Everyone was busy for a day, and the twenty-ninth day of the lunar month passed. Pen % fun % Pavilion www.biquge.info

As soon as I woke up, the thirtieth year of the Chinese New Year's Eve arrived. Hong Kong Island finally has some joy for the New Year. However, compared with Li Xuan's hometown, it is still a lot more deserted, and the smell of the New Year is not strong enough.

Li Xuan began to prepare for the New Year in accordance with the customs of his hometown. Other door decorations can be dispensed without, but they must be pasted with a pair of red and joyful couplets

Li Xuan has been practicing calligraphy with Zhao Bing's father since he was a child, and his calligraphy has reached a certain level. After cultivating immortals, many of his understandings of the way of heaven were also integrated into his calligraphy, and he could already be regarded as a family of his own.

Calligraphy is the representative of the essence of Chinese culture, and the art of calligraphy is in harmony with Chinese culture and the spirit of the Chinese nation. The spirit of Chinese culture is the unity of heaven and man, noble monks, emphasizing the idea of overall harmony, affirming that things are the unity of diversity, advocating a broad mind and the spirit of embracing all rivers, inclusiveness, and finally reaching the ideal realm of "Taihe".

The ideal realm of calligraphy is also harmony, but this harmony is not a simple balanced division of lines, like the equal arrangement of operators, but through the use of artistic means such as jagged and staggered, saving and filling gaps, adjusting light and counterweight, and alternating shades, to achieve an overall balance, that is, balance in the sense of "middle" and "harmony". The reflection between the strokes, the posture of expectation, while paying attention to the existence of the individual, also taking into account the supplement of other functions.

Li Xuan's calligraphy not only integrates the broad and profound culture of China, but also integrates the nature of Taoism and the rhyme of the five elements, realizing the complementarity of Confucianism and Taoism, and the combination of rigidity and softness

。 One point at a time, each other contains, each other grows, and sets off each other; word by word, small and big are wrong, and the peony is linked to each other, rendering each other, and the restoration has almost reached the perfect realm of the unity of heaven and man.

In order to let the master write the Spring Festival couplets, Haonan had already bought the "Four Treasures of the Study" in advance in the most famous study on Hong Kong Island, pen, ink, paper, and inkstone. Now that the Xuanhuang Group has a lot of money to spend, Haonan has tried his best to curry favor with Li Xuan, and all he bought was a lake pen, Hui ink, rice paper, and Duan inkstone.

Li Xuan was very satisfied with these "Four Treasures of the Study". Zhao Bing personally came to Li Xuanyan ink. At home, she often studied ink for her father, and she was quite skilled.

With a beauty on the side, Li Xuanhao was full of emotion, splashed ink, and began to write Spring Festival couplets. Next year is the Year of the Horse in the lunar calendar, and Li Xuan naturally started to create with the theme of horses.

Haonan was waiting by his side, and saw the master's creation, the pen was strong, the dragon flew and the phoenix danced, both strong and vigorous, and the chic, just with softness, it was really a good hand. It's just that this wording seems to be too cheesy.

"Good words! Good words!" Haonan saw Li Xuan finish writing, and immediately slapped his ass.

Song Zhong also ran over when he heard the voice, and mentioned the Spring Festival couplets and read aloud: "The prancing horse welcomes the spring breeze in the face, and when you look up, you will see joy and joy, and the year of the horse will be auspicious." ”

"Good Lian! Good Lian! Boss, you are too talented!" Song Zhong's sycophant kung fu is a cut stronger than Hao Nan.

"General, average!" Li Xuan said modestly.

Next, Li Xuan continued to write Spring Festival couplets.

