122. The artistic conception of the flute, listening to the wind and nostalgia

Walking out of Wenhan Bookstore, Lin Yao was blown by the cold wind, and couldn't help but sigh deeply in his heart: Alas, since Fuxi and Nuwa established rules for heaven and earth, demons and monsters have retreated, and those who are mixed in the world are all latent situations, so Peng Zu can't tell the difference between humans and demons, but he can't be said to be confused, he can only be said to be ignorant.

"Aunt Duanmu, I want to hear you play the flute. Fang Ying said suddenly.

"Good. Duanmuqi agreed, and asked instead, "Yao'er, do you want to hear your aunt play the flute?"

"Hmm. Lin Yao nodded in response.

"Then let's go to the 'Listening to the Wind Pavilion', let's go!" Duanmuqi walked in a chic manner.

Yingdu was not built on an open plain, so in addition to the Jingshan Mountain at its back, there were also several isolated hills scattered in the city, which were later found to not only did not affect the majesty of the Jingshi, but also added to the magnificence of the capital. Among them, there is a rather beautiful one, which is naturally named after the image: Phoenix Ridge.

Tingfeng Pavilion is built on the mountainside of Phoenix Ridge, which can overlook the majestic panorama of Yingdu, and can also more truly feel the majestic scenery of Jingshan Mountain. It's just that in this cold winter season, few people want to run up to blow the cold wind, but Duanmuqi ran up with Fang Ying and Lin Yao with great interest.

The vision is cheerful, overlooking the red dust, looking at the sky and clouds, there is nothing more than playing a song, more able to express your mind.

Duanmuqi stood in the wind, pressed the transverse flute lightly and played, and the sound was melodious and fluttering.

Fang Ying sat on the stone bench on the stone table, holding her chin with both hands, looking at Duanmuqi playing with dark eyes, with a look of serious listening on her face. Where had Lin Yao seen a flute before, he had never heard such a beautiful melody, and the feeling of closing his eyes as if his heart was flying was wonderful.

The sound of the flute is elegant and elegant, the tone is flickering and flickering, as if it is thousands of miles away, and it seems to be close at hand, and the tone is tactful, as if it is high in the sky, and as low as the rippling water......

Gradually, the sound of the flute stopped, and Lin Yao was intoxicated by the artistic conception, still enjoying the lingering sound.

"Aunt Duanmu, it's so nice. Fang Ying's crisp voice dispelled the picture in Lin Yao's mind, as if he had suddenly returned to the Listening Wind Pavilion. Duanmuqi smiled slightly, glanced at Fang Ying, and then at Lin Yao, then turned his gaze to the heavens and the earth, and secretly sighed: Only by standing in this "Listening to the Wind Pavilion" can I give full play to this song "Mountains and Flowing Water".

Lin Yao held the gan with both hands, and under the casual look, his eyes fell on the building complex surrounded by Jing Mountain, the palace buildings were solemn, and the three halls were extremely majestic, revealing awe-inspiring majesty. Lin Yao was curious, and couldn't help but use the eye of heaven intently, only to see that the word "temple" was prominently marked on the plaque on the door of the main hall in front of him.

Immediately, Lin Yao's gaze drifted in, and he saw a stone tablet standing at the top of the middle of the main hall, and a jade statue standing on the left and right. The man on the left holds the "moment", the woman on the right holds the "rule", the image of these two jade carvings is also very special, but Lin Yao really knows, it is really Fuxi, Nuwa two gods, the chassis in front of the jade carving is inlaid with the handwriting of Nuwa "Mountains and Rivers Sheji Map", the top is hung with Fuxi's hand-created "Bagua Map", and the stone tablet is engraved with two floating and smart big characters: heaven and earth!

In such a situation, of course, Lin Yao was not surprised, thinking back to more than 7,000 years ago, although Lin Yao was illiterate and blind, the impression of two words seemed to be imprinted in his mind forever.

And these two words are "Wu" and "Dao".

The reason why it is so impressive is because the word "Dao" is the "human head and dragon body", which is the visualization of Fuxi and Nuwa, that is, the appearance of the two jade statues in the temple at present, and the word "Wu" is the combination of the "moment" held by Fuxi and the "rule" held by Nuwa, and the meaning is self-evident. To understand the way of heaven and earth and master the rules of heaven and earth is for witches.

