Fortunately, Moyun Lingfeng was not in a hurry, so he used this small flame to slowly scorch the rock walls, and when the flames swept over the rock walls, they melted a slight layer, and condensed into a layer of blue-black glass as soon as the cold wind blew.

There is no way, the rock walls here are all bluestone, so only blue-black glass can be formed. Mo Yun Lingfeng was a little dissatisfied with this, so his figure disappeared in a flash, and when he returned, he brought back many stones of different colors. Then a flame erupted, and the stone was already in a semi-molten state.

Instead of completely melting the stones, Moyun Lingfeng manipulated a small stream of flame to pull the half-melted rocks into lines, and then carefully inlaid them into the blue-black glazed wall. With the scorching of the flame, the glass wall that softened again was easily inlaid with colored lines, and then baked for a while, and the half-molten stone melted into colored glass.

After cooling, the blue-black glazed wall is still smooth and bright, but there is a colored line in it. Moyun Lingfeng nodded in satisfaction, and began to manipulate the flames again to repeat the previous things.

He didn't do this purely for fun, but it was a training method for precise control of divine consciousness, mana, and spells. Only by accurately controlling one's various forces and fusing them into one can you only reduce the dissipation and waste of mana against the enemy.

You must know that when a master of the same level fights, although sometimes one move determines the winner or loser, but more often it is a long-term entanglement. At this time, the same spell is cast, and the less mana is wasted, the more mana is saved, and in the end, whether the mana is sufficient is naturally the key to victory or defeat.

And if you can concentrate the power of a spell with one point and scatter it into one, the power of this spell will naturally be very different. Just like the same weight of cotton hitting a person, there may be no pain, but the same weight of a stone can break the muscles and bones and kill the person.

Moyun Lingfeng is practicing these now, not only to hide the mana fluctuations of the flames, but also to accurately control the power of the flames, and to use glass to outline perfect lines, this kind of operation is that Moyun Lingfeng's divine sense is strong and it is also very difficult, and even if you don't sketch a dozen lines, you have to take a break to relieve your nervous spirit.

Just looked carefully, but found that the lines that Moyun Lingfeng made in one go every time had a faint law of heaven and earth in them, and then put several groups of lines together to watch, but saw that these lines were originally composed of talismans.

No wonder Moyun Lingfeng felt tired, he was now not only practicing precise control, but also practicing drawing talismans. Of course, these talismans are contained in them, and they can be triggered at any time. Because this glass itself is a low-cost refining material, the power of drawing talismans is still very good, if there is no calculation error, these talismans have the power of a full blow from the monks in the foundation building period.

And that's not all, after Mo Yun Lingfeng spent several days painting the entire stone room, he found that on the wall of the stone room was a sky plane tree, and on the tree was the image of a phoenix with its wings outstretched. This portrait is lifelike and nothing, with the precise control of the monk, as long as you are willing, they are all the best painters, but there is a faint coercion released on this portrait, and if you look closely, it turns out that the phoenix and the plane tree are composed of a series of talismans.

These talismans, which only had the power of the foundation building period, were combined into a whole by the entire portrait, and now they could be stimulated as long as the Moyun Lingfeng Divine Sense moved, sending out a blow that could be compared to the power of several primordial ancestors at the same time. Moyun Lingfeng assured that even his current body that was comparable to a medium-grade magic weapon could not bear it, at least the serious injury was certain. It is strange that there is no coercion in such a picture.

Moyun Lingfeng didn't expect that he would make such a thing in his game work for a while, you must know that it was basically impossible to release the power of the Yuan Infant Stage with a low-cost material like glaze before.

But then I figured it out, it turned out that high-level divine beasts such as dragons, phoenixes, turtles, and lins, not only blood, but also physical bodies were already close to perfect form, and even their appearance was very perfect. This kind of perfection is not the kind of beauty that people think of, but a kind of perfection that conforms to the avenue. Thus their image itself is a manifestation of the Tao.

Of course, these images painted by secular people are far from the original mythical beasts, at least many details cannot be expressed, so although they are also a little powerful but not very obvious, but there are also traces of the Tao, so we will think that those dragons and phoenixes and other patterns are beautiful or powerful because of these reasons.

But the phoenix drawn by Moyun Lingfeng is different, you must know that in his inheritance memory, the image of the ancestral phoenix is deeply imprinted in his mind. Therefore, the phoenix pattern he drew naturally has the charm of the perfect Tao of the true ancestral phoenix, and naturally has the coercion of the ancestor who is no less than the ancestor in the infancy of the yuan.

Moreover, the lines that draw the phoenix are all composed of wind runes, and these runes are originally because they are attached to the power of heaven and earth that can only be borrowed by the supreme reason of the Heavenly Dao, and the two add up, which has achieved the effect that Moyun Lingfeng did not expect.

Moyun Lingfeng then tested it in other stone chambers, but this time it was with the pattern of a divine dragon. This ancestral dragon image is naturally also in the memory of Moyun Lingfeng's inheritance, but it is not as clear and clear as Zufeng. Therefore, when this picture of the divine dragon playing in the water is completed, it is much less powerful, after all, Moyun Lingfeng can't clearly grasp many details of the ancestral dragon, so the drawn divine dragon is naturally much less powerful.

And without that layer of Heavenly Dao connection, all the talismans couldn't be well combined. Therefore, the strength of this Shenlong playing in the water is only the top strength of the Jindan period, and it is not even as powerful as the power that countless foundation building period talismans detonate together.

In fact, Moyun Lingfeng is a little wrong, the phoenix is the most good at flame divine beasts belong to the southern propylene fire, so Moyun Lingfeng uses the glass refined by flame as the material to draw, which naturally adds a lot of power. However, the green dragon belongs to the genus of Oriental Jiayi Wood, and it is drawn with the glaze of the fire attribute, which not only cannot increase the power, but even directly reduces the power by more than three percent.

If Moyun Lingfeng thought of this, he used wood-based materials, even if he couldn't draw this divine dragon water map like a phoenix, but the power would definitely not be less than that below the Yuan Infant Stage.

Later, Moyun Lingfeng tried it a few more times, but the effect was not good, and the power obtained was not even as much as it was paid. You know, even learning a kind of knowledge is something that takes a lot of energy, not to mention creating something new. Therefore, Moyun Lingfeng put these things aside for the time being and began to do what he should do.

It's just that Moyun Lingfeng didn't notice that these pictures containing power had changed a little at this time, but those glasses themselves were just low-cost refining materials, and it was still okay to withstand some mana in the foundation building period. But now it is the mana of the top level of the Jindan stage and even the Yuan Infant stage, if it weren't for the power of the Heavenly Dao Supreme Reason that the patterns themselves contain, they would have exploded a long time ago.

But just like that, these glass walls have also begun to have invisible dangerous cracks, although very slowly, but they are also slowly expanding and increasing.