There are a lot of suggestions in the book review area and the chapter review area, and I will reply to them uniformly.

This book is a slow-burning book. It is writing the whole first volume as a great climax of the whole. The part before it was put on the shelves was probably foreshadowing and ambushing, and after it was put on the shelves, it began to gradually climactic plot. It's not very flattering, but I'd like to give it a try. Writing a pattern all the time limits oneself, and slowly people degenerate. This is my own opinion.

Therefore, the rhythm may be different from most books, and the climax process span is longer. In the past two days, I have seen some book friends say that some plots are not hearty enough, and I wonder if there is such a problem. After thinking about it for a while, I think that those things that are not happy enough are small details in the battle for me.

For example, when two people fight, it is common for you to give me a punch and I will give you a punch. You can't feel that the protagonist is deflated just because the enemy hits the protagonist. It's not going to be harmless.

What made me think about this was that Li Qingyan let out a flame and was extinguished by the banana fan. This seems to me to be normal - he makes a move, and the enemy responds with a move. Then he made another move, you come and go, and there are winners and losers in the details. There is a suppression and a promotion, and in the end it will look like a feeling.

Therefore, I didn't expect it to make some book friends feel unhappy. But it's always bad that the protagonist can't fall behind when he fights. The whole process was invincible, and I think there was no suspense in the end.

I think it may be because of this feeling: seeing him manifest a god and demon body, I think this should be a big climax. But later, I found that I didn't have any power, and I felt that this big climax was going to pass like this, so I felt unhappy.

If this is the problem, in fact, I have been talking about it since the time of the demon in my heart. When I write, I try not to fall into clichés and avoid the similarity of most books. Book friends are more readful, read a lot of books, and may be more familiar with the routines. When I see a bridge, I instinctively think about what to do next—that's what I'm trying to avoid. I don't want to write about what everyone wants.

I can't say I'm a genius, and I think absolutely what others can't think of, but at least I won't go down the path that others have gone badly. Therefore, if you feel that "what will happen in the future" and "what will happen in the future" when you read it, you can put this idea on hold for a while. So in my case, it's probably different.

Sometimes I see some book reviews and I am not happy. For example, when writing about a plot, some readers say, "What should happen in the future?" Then, based on this brain supplement setting, it is really boring to say, "That's the case, because how". I'm aggrieved when I see this kind of comment - what you think is not what I'm going to write at all. Why do you want to criticize me in advance because of something that my brain makes?

Recently, my mood and mentality have not been very good. Therefore, I read and consider book reviews and chapter reviews very seriously. As I looked at it, I wondered if those opinions were indeed a problem on my side. Slowly realize that problems may arise in the rhythm and writing of the first volume of the book. The line is relatively long, and there is no short flat and fast in the early stage, and a wave of accumulation breaks out in the later stage.

This is a new way of writing. Because I personally like this feeling - the early explanation, and then the total outburst. If you look at it in segments in this process, you will indeed have to wait more urgently. But if you look at it together after the whole thing is done, it will feel different.

Therefore, I think it should be beyond reproach that book lovers feel anxious in the process of reading and fail to adapt to the not-so-short and fast pace for a while. But in my case, at least in the first volume, it won't change that way. Because it's done here, it's cool to write the story after that. The resulting first order was not ideal, and it was slowly accepted in the past few days. I told myself that my brain was fine here, that I hadn't degenerated. It's the price to pay for a new endeavor. If I could have completed the book as a whole, I would have been more satisfied.

So the recent plot can be saved for two or three days to watch again. For example, wait until Tuesday to see it. Otherwise, readers will feel uncomfortable and feel unfulfilled every day and put forward opinions, and when I see these opinions, I will wonder if there is really something wrong with me. In this way, they affect each other, and it is a lose-lose situation.

However, I think there's a better chance I'll cut this chapter after an hour. Because when I write this, I always feel that my tone is a little unfriendly. But it really doesn't mean that, it's a complaint. It's a kind of complaining that you read my book, and I also give feedback to your opinion in person. If we were face to face, we should all be smiling.