Shanglian: The prancing horse whips thousands of miles

Downlink: Ride the dragon on the moon and ride the nine skies

Horizontal batch: Ryoma spirit

Shanglian: Ten thousand horses galloping colorful road

Downlink: A hundred flowers bloom in four springs

Horizontal batch: Horses welcome spring

Shanglian: The silver snake returned to praise the beauty of spring in the world

Downlink: Golden Horse rushed to boast about the new weather of the motherland

Horizontal batch: Immediately to success

Li Xuan wrote more than ten Spring Festival Lian in a row, and began to write small banners, mainly looking up to see joy, going out to see joy, and Wishing you prosperity and a light of auspicious words.

Next, Li Xuan began to write dozens of Fu characters, big Fu characters, and small Fu characters.

By the time all of this was written, more than an hour had passed. The floor and table were covered with red paper.

I saw that on a piece of paper, the ink is black, the ink is red, the ink is solid, the ink is empty, the ink is the word, the ink is also the word, the word is the word, the word is the word, the word is solid, and the word is especially important. Red is the basis of black, black is the basis of red, and black workers complement each other; the virtual is the real reference, the real is the reflection of the virtual, and the virtual and the real are related to each other, forming a perfect idea of unity of opposites.

Haonan and Song Zhong just looked at the meaning of these couplets at first, but when they looked at it, they were immersed in it and couldn't extricate themselves, and they were fascinated.

When Li Xuan wrote these words, he "watched and listened, and was desperate to concentrate", and he had reached the realm of "true self", although the font was different, but the pen and ink lines in it were Li Xuan's confession to the way of heaven, the expression of his heart, and the display of his embrace.

Those vertical paintings with a sense of strength, horizontal paintings with a sense of vigor, skimming paintings with chic dryness, stretching paintings, square paintings with a sense of perseverance, round paintings with a sense of flow, dot paintings with a sense of stability, wave paintings with a sense of rhythm, hook paintings with toughness, and so on.

With the construction of various lines and the rhythm of movement, the formation of "potential" and the expression of "bone force", the ink color is dripping and chic, the accumulation of "rhyme", the expression of "qi". Through the flow and change of bone momentum and rhyme, the statement and manifestation of the Heavenly Dao and the Five Elements are gathered together.

Haonan and Song Zhong saw the essence of the vitality in the way of heaven in these characters, and also saw the endless cycle of the five elements contained in the art of calligraphy.

"What are you doing?" was here, Yang Fucheng walked in from outside the door.

"Haha, Uncle Yang is here, I wrote a few Spring Festival couplets, and I'm going to stick them on the door for a while. Li Xuan said with a smile.

"Li Xuan, I really didn't expect that you still have this kind of ability. Yang Fucheng casually picked up a Spring Festival couplet from the ground and prepared to taste it.

"Huh?" Suddenly, Yang Fucheng held the Spring Festival couplets in his hand and stood still, staring intently.

"Good words, good words! I really didn't expect that Li Xuan's handwriting is so good!" More than ten minutes later, Yang Fucheng raised his eyes and looked at Li Xuan excitedly.

"The difference between the hanging needle and the dew, the strange thunder and falling stones, the terrifying assets of the flying beasts, the frightened state of the dancing snakes, the trend of the declining peaks of the desperate shore, the shape of the danger according to the tower; or heavy as the collapse of the clouds, or as light as the wings of the cicada; the guide is the spring note, and the mountain is safe; the slender is like the first moon out of the cliff, falling on the list of the stars of the river; with the wonder of nature, not the ability of the power to achieve; the letter can be described as clever and excellent, the heart and hand are smooth, Han is not false, there must be a reason. In a single painting, the ups and downs are in the peaks and branches, and within a point, the frustration is in the millimeter." Yang Fucheng couldn't help but recite a passage from the ancients' highest evaluation of calligraphy.

"I've won the prize, and my words are average. I learned it from Uncle Zhao a few years ago, and I practiced it indiscriminately, if you like it, take back a few and stick it on the door of your villa.

"Okay, okay! I'm going to have to pick a few more. However, I am reluctant to hang it on the door, what if I lose it? Yang Fucheng said while picking the Spring Festival couplets. (To be continued.) )