I just saw everyone's comments at the end of the chapter, and there was an analysis of the plot, which shocked me. The plot about the Mauryan Dynasty that I have been thinking about for so many days has actually been partially guessed.

However, it doesn't matter, since I guessed that what I thought in my heart and what I wrote was consistent, it was smooth, which is good.

Compared with my previous books, I am still avoiding the kind of abrupt twists that will occur in the previous books, and I think that writing the magnificent waves of the river under the flow of the plot is the real pen power.

On QQ, there will be some readers who also want to write and ask me how to write. This, I'm happy to talk about my own experience, but it's too much to reply to one by one.

If you are interested in reading what I wrote, then you can read my next words.

Now there is such a sentence in the online article called the golden three chapters.

It's the first of the three chapters that has an introduction to the identity and background of the protagonist, leading to conflicts with people, the second chapter is goldfingered, and then chapters three or four here to solve the enemy.

Of course, it's nothing to know these things, because almost everyone who wants to write knows this kind of golden three chapters, a small climax of 30,000 words, a climax of 60,000 words, and a big climax of 100,000 words. However, there is no certain number of words, which means that it is almost at that point, and some of the before and after depend on the plot. Generally speaking, 100,000 words is the big wave peak formed by the superposition of the first two climactic plots, and you can usually change the volume at this time.

I myself don't write long about all kinds of fights and scoldings at this time, so I always have a sense of premature ejaculation.

The above points I call 'bones', are the arrangement of the plot. If writing a book is like drawing a person, that frame comes out.

Although the framework comes out, it may not be beautiful or attractive, so the next point is the point.

The bones were drawn, and then the flesh and skin.

Whether the person is drawn fat or thin or strong depends on the writing. Many people say that writing online essays is not so important, which is true, but if you want to write a beautiful book, writing is too important. The same climax, the same contradiction, different people write completely different feelings.

How to make people feel that this article is written very beautiful and meaningful, the key point is the use of words, how to embellish, the key point is the author's narration and the character's speech and psychological activities, the description of the landscape environment, which can easily form the style of the whole book, whether it is serious or relaxed, or strange or depressing.

The flesh and bones are there, the person has come out, and the basic form is clear, whether it is a serious person or an ugly or beautiful looking person.

The third point is the soul, which I call God, which can be said to be a temperament manifested in man. In these years, the makeup skills are too good, and I can't see the appearance, so I mainly look at the temperament, and there are a lot of ugly ones these years.

Everyone knows that the Internet pays attention to a fast word, although I really want to write the kind of book that people remember after death, but we can't write with the idea of educating people, so that it is inferior, and it becomes sour, and no one knows less than anyone knows the truth.

So I never write books with the heart of educating people, many of the sentences in the book that everyone thinks are very good, I will feel incredible when I look back, I actually wrote such an artistic conception of a sentence, it is really unexpected.

To put it more directly, I think that the third point that is very important but can be dispensed with in a book network is the idea. Flesh and bone can already make money.

The intention can be subdivided into each character, and you want to use this character to express which aspect of the author's own thoughts, such as chivalry, such as social cruelty, such as the helplessness of the bottom, the extravagance of the high-level, and all kinds of things. And the protagonist is generally the main spirit of the author, but it is also possible that the protagonist will be very general, too mainstream and too popular.

And how to make these spiritual thoughts, expressed through the characters in the book, without destroying the plot and the light of the flesh and skin, I think it is best to be the same point, to write a very deep sentence inadvertently, or to quote the classical famous sentences It is better not to be too long or too frequent, more will seem heavy, if it is heavy, it is a buy, and the identity of the author appears in the book.

In fact, this situation often appears in movies, when some people show justice, all kinds of close-ups, and then read a large paragraph of righteous and awe-inspiring lines, obviously pointing to the central idea of this film, wanting to set up this character, but after watching it, I will make a play, and I will feel that it is preaching, I am very disgusted with this anyway.

If the author sees something in particular today, then you can try to integrate this feeling into the plot, into the description of the environment, or the narration, as an author, if you can moisten things and silently push out your thoughts without destroying the plot of the story, and make people feel as refreshing as drinking cold beer on a June day, then you are a master.