For several months, Yun Feiyang devoted himself to cultivating the body of the sword vein in the Valley of Forgotten Worries, and his sword skills improved by leaps and bounds. Originally, he used a tree branch as a sword, but after going to Luoyang before, he obtained the Aoki Sword, the Fire Sword and the Broken Water Sword given by Xiao Xiang, and the three swords were fused together to form a giant sword.

He cultivated both internally and externally, not only tempering his internal skills with the cultivation of the sword vein, but also strengthening his swordsmanship with Tang poetry sword techniques. Moreover, he realized the realm of swordsmanship from it, and divided the Tang poetry sword technique into prisoner, ghost, slave, bone, demon, madness, jie, hao, Buddha, god, saint, and immortal twelve sword tricks.

Prison sword trick, sword such as poetry painstaking solitary, dismal management, no good question, so it is called "prisoner", with Meng Jiao's poem as the swordsmanship.

Ghost sword trick, dancing sword like poetry, good at melting words, galloping imagination, using myths and legends to create a bright and colorful vivid image, with Li He's poems as the swordsmanship.

The slave sword trick makes the sword like a poet who lives by composing poems all his life, so that he deliberately sings bitterly, and uses the poems of Jia Island into swordsmanship.

Bone sword trick, sword such as poetry is passionate, the style is high, there is a "Han and Wei style bones", with Chen Ziang's poem as the swordsmanship.

The magic sword trick, like a demon, "The wine madness leads the poetry and the devil, and the day and the afternoon are sad to the west." The poet's excessive recitation and writing has reached the point where his mouth and tongue are sores and his fingers are calloused, and Bai Juyi's poems are used as swordsmanship.

Crazy sword trick, the sword is like a poet's temperament, bold and open, with He Zhizhang's poem as the swordsmanship.

Jie Jian Jue, the sword is fluent and graceful like a poem, macro and vigorous, unique, with Wang Bo's poem as the swordsmanship.

Hao sword trick, the sword seems to be a poem calm and dignified, the style is natural and rough, and Liu Yuxi's poem is the swordsmanship.

The Buddha's sword trick, the sword is like the poetry contains Buddhist meaning, just like the poet's religious inclination, but also to express the lofty status of his poetry, with Wang Wei's poems as the sword technique.

Divine sword trick, the sword is poetic and free, fresh and strong, unique, with Su Shi's poem as the swordsmanship.

The holy sword trick makes the sword like a poem closely combined with current affairs, with profound thoughts and a broad realm, and Du Fu's poems are used as swordsmanship.

Fairy sword trick, the sword contains rich and peculiar imagination, the style is vigorous and unrestrained, the color is gorgeous, the language is fresh and natural, and Li Bai's poem is the swordsmanship.

Except for Su Shi, all of whom were poets of the Tang Dynasty, Yun Feiyang divided the originally seemingly messy poems into twelve sword tricks, each of which seems to be maverick, but each of them is ingenious, and it also reflects the glorious status of those brilliant poetry circles in the past from a certain angle.

However, if you practice swordsmanship in this way, you can bring the Tang poetry sword technique to the extreme.

He began to practice from the originally scattered Tang poetry sword techniques, and from the prison sword techniques, because these Tang poetry sword techniques had already been memorized by heart, and he just rearranged them and integrated them into the sword technique.

The more he cultivated, the more he found that if he wanted to give full play to the swordsmanship of the Immortal Sword Duel, he needed more advanced internal strength.

Poetry originally paid great attention to rhyme, and the artistic conception in it was transformed into swordsmanship, which needed to understand its meaning and obtain its true meaning, so that the swordsmanship displayed could be vivid.

Yun Feiyang seemed to have penetrated the mystery in it, and for a while he was so happy that he was like a child getting a candy, dancing with his hands. But soon he became calm again, because he had divided the twelve sword techniques, what kind of sword tricks did he stay in?

This is a question worth pondering. Or by extension, if this is the sword realm realized by the swordsman, the twelve-fold sword realm, how many people on the rivers and lakes have really reached the realm of the immortal sword technique.

Thinking of this, he also questioned Xie Yin, the founder of Tang poetry and sword techniques, although his master Xie Yin realized the swordsmanship from the poems, he only got the method and did not really understand the mystery.

From this point of view, Yun Feiyang has a new breakthrough on the basis of inheriting Xie Yin, and this breakthrough can even be widely used in the entire sword technique, for all swordsmen, they all follow the realm of the twelve sword techniques.

Every swordsman with a sword of arms has a different realm. Some people are imprisoned in the sword and can't get rid of the sword technique, but some people break through the sword realm, and there is a method that is close to the realm of the fairy sword trick, and is free and easy.

The terrible thing is that Yun Feiyang suddenly feels that he is still in the realm of imprisoned sword techniques, because he has always used the sword as a prisoner, and when he fights against the enemy, he always wins with sword techniques and sword moves, and rarely wins others.

In this way, he found the direction of sword cultivation instead, and he didn't need to pursue any advanced swordsmanship secrets, just Tang Shi's sword technique was enough for him to concentrate on wild cultivation.

In the past few months, he has not seen Shangguan Hong in the purple shirt, Yun Feiyang asked many times, and he just told him that Shangguan Hong had something to do and left the Valley of Forgotten Worries. As for what it was, he kept his mouth shut and never mentioned a word.

When Yun Feiyang practiced swords, she watched silently from the sidelines, looking at Yun Feiyang who was sweating for a short time, she was distressed and smiled happily.

Because she knew that Yun Feiyang's heart was as calm as water at this time, and she was only dedicated to the pursuit of kendo. Such a man with his own goals always makes her heart pound.

Although you can't have it, silently accompanying you is the best gift.

Xiao Xiang always fantasized that her favorite Feiyang brother would one day take her to the end of the world, she was by his side, the little bird depended on people, leaning on his strong chest, that was the whole of the world.

However, Yun Feiyang is obsessed with the rivers and lakes, and the stormy rivers and lakes have always lingered in his heart. I don't know why, maybe he should have been tired of this pathetic river and lake, but when he held the sword in his hand, the chivalrous blood in his heart tumbled, making him want to lift the sword in his hand, fight the sword arrogantly, and chase the rivers and lakes.

Always lingering is the hatred in his heart, the hatred is as deep as the sea, making him feel extremely heavy, the more this heavy emotion lingers, the more it can inspire him to continue to forge ahead, and enhance his desire for the sword realm.

Some people say that put down the butcher's knife and become a Buddha on the ground.

Yun Feiyang told himself over and over again: The sword in his hand will kill the demon.

A righteous and awe-inspiring sword, he firmly believes that one day, he will redefine this river and lake.

Men always have the ambition to conquer the world and dominate and conquer.

Yun Feiyang is no exception, originally descending from Danfeng Mountain, he is extremely simple, full of incomparable reverence for the chivalrous and benevolent people on the rivers and lakes, but when I see the so-called famous and decent people for a little profit, they fight, kill, and kill. He had a hint of retreat from this Jianghu.

But after these lapses of time, his mind has gradually matured, and the world is so big that no one will become his own chivalrous except for himself to become his own chivalrous. What you want is determined by the sword in your hand. (To be continued.) )