Since Lin Yao cultivated the "Pre-thinking Method", many of the previous unresolved doubts have been thoroughly analyzed for most of the year. When his father taught him to read, Lin Yao thought that square words were a new thing, and later looked at "Shuowen Jie Zi" and thought it was really Cangjie Chuangzào, until in the preface of "Shangshu", he found such a text: "The ancients Fuxi, the king of the world, began to draw gossip and make book deeds to replace the government of the rope, and it was born from the literature." ”

Lin Yao was relieved at this time, and couldn't help but use the "pre-thinking method" to think about the context of the text, and finally suddenly realized: it turned out that Fuxi was the founder of the zào text, a precedent for humanities, and the biggest contributor was actually the youngest daughter of Emperor Xi and Emperor Wa, that is, the seventh princess of the goddess Yao Ji in folklore, the word "Dao" is from Yao Ji's handwriting, and the image characteristics of the text are very soft; The writing of the Jiuli Department, and then created zào, injected with a strong spirit, and after thousands of years of development, it changed again during the period of the first emperor of Yingzheng, and the biggest contributor was Li Si, the villain, who unified the writing of the vassal states in the last years of the Zhou Dynasty, and became what it is today.

Li Si wrote a beautiful calligraphy, but he was a little opportunistic, in the last years of the Zhou Dynasty developed mature words, to Li Si's hands almost no creation zào nature, are selected in the text of the vassal states, which word into the eye will be retained, the rest are abolished. As a result, today's text is more than beautiful, but some of it is too cumbersome and not concise enough.

In short, the writing of the current era is still a continuation of the Fuxi and Nuwa eras, as if they were inherited by blood.

After his heart was clear, when Lin Yao watched "Shuo Wen Jie Zi" again, he couldn't help but laugh when he looked at it, "Shuo Wen Jie Zi" actually even dissolved the word "Wu", you must know that there is the word "Wu" first, then the word "Wang", and then the word "Zheng". I think that back then, in that era of natural selection, which was cruel and cruel, if there were no Fuxi and Nuwa to establish rules for heaven and earth, how could there be a king in the world? How could there be a righteous way to the country? The original images of "witch", "king" and "zheng" were almost a little different.

In Lin Yao's eyes, "Saying Words and Interpreting Words" is simply full of fallacies, and Lin Yao, who often stays in the study and soaks, finds that there are too many books full of fallacies. Whenever he read a fallacy, Lin Yao would recite the sentence that Meng Fuzi said: "The sage makes people clear with his appearance, and now he makes people known with his faintness." After sighing, he then flipped through the books again, and found that there were fewer fallacies in the books of the pre-Qin Dynasty, and there were more errors in the books of the Qin Dynasty for more than 600 years.

Through the books, Lin Yao found that in the understanding of human beings before the dynasty, the biggest fallacy was to regard "the heaven and the earth are round" as "the sky is round and the place is round", which is not as trivial as the "black dragon" as the "oolong".

What puzzled Lin Yao was that judging from the portraits of Fuxi and Nuwa painted in the previous dynasties, human beings clearly knew that Fuxi was holding a "moment" to draw a square, and Nuwa was holding a "rule" to draw a circle, so why would they still misunderstand "the square heaven and the earth" as "the heaven and the earth" as "the heaven and the earth"? Even if it is not clear that Fuxi drew the "Eight Diagrams" and created the "Bagua Map", and Nuwa planned the four seas and nine continents and drew the "Mountains and Rivers Sheji Map", could they not even be able to distinguish between Fuxi pointing to the sky and Nuwa pointing to the earth?

Such a big fallacy has caused the human vision to be misaligned, and the cognition has gradually become blurred and confused, and the vision is narrow to the square circle, or even between square inches. In the past few thousand years, the more demons live, the more they understand, but the more humans live, the more confused they become, and they have even fallen to the point of being so confused, Lin Yao thought about it at the time, and couldn't help but look up to the sky and smile.

At this moment, Lin Yao looked at the jade statues of Fuxi and Nuwa in the temple, as if he had returned to that distant era, and couldn't help but be stupid in a trance, the "Heaven and Earth" stone tablet standing in his eyes and the jade statue of Fuxi Nuwa holding the rules gradually blurred, synthesizing a big "witch" character.