Volume 1 Chapter 114 The Myth of the Painting Reappears The mountains rise from the mountains and the horses build mountains

The fourth small painting is Nuwa mending the sky. In the era of the renewal of Vientiane and the beginning of life, the ancestor of mankind, the water god Gonggong and the fire god Zhu Rong quarreled for some reason and fought fiercely, and finally Zhu Rong defeated Gonggong. The water god Gonggong was ashamed of losing and crashed into the Buzhou Mountain in the west, who knew that the Buzhou Mountain was the pillar that supported the sky, the Buzhou Mountain collapsed, the big pillar between the heaven and the earth was broken, the sky fell half of the side, a big hole appeared, the earth also cracked into a big crack, the mountain forest burned a fire, the flood gushed out from under the ground, and the dragons, snakes, and beasts also came out to devour its people. Humanity is facing an unprecedented catastrophe.

Nuwa Niangniang was so distressed to see her people suffer such a miracle and resolved to mend the heavens in order to put an end to this disaster. She selected five kinds of jade, took the Sun Divine Fire and melted them into five-colored stone slurry, used the essence of the five-colored stone in the upper layer to repair the broken hole in the sky, and then cut off the four feet of a large turtle and used them as four pillars to support the collapsed half of the sky. The heavens have since returned to their original appearance.

Nuwa also captured and killed the black dragon that had mutilated her people, stopping the dragon and snake's brutal acts. The other dragons and snakes that survived by devouring humans have mostly become true dragons and pythons because they have absorbed the essence added to the human body.

In order to stop the flood from raging, Nuwa also collected a large amount of reed grass, burned it to ashes, and buried it in the torrent spreading everywhere, so that it gathered into a lake. Later, Kun and Yu controlled the water and finally eliminated the flood.

After the hard work of Nuwa Niangniang and others, the sky was finally replenished, the ground was filled, the water was returned, the dragons, snakes and beasts were reined in, and the people lived a peaceful life again. But this catastrophe has left its mark. From then on the heavens were still somewhat inclined to the northwest, so that the sun, the moon, and the stars naturally turned to the west, and because the earth was inclined to the southeast, all the rivers flowed there. And when there is a rainbow in the sky, it is the colorful light of the five-color Tianshen Stone.

The fifth small painting is Fuxi Taiji Yin and Yang. Fu Xi often sat on the top of the hexagram mountain, pondered the mysteries of the universe, looked up at the changes of the sun, moon and stars, and looked down on the laws of the mountains and rivers. One day, there was a wonderful illusion in front of his eyes, after an explosion, the Longma Mountain on the other side of the Wei River suddenly opened, but saw the Longma flapping its wings and flying out, leisurely down the river, straight down the distraction stone in the heart of the river, the whole body of gossip is distinct, shining. At this time, the distraction stone also transforms into a three-dimensional Tai Chi, with yin and yang entwined and radiant. This situation shocked Fu Xi's mind, and the Tai Chi Divine Diagram was deeply reflected in the depths of his consciousness, and his eyes were suddenly like torches, completely penetrating the secret of the unity of heaven and man, it turned out that heaven and earth were so simple and clear - only yin and yang.

The sixth small painting is the figure of the Five Emperors: Emperor Yan, Emperor Huangdi, Emperor Xuan, Emperor Qing, Emperor Bai, etc. Emperor Yan is also known as Emperor Huo, surnamed Jiang, called Shennong, and lives in the West. The Yellow Emperor is also known as the Emperor of the Earth, surnamed Ji, called Xuanyuan, Youxiong, living in the East, the first ancestor of Chinese humanities, and has defeated Emperor Yan, Chiyou, Xingtian, etc. Emperor Yan and Emperor Huang are the ancestors of China, and their descendants are also known as the descendants of Yan and Huang. Emperor Xuan is also known as the Emperor of Water, surnamed Ji, whose name is 颛顼, and lives in the north. Qingdi is also known as Emperor Mu, Taihao Fuxi, one of the ancestors of Chinese medicine. The White Emperor is also known as the Golden Emperor, Taihao Jin Tianshi, the god of time.

