When he saw that lollipop, Hua Lin almost wanted to pick on him, he was a wizard...... Even if it's a fake, you shouldn't analyze the meaning of a colorful lollipop! But compared to carefully analyzing what information a lollipop contains, the other option, forget it, he also knows that his immediate boss has no choice for him at all, he can either successfully complete the task, or he will have to eat endless sand and poisonous smoke with those wizard killers made by wizards in the second firmament world, so after he stood up and walked a few steps, he still picked up the lollipop picture, trying to see something from it.

He looked at the lollipop picture upside down, and he couldn't see anything other than the lollipop, there was no secret language written on the paper in special ink, and there was no witchcraft on the page, at least not at his level.

So he decided to skip this page and see what the next page was about.

The next page is another colorful lollipop that seems to be mocking him mercilessly.

Hua Lin's eyelids jumped, his fingers moved, and he turned seven or eight pages in a row, and sure enough, on each page, there was a colorful lollipop painted on the same page, which really made him ...... Wait! Don't be some careless apprentice, or a failed witchcraft, staple Edward Astadt's notes with the merchant's lollipop advertising brochure!

This answer would have helped him to get rid of the ridiculous analysis he was doing immediately, but each lollipop was hand-drawn, and in terms of the lines, it was also evident that it was the work of Edward Astadt, or at least some other necromancer, because Warlin had been collecting information about the necromancers all those days, so he knew that, unlike the wizards of other factions, the necromantic wizards had a very demanding basic skill of drawing lines without tools, which was impossible for a down-and-out painter who drew advertisements for a mere candy store.

Lines?

He looked at the lollipop pages from beginning to end, and did show him some clues, and the lines outlining the lollipops were indeed all the same, and the parts that could be filled in could be seen to be different! From the inner coloring lines, it could be seen that the painter was in a state of extreme anger at first, and then gradually—probably by drawing the lollipops continuously— In the end, he could even vaguely see the malice of Edward Astartt, who had drawn these pages, when he took the pen, and as for why he chose to draw lollipops to calm down, it was probably - he had a lollipop on hand......

Warrin swore that he would never take on such a task in the future, even if he was sent to Storo to see the children! However, he also understood Edward Astartt's feelings, any wizard was very concerned about his safety and privacy, why did wizards in any world like to live in a high spire? Even the sorcerers who lived deep underground did not want to live in a more convenient and comfortable cavern like the dwarves underground, but tried to dig a cave large enough, and make an exaggerated minaret in the cave, and if they couldn't do that, they would find a natural cave and hollow out a stalactite to make a tower, and in short, they would always have a tower. Some people think that this is to facilitate the separation of various functional rooms, such as the alchemy workshop and the summoning room are not together, which may make sense on the ground, but it is easy to distinguish between the various spaces in the underground, and they still have to build towers.

The reason for this is that the shape of the minaret helps them to peep into others, but not to others peep into them. No one knows if the dwarven cave has been carved out by the enemy to the last pickaxe behind the stone wall, but not only does the spire have a good view from its height, but the large open space outside the tower is also conducive to wizards looking around. When there are many wizards' towers in a city, they all have a tacit understanding to try to stay as far away as possible from the other people's towers. Even in a public building such as an academy, the wizarding towers of the faculty members are separated by student dormitories, classrooms, and other buildings as much as possible.

So when Edward Astartat found that he had been consciously manipulated by the people in the shadows, Warrin could feel that anger, and sure enough, after two more pages, a new arrangement for Tara appeared.

"Execute Tara, it's her only chance to live. ”

"None of the people who will help her can stay in the academy. ”

"Luther Morse should be disposed of as soon as possible. ”

Hua Lin suddenly remembered the lollipop on the previous page again.

Fortunately, he had some other information in his hand, otherwise he really thought that Edward Astadt's next step would be to destroy the Necromantic Academy! Indeed, according to the timeline, Tara and her friends left the academy one after another at this time, and in fact—Hua Lin quickly recalled—did not violate the rules of the academy! Tara "successfully graduated", and Robert and Luther's reason for leaving the academy was that he was "not a living person"—okay, Robert had become a living pig because of witchcraft out of control, and a living pig certainly could not be considered a living person.

According to the archives, Tara immediately joined the team to serve the country like other low-level wizards of the necromantic department after graduation, and her friend, the guy who turned into a living pig, had no reason to stay in the academy, and was not restricted by the academy's prohibition to leave, and she applied to be an assistant, everything was so natural, and even a little funny, if it weren't for Hua Lin seeing Edward's notes, he would really think that Robert's transformation into a pig was an accident!

But what does Luther Morsfar's "disposal" mean? There is no indication that he became a pig or a creature that is not human, and certainly no indication that his cousin sliced or pickled him, and he left with a lively and two-legged walk, just like when he came, including that he could not do necromantic sorcery, but that was the strangest thing about it.

It can also be seen from later records that Luther Morsefa did not learn any witchcraft during his time at the academy, so he did not take any advanced courses, but this did not prevent him from using extremely sophisticated necromantic witchcraft in the future, some of which were not even available to ordinary necromantic wizards.

But it was true that he had no contact with Eduard Astadt, let alone learned from him.

This once puzzled the high-level of the necromantic department, but Hualin had some surviving materials of the First Firmament World, and the answer was about to come out, that is, Edward Astartt and Luther Morsfa used the "Magic Secret Contract" to share magical and witchcraft knowledge.

It stands to reason that this is not possible, and this spell is only for humans and demons.

Hua Lin was able to think of this answer because he happened to read through the history of the First Firmament World intensively - the origin of the elemental royal family was to intermarry with all kinds of monsters - and then continued to marry close relatives - the marriage of the Morse Fa royal family has always been extremely secret rumors - maybe they are still married to monsters - then, Luther Morsfar, the blood of monsters may be more than that of humans!

The reason he was able to leave the academy was that he wasn't human in the first place!

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