This book is on the shelves today.,The morning update was moved to after 12 o'clock at noon.,Three updates are sent out at one time.,If nothing else.,Continue to add more in the evening.。

I've never written a testimonial, so I don't know what to say. I think the "feeling" here should have two meanings, one is gratitude and the other is understanding.

Writing this book so far, what makes me feel the most is everyone's support, including my editors and those of you who read the book, while supporting in the background and at the front desk, with every recommendation, every collection, every push vote, every click, every reward, and jointly support the book to thrive.

Thank you!

About two or three years ago, I once said that I would never write about Shushan Doujin again. It's not that I'm tired of writing crooked.,It's that I feel that Shushan has so many people.,I've written everything I can write.,There's no way to write better than the previous one.。

In general, there are four routes of Shushan Homo people.,The main road line.,Buddha Gate route.,Side Gate Route.,Demon Gate Route.。

The main road route includes the Emei Righteous Road and other righteous paths, and the Emei Righteous Road is divided into competing with the original protagonist for unification and playing soy sauce on the periphery and finally opening another Beppu. Other righteous paths include those who have entered the Qingcheng, Wudang, Kunlun and other sects, as well as those who have become self-cultivated.

The Buddhist route is more difficult to write, either it is not written like a Buddhist disciple, or it is written to make everyone hate, and the one that can be written like a Buddhist disciple without making readers hate it is the minority among the niche......

The side door route is relatively general, some engage in polar chaos, some engage in sect farming, and some unite everyone to engage in Emei...... To sum up, there are two main types, one is biased and the other is biased.

The Demon Gate route is something I have always despised before, because the demons in Shushan are in Ji Wuming's words, "I have seen a lot of demon cultivators, that is, they are famous, and the mana is just like that", and they are all extremely bragged, in fact, they are all leeks for the Emei juniors to brush their experience.

In terms of their usual style of acting, the devils are all inappropriate, pulling and pulling, it is difficult to pick out one who looks like someone, and the two pick one out and pull it out first and then ask questions, there are basically no unjust, false and wrongful cases, many of them are enough to be shot for two hours.

Based on this, I used to think that there was nothing to write about the Demon Sect, until later, when I was looking at the Taoist Collection, I found a lot of teachings about the five demons and six heavens from the Lingbao Sutra, combined with the definition of demons in Buddhism. Suddenly found that the devil is not in our impression, only killing and harming, disgusting and perverted, ugly creatures without brains, there can be many other definitions of demons, and they can rise to the height of the Tao, so there is the Demon Dao, there is the Tao and there is a door, and there is this authentic Demon Gate.

The original meaning of the word demon is grinding, which means the demon difficulty on the path of cultivation, and the righteousness of tempering the trial, which was changed into a ghost by Emperor Wu of Liang, and became an evil ghost.

The original meaning of the road is the road, there is the fairy road, there is the Buddha road, there is the demon road, the three roads, and the people who walk on them are all people. Therefore, whether it is an immortal, a Buddha, or a demon, there must be human nature, and people should cultivate immortals, Buddhas, and demons. If you lose your humanity, you will go down, the light will degenerate into mortals, and the heavy will fall into beasts, only desires, only killing, and inhumane beasts.

The protagonist of this book is a man who walks the devil's way, always retains his humanity and does not fall into a beast.

He cultivates demonic skills and has very strong mana, but his character is still an amplification of human nature. For example, he lacked love since he was a child, longed for family affection, and hoped that a large family would live together forever and never be separated again. Another example is that he is insecure and hopes that he will control the situation by himself, and then control others, and human nature is once again magnified here to become the demonic nature that dominates the fate of others.

In my opinion, immortal nature, Buddha nature, and demonic nature are all amplifications of certain aspects of human nature, such as compassion, where everyone has the heart of compassion for the weak, and when it is magnified to the point that there is no cause for great compassion, and great compassion becomes Buddha nature. For example, if you like to be unrestrained, don't rely on others for anything, solve all problems independently, and magnify to the end, which is immortality. And the desire for control, voyeurism, and appreciation, without moderation, amplified to a certain extent is demonic.

From this point of view, writing about immortals, writing about Buddha, and writing about demons, in fact, they are still written about people, and they are still people who walk on the three roads, and those who really come to the end no longer need to write, and there is no way to write, because they will not have any more stories.

