Now in Mo Liunian's room in the Feng Shui Pavilion, Wang Dali's family of three now lives

After returning to the room, Xiao Banxian asked, "How are Wang Dali?"

Mo Liunian said: "They all saved their lives." ”

Xiao Banxian said: "Xiao Mo, I regret it now, I didn't learn the Tao well at the beginning, but now I can't do anything at all." ”

Mo Liunian said: "We are in the open and the enemy is in the dark, we are already passive, no one wants such a thing, Qingzi They all understand, they will not blame you." ”

Xiao Banxian took a pill given by the pure monk, and the feeling of blockage in his heart was better, lying on the mattress, obviously his body was extremely tired, but as soon as he closed his eyes, he saw the corpse in that place, and he was scared awake as soon as he was a little sleepy, he turned his head and saw Mo Liunian sitting on the side of the mattress.

Mo Liunian said: "Boss, you rest quickly, I'm here." ”

Only then did the little half-fairy close his eyes again.

Mo Liunian had never seen such a fragile little half-immortal, even if he was injured last time, he had never been like this now, the injury hurt the body, but this time it hurt the heart.

Xiao Banxian slept until the afternoon, although it was a long time, he slept unsteadily, and when Xiao Banxian woke up, he saw Mo Liunian who was asleep on the table.

Yes, he still has someone to protect, and he doesn't have time to feel sorry for himself.

Gently covering Mo Liunian's body, Xiao Banxian walked out quickly, after Xiao Banxian left, Mo Liunian also sat up, in fact, she didn't fall asleep, but seeing the back of Xiao Banxian leaving, she knew that the little Banxian she knew was back.

Lao Chai The news of their death quickly spread among the demon clans in Jiangling, and all the demon clans were looked for at once, and in the past three years, the little half-immortal has taken in more than 20 demon clans, and now half of them are gone, and the remaining half are shallow cultivators.

The outline mainly talks about two parts: 1. What is the use of the outline. 2. How to write an outline.

As I said in my last lesson, there are four ways to present content on the web: book title, introduction, chapter title, and text. Hidden behind the chapter name is the outline. For this reason, some authors write the outline as a list of chapter names.

That's actually true, because the outline is about systematically arranging the main points of the story you're going to write. It's easy to write by yourself. It's convenient to write a book on your own. That's really what the outline does.

Specifically, it includes: sorting out the storyline, clues, foreshadowing and suspense, character relationships, environmental background and transitions, ideological themes, and so on. This is the angle that is convenient for writing. Another function is to communicate and use. For example, contributions.

Some writers may have written an outline for one of the above reasons, or they may have written for a few of them. Of course, there are also authors who do not write an outline.

In the online article, there are many peculiar and gifted authors. The issue of the outline is very extreme and obvious. For example, today you hear a successful writer talk about the importance of an outline, and tomorrow you hear a successful writer say that he never writes an outline.

I don't rule out that there are writers who don't write an outline and can still take care of all aspects of their stories. However, as far as I can observe, the vast majority do not. It's just that the author has thoroughly played to his strengths, allowing readers to stare at the main plot they want to write and keep it cool. Ignoring the bugs in the article, it was a commercial success. Then, after the work was finished, it quickly disappeared from the list. Some people boil it down to the fact that readers don't read it after reading it, and there are not enough new readers, so the grades get worse after finishing the book. Of course, this is one reason, but I think that the lack of sufficient aftertaste is also one of the main reasons for the lack of sufficient aftertaste of the work.

Of course, there is another kind of author who does not write an outline, that is, the story he writes is almost the precipitation of his life. Commonly known as experience. In the process of creation, he is very casual and attractive. If you are not amazingly gifted or have a special experience. I still recommend writing an outline.

There are two most common outlines in online articles: one is written for yourself to remind yourself not to forget a certain plot or character, etc., and the other is written for the editor.

The first type of outline is basically written by the author on his own initiative.

The second type of outline, most of the authors hear that the editor wants an outline, so they write it on an impromptu basis. This is basically the case with new authors.

By the way, one more thing: there are two types of people who don't write an outline. One is a lazy person, and the other is that he hasn't figured out what he wants to write at all, and it's likely that the plot to be updated today hasn't been thought out yet. I also come across these two categories a lot.

Next, I will start with an outline for myself.

