Yu Tianlai chatted with Tianbao and Zhang Junbao while eating.

Eating and drinking has always been the best way for Chinese people to communicate. Yu Tianlai was originally a monster with a tender face and an old heart, and Tianbao and Zhang Junbao were also unusual children. Although the two sides have known each other for a while, there is always a faint estrangement between them. Now that I have the experience of abstaining from eating meat, this diaphragm has dissolved a lot invisibly. Although they still have reservations when talking and laughing, their demeanor has become a little closer.

In the case of Tianbao and Zhang Junbao, although they have different temperaments, the former is flying and jumping, and the latter is retiring and forbearing, but because they have been taught by their master Jueyuan for several years, they don't know how many so-called learned people in the world are better than others, so they have never been able to talk to other peers and play together. This is not the arrogance of the two, but the natural result of the gap in vision between each other.

Now in the face of Yu Tianlai's chat, they found that this senior brother who seemed to be only two or three years older than themselves was faintly not under the master, no matter what topic they talked about, the other party could always say something that inspired them, and in addition to surprise and admiration, good feelings also arose.

Talking and laughing, the three of them gnawed the roasted hare into a pile of broken bones, and then buried the corpse on the spot, and went to the river to wash up together and then returned to the temple leisurely.

In the dead of night, Yu Tianlai quietly came to the Tibetan Scripture Pavilion, and went upstairs with the familiar door, and in front of the stairs leading to the third floor on the second floor, there were three old monks sitting cross-legged on the futon. Yu Tianlai didn't speak, he bowed to the three old monks, and then walked around them and went upstairs.

The three old monks didn't even stop him, and let him go up to the third floor, where countless martial arts classics were hidden.

Yu Tian came upstairs and lit a candle next to a table.

The entire third floor is not divided, and in the extremely large space, there are tall wooden bookshelves as far as the eye can see, all of which are placed with books of different materials, new and old.

Yu Tianlai walked to one of the bookshelves, pulled out a mottled and old book with the cover inscribed "The Robe and the Demon Gong" on the cover, walked back to the table, sat down on the chair, and read it at night.

He read quite quickly, although he couldn't say ten lines at a glance, but he also frequently turned the pages, but in half an hour, he had already flipped through a book of nearly 100 pages from beginning to end.

After closing the cheats, Yu Tianlai sat on a chair and meditated. After another half hour, he got up and sent the cheats back to the original bookshelf and put them away. Then he took three steps back, slowly raised his right arm, and gently brushed the wide sleeve towards the bookshelf.

With the swing of his sleeves, the heavy bookshelf moved backwards as lightly as a feather, without making a sound, and the pages of the books on the shelves did not fan in the slightest. This incomparably soft but secretly powerful method of using true qi is exactly the beauty of the "robe subduing demon skill" that he just flipped through.

There are countless Shaolin miracle skills, and each stunt has its own method of using true qi. These stunts are mutually beneficial, and there are also contradictory ones, the former is beneficial to both practice, and the latter is endlessly troubled.

But Yu Tianlai has practiced the "Yijin Sutra", which is known as the origin of Shaolin martial arts, and it is the fourth time to re-cultivate, if it is only about the depth of understanding of this mental method and the wonderful use of it, it is also the same cultivation of the "Yijin Sutra" and has perfected the realm of Qi Chenggang Dustless than him.

Therefore, for all kinds of Shaolin stunts, as long as Yu Tianlai understands the use of the method, he can use the "Yijin Sutra" internal force to drive the heart method to be displayed. It's just that he has just begun to recultivate now, and the innate true qi in his body has accumulated limitedly, so his power is also very limited.

Having initially mastered the application of this stunt, Yu Tianlai was no longer greedy, restored the bookshelf to its original position, and then extinguished the candle and went downstairs to leave.

After leaving the Scripture Pavilion, he did not immediately return to rest, but went to a secluded backyard to practice the "Eight Strikes of Interception" that he had developed when he first learned martial arts.

After many deductions and revisions by him, the kung fu of hand-to-hand combat along the way has long since ceased to be the way it was at the beginning, and the power has increased many times. Today's "Eight Strikes of Interception" has combined the two tricks of "interception" and "attack" into one, leaving only the eight strikes of "Heaven Covering", "Ground Loading", "Wind Yang", "Cloud Hanging", "Dragon Flying", "Tiger Wing", "Bird Flying" and "Snake Pan" set up by the principle of Wuhou Eight Arrays. However, these eight blows are all-encompassing, with fists and swords, grasping points, body techniques, and the use of true qi.

Yu Tianlai gave this exercise a special application, everything he knows all kinds of martial arts, can be with his continuous practice and application and naturally into the "interception of the eight strikes", the more he knows how to master the martial arts, this exercise will continue to evolve and evolve endlessly.

At this moment, after he practiced the "Eight Strikes of Intercepting the Path", he began to repeatedly perform the "Cloud Falling" formula, and with the dozens of subtle changes contained in this formula in his hands, he continued to disassemble and derive, and the application method of "robes and demons" that he had just learned gradually integrated into it.

Of course, the integration at this moment is only in the preliminary stage, if the two really reach the level of blending, more practice, understanding and even actual combat refining are needed, rather than a short day or two.

After closing the momentum, Yu Tianlai picked a three-foot-long willow branch from a weeping willow in the courtyard, and with a slight shake of his wrist, the soft willow branch stretched straight at the time, pointing at the tip of the ground and making a slight sneering sound, and a trace of sword qi shot out, stirring up a small flower of smoke and dust on the ground.

In his previous life, after he returned to the Tianshan Mountains, after decades of hard work, and with the collective efforts of his wife, children, and disciples, he finally integrated a variety of swordsmanship that he had learned all his life into one furnace and created a set of swordsmanship called "Four-phase Sword Technique".

This sword technique is divided into four sword tricks of "earth", "water", "fire" and "wind", and each sword trick has one hundred and eight sword tricks, and each move contains thirty-six variations, which is really complicated.

Earth, water, fire, and wind are the four phases, and also refer to the four hexagrams of Kun, Kan, Li, and Xun in the gossip.

The so-called "four phases are all things born", the combination of the four hexagrams can evolve the rest of the four hexagrams, such as the wind and dust into the hills into the gen, the fire steaming water and clouds into dry, the wind to help the fire like a thunderbolt into an earthquake, the earth into a large water into a large ze. The gossip is formed, complements each other and can be transformed into the aspect of the eight eight or sixty-four trigrams. The corresponding "four-phase sword technique" can be derived and catalyzed by each other in addition to the four changes of "defending", "trapping", "attacking" and "escape", and the changes are endless.

And this set of swordsmanship is far from the realm of maturity, he in the Tibetan Scripture Pavilion, in addition to absorbing the martial arts that can be integrated with the "interception of the eight blows", is to use the various martial arts recorded in those secret books as the enemy of illusion, every day to try to crack with the "four-phase swordsmanship", in order to sharpen the changes in the swordsmanship.

At this moment, he used the willow branch as a sword, and unleashed the fifteen thousand five hundred and fifty-two changes in the "Four Phases Sword Technique" one by one, the sword shadow was stacked like a mountain, and the sword qi flew vertically and horizontally, and this side of the world in the courtyard seemed to have become a world dominated by the long sword turned into a willow branch.

"Good swordsmanship!" a cheer suddenly came from the side.

Yu Tianlai's eyes froze, and the willow branch stabbed out of his hand paused slightly. He turned his head to look at the place where the voice came from, but saw that Jueyuan had come to the courtyard at some point, and was standing under the wall and looking at him with an appreciative smile.