to kill living creatures, it is necessary to take precautions - this stone house itself is in a formation to exorcise evil spirits and control ghosts, and there is also a soul fixing flag erected in the center, including the surrounding walls and grounds, which can play a role in calming the soul when the ghost is furious.

And the house itself was built in a special way: the walls were made of light pumice, and the roof was made of cork, so that if the worst-case scenario befell the monk, the ghost could not be controlled, whether punched, kicked, or fitted...... Anyway, if you destroy it with a little force, the whole room will immediately collapse and disintegrate, exposing the Yin Ghost to broad daylight. In that way, even if it can't be killed directly, it can also make its ferocity greatly reduced, and it will be much easier to deal with it in the future, whether it is caught or killed.

Therefore, monks study this kind of yin ghost technique, unless there is a special need, they often choose to do it at noon, when the sun is at its peak, just like Huang Chang did at this time.

After everything was prepared, the research work officially began - although the jade pendant of the disciple nameplate given by the sect on Huang Chang's body itself had a strong ability to protect against yin ghosts, he still carefully applied several protective talismans to himself, and after ensuring his absolute safety, he was cautious and far away, and used his soul mind to remotely remove the soul sealing talisman that originally covered the head of the pottery figurine. For a soul artifact, it's as if the lid of the container has been opened, and the "things" inside can come and go freely.

However, after doing this action, the scene was still quiet, and there were no special incidents, which made Huang Chang feel a little surprised - you must know that although most of the ghosts are transformed from living people, most of them are gangsters who have lost their intelligence, and their actions are completely dependent on instinct, and they are no different from beasts. After being locked up in the parasiter for so long, unless the conditions outside do not allow it - for example, it is a bright daylight, why not rush out at the first opportunity?

Isn't there a ghost in there? Huang Chang once again released his divine thoughts, and sensed it with the monk's unique spiritual sense, yes? Inside the terracotta figurine, there was indeed a cold, weird, and death-filled thing, which was presented in the scope of his spiritual sense, which was exactly the same as the ghosts and spirits he had usually come into contact with.