There are many characters written in the original work, some of which are very plump and vivid, and even make people sigh, and many of them tend to be flattened or even symbolized. One of the main purposes of writing this book is to process and paint the people you care about on the basis of fitting the original work as much as possible, so that they are vivid and three-dimensional, flesh and blood, with character and soul, and vivid. Of course, due to the limitations of my pen, I may not be able to achieve the desired goal, but I am aiming for this goal and working towards this goal.

Therefore, everyone in this book has character flaws to a greater or lesser extent, deep or shallow.

For example, Yu Wa is good to her apprentices, and she is righteous and refreshing, but she has no one in her eyes and is arrogant. For example, Lin You and Qian Kang are also cautious and forward-looking, while Qian Kang is softer and knows how to back down, and Lin You pays more attention to face. For example, Chen Ziqin and Zhou Meng, who were written earlier, are not perfect, and the truly perfect people are all people who have come to the end.

Why did I write Zhang Sanfeng's prediction that there would only be three people in the Dao Gate who would ascend? Because only those who have reached the end of the three paths can ascend, deserve to ascend, and must ascend. Others, whether they are cultivating Buddhas or demons, immortals or goblins, still have to fight in this world, calculating with each other, fighting each other, and even devouring each other.

There are many ideas under this main axis, such as the contrast between Buddha and demon.

In the minds of most people, Buddha and demon are opposites, Buddha can subdue demons, Buddha is not a demon, and a demon is not a Buddha. However, this is not the case in reality, people who practice Buddha also have demonic nature, and people who cultivate demons also have Buddha nature, and the Buddha says that all sentient beings have Buddha nature, and the Buddha says that all sentient beings have demonic nature.

The protagonist is a demon cultivator, but sometimes he can also show a certain Buddha nature, and those who cultivate Buddha often show quite a demonic nature. The original name of this book was Demon Treasure Record.,It's a series of other two records.,At present, those two have only dug a pit.,Only this one came out.,Because it's something that happened in the world of Shushan.,It's still called the current name.。

My predetermined plan is to write according to the routine of Dream of Red Mansions, when the devil is a Buddha, the Buddha is also a demon, and when the Buddha is a demon, the demon returns to the Buddha.

When it comes to specific writing, I read too many traditional books, and the writing style is too traditional.

Traditional literature is usually more subtle, rarely describing the psychological conditions of the characters, at most a few words through narration, and leaving the reader to guess the rest. For example, the subtle relationship between Song Jiang and Chao Gai, such as the ideas of the major factions in Liangshan, such as the style of Xue Baochai and Lin Daiyu, etc., you have to put yourself in their shoes to understand, but once you figure it out, you will have the pleasure of tasting sweetness or digging up easter eggs.

My original style is like this, almost never, or rarely write about the psychological changes of the protagonist, most of the places are pointed out with foreshadowing, such as the protagonist's feelings for Xu Wan, from gratitude to awe, to fear and hatred, I didn't write it explicitly, but in fact, it is easy to understand as long as you put yourself in their shoes.

Later, I also figured it out, everyone reading books on the Internet is different from reading paper books, many people define online literature as fast food literature and stall literature in their hearts, and some extreme ones can't even hang the word literature, otherwise it will tarnish literature.

I wrote that the protagonist has lived for two years under certain circumstances, and the word two years is just a flash in everyone's minds, just like a few days, or even a few seconds, and will not form in their minds the consciousness that they have lived for a long time, let alone the idea of what kind of life they have been living for the past two years, so it is difficult to have an emotional connection, and it is basically impossible to bring in.

For another example, many readers asked, why did the protagonist's temperament change greatly after cultivating on Long Night Island, and nothing happened there, just practice. And what I actually wrote is that the protagonist stayed there for thirty-six years, and every day he was in a fantasy, and it was a fantasy of the real world, running and fleeing in many worlds, getting married and having children in many worlds, and destroying corpses in many worlds...... In this way, after 36 years, there will definitely be a great change in the mind.

Many editors and writers have told me about this problem of mine, saying that I used the writing technique of hundreds of years ago, and the lack of substitution is the biggest problem, it looks like a running account, and I myself deeply believe it, but I have developed a habit over the years, and I have gone away again when I write, so I put that reader's post at the top, always remind myself, and correct the writing style.

After all, what I want to write about is a world of Shushan that everyone yearns for, and I look forward to being able to enter that world, cultivating immortals, Buddhas, and demons, unrestrained and free......

I wrote so much unconsciously, and finally, I hope everyone is happy every day, less restrained, more comfortable, and supports genuine reading \(^o^)/.