The seventh small painting is a variety of figures, with a brief introduction to the Queen Mother of the West, the Prince of the East, Xingtian, the Three Qings of Taoism, and so on. Among them, the Queen Mother of the West is the incarnation of the Qi of Xihua Zhimiao, and the East Princes share the immortal books of the three realms and ten directions in the world, and they are located in the West and live on Kunlun Immortal Island. The queen mother's Yaochi peach orchard is planted with peaches, and eating them can be immortal. Therefore, it is also called the golden mother of Yaochi.

Among them, Xingtian is a subordinate of Emperor Yan. At that time, Chi You raised troops to avenge Emperor Yan, but was bulldozed by the Yellow Emperor, so his head was different. Xingtian was furious and carried a giant axe and fought alone with the Yellow Emperor. In the end, he was defeated and beheaded by the Yellow Emperor. Xingtian used his milk as his eyes and his navel as his mouth, holding a shield in his left hand and an axe in his right hand, and still insisted on fighting.

Among them, the three Qings of Taoism are the three supreme gods of Taoism, Yuqing, Shangqing, and Taiqing. Yuqing Yuan Shi Tianzun, Shangqing Lingbao Tianzun, Taiqing Taishang Laojun.

There are several small paintings in the back, such as Jiutian Kunpeng, Lei Zehuaxu, Xihe Bathing Day, Changxi Bathing Moon, Five Elements of the Xuan Division, Huoshen Zhurong, Autumn God Harvest, Nine Heavens Xuannu Giving Books, Jingwei Reclamation, Chang'e Running to the Moon, etc., which will not be elaborated one by one.

The eighth painting is the Himalayan orogeny. At that time, when the second group of streamliners settled on Earth, it was the time when the Himalayas slowly rose from the sea and the orogeny began. Seeing this, the three streamlined people came together and were discussing something, and their heads rumbled like thunder.

The Streamliners seemed to have decided something, only to see them delineate a large area along the heart of the Himalayan mountain range, where the gaps at the edges were all enclosed with gravel and earth. They were constantly busy, or incarnated as a hundred or ten medium-streamed people to guard all the gaps in the edges, so that the water would not be missed. Or gather into one or several large streamlines to split the mountain to build columns, only allow the outer shell of a few kilometers or so around the mountain peak to rise, and the middle mountain is split into columns of different sizes, the diameter of the column is hundreds of kilometers, or tens of kilometers, and the smallest is more than ten kilometers. The excess around the column was split into the sea, filling in the deep ditch.

The peaks in the heart of the Himalayas gradually take on the shape of a "house" with a hollow middle and a rising outer shell around it. Since only the shell and the column rise, the rate of rise is significantly faster, and the "peaks" formed are also higher than the surrounding peaks. In the continuous growth of the "house" and the columns, it gradually exceeds the height of the streamlined person. By the time the orogeny was about to stop, it was already several times higher than the streamliner.

The cofferdam enclosing the sea water on all four sides was constantly deformed as the mountain was uplifted, and the three of them took turns to repair the cofferdam until a stable seawater pool was formed. At the same time, the guards monitored the construction and growth of the "big house" and the columns, and repaired them from time to time. The middle column is upright, the surrounding column is upright in front, and the back is gradually inclined towards the center. The same is true for the shell, the bottom is thick, tens of kilometers thick, and in the process of going up, the slope of the mountain gradually slopes towards the center, and when it reaches the top of the mountain, the visual inspection is only about one to several kilometers thick. There are two spaces on either side of the "big house" that serve as portals and can be accessed freely. The Streamline Man is extremely fast, with tens or hundreds of kilometers in a single leap, and two gates should be enough to use.

After the vigorous orogeny almost stopped, the "big house" was also more than two-thirds as tall as the peak. The streamlined people brought in boulders and laid them between the top of the column and the shell, and the top of the column was as sharp as possible to form a pointed roof. The roof is gradually covered with snow and ice, making it look like a real snow-capped mountain. The "big house" has become a place for streamlined people to gather, gather, practice, and do things.