The first small point, before writing this kind of outline, ask yourself: do you think clearly about the story you want to write? As I said earlier, there is an author who does not write an outline because he has not thought clearly about what kind of story he wants to write, or even what he wants to write in the next chapter.

In this case, as far as I know, many of them rely on an impulsive, touched and other momentary emotions, and then go to the codeword. I wrote tens of thousands of words, and all of a sudden it was short-circuited. Because that impulse to create is gone. It's easy to be a eunuch. So, the writing of the outline is to help you stabilize your story.

I remember when Tang Chuan came to give a lecture that time, he said that he was sometimes moved by a storyline or material, and he had the urge to write a book. But he is not in a hurry to start writing, and he will taste it first. When he remembered the material again a few months later, he was still impressed. He'll think about writing it out.

He actually completed the transformation and refinement of the material into the storyline in his own mind. And most of us can use the outline to complete this step when writing the outline. This is the first small point I want to make, before writing an outline, first stabilize your creative ideas.

The second point is how to write the outline. Write an expository essay, a narrative, or even a narrative?

I guess a lot of people, don't think about this carefully. When it comes to writing an outline, it's writing. I can't wait to pull out everything I can think of in an instant and pile it together. After writing (some are halfway written), I just put it there and don't read it. Because it's a long text, it's boring to read.

So, after this outline was written, it was basically abandoned. The author didn't read it, and when it was sent to the editor, the editor frowned when he looked at it. Didn't an author say earlier that the outline and the essay are two different things. What is the reason for this?Have you ever thought about it?~ Not considering the fun of the outline is also one of the reasons. A good outline can be used by the author to burst out of creative inspiration and motivation when he or she reads it afterwards. It should definitely not be a burden.

So, the second point that I want to emphasize is how do you plan to write your outline, expository essays, narrative essays、...... Either way will do. As long as you highlight the ideas, stories, and characters you want to express in your outline. Of course, you have to like it. This is useful when you want to express the core idea of your essay.

The third point is to write an outline for yourself, which is popular, direct, and clear, and should be described objectively as much as possible. The point is not to create ambiguity. Some authors may have a misunderstanding when writing an outline, that is, the outline is written for themselves anyway, so it doesn't matter what words are used to form sentences, it's OK to understand it yourself.

After a few days, I looked at the outline I had written, and I always felt that some plots were missing. So, I began to meditate, and after thinking about it for a long time, I finally remembered, oh, it's that plot. In my opinion, this is a waste of time. And it could have been avoided. Therefore, I recommend that when writing an outline, you can use personalized, personalized vocabulary and sentence formation. However, the meaning is best expressed clearly and unambiguously. This is also to reduce dyslexia and writing difficulty for yourself.

The fourth point is the classification of the content in the outline. Nowadays, popular online articles are all long-form, and one or two million words are the most common.

There are so many words, and the content to be expressed is very rich. The twists and turns of the plot, the constant transformation of the environment and venues, the multiple changes in ideas, the appearance of many characters, plus the upgrade system, props, sects and grievances in the fantasy, the distribution of countries on the continent, etc. Many times, the author himself is dumbfounded, thinking that so much content should be fully reflected in a short outline. I asked quietly: Who stipulates that the outline of a book can only be written in one form?

Narrate the main storyline with text, describe the relationships of the characters with diagrams, and so on. What is the biggest advantage of writing an outline for yourself? It is to be flexible, so that you can understand and remember the greatest advantage of the text. Not bound to a certain formality. So, the fourth point, I am talking about the content to be expressed in the outline, and we must learn to classify it.

Here, how many words is better to insert a question that everyone often asks? I usually say that there is no limit to the number of words, as long as you can clearly explain the story you want to write and highlight the highlights of the story.

As for the outline to write for myself, I have said the above four points.

Next, let's talk about an outline for someone to read.

The vast majority of authors are often reluctant to share their outlines with others. There is one exception, however, when communicating with the editor.

So, the outline that is written for others is basically for the editor. Edit here is a generalized word. There are editors who do physical publishing, contract editors who work on Internet book sites, and part-time online editors. No matter what kind of editor it is, ask the author for an outline and read it. It's all the same purpose, which is to understand what kind of story the author is writing in a short time. Then judge the value of the story. As for the publication editor, I won't say much about it for the time being. The main thing here is that you have a lot of contract editors to deal with.

In general, the contracted editor will "ask" the author for an outline at least once. Remember, I've put quotation marks here. When I was a contract editor, I usually asked for two outlines. 2k reading web