Chapter 013: Shi Hai Shen Gou (II)
The thangka that appeared in front of Guan Xiao, Guan Xiao really knew its origin - this is the famous Six Paths of Reincarnation. In the thangka, there is a god standing in the sky, with a hideous face, with a crown on his forehead, and there are five skulls on the crown, this god is actually the head of the ten halls of hell in Chinese culture for thousands of years, the fifth hall of the king of Yama (Lord Yama), and this king of Yama is holding a huge plate in his arms, which is precisely the "six reincarnations"!
Outside of the six realms of reincarnation, the Buddha stood above the main body of the wheel of life and death, indicating that the Buddha had already escaped the control of birth and death, the six realms of reincarnation, and Hades, and had attained the great freedom of no birth and no death.
However, what made Guan Xiao strange was that this six-reincarnation thangka was slightly different from the one he had seen before, and he couldn't say the specific differences.
......
......
......
Everything in front of you seems to have a very familiar feeling......
Guan Xiao seemed to leave his body in a trance, as if he was standing outside the room, looking in through the white wall, and watching the people in the room busy.
The scene in front of me, even after leaving the capital, really has a very familiar feeling.
Oh, Guan Xiao finally remembered where this familiar feeling came from.
When Guan Xiao was 12 years old, one day, Ding Yi said that he would take him to the cinema to watch a movie. Guan Xiao was particularly surprised at that time, because with the improvement of people's living standards, the standard of Beijing cinemas has also risen, and all major cinemas have opened many small cinemas, and there are generally twenty or thirty guests seated in a cinema hall, and the cinema not only specially hired security guards, but also installed cameras in various key parts, so the cinema, an important entertainment venue, has long ceased to be an ideal workplace for thieves.
What did Master take him for?
Ding Yi smiled and said to Guan Xiao at the time: "Alas, there is a film that is about to be banned, take you to open your eyes." Save it later, you will regret it when you grow up, and then blame me. Ding Yi has the same problem as many idlers, he doesn't look at those who are encouraged and encouraged, but chases after those who are criticized and stopped.
Guan Xiao doesn't know much about Western Christian culture, but there is one person in the film who still leaves a deep impression on children - Ray• Sir Tibin, especially in the scene in Sir Ray•Sir Tibin's studio, Sir reaches out and turns on the projector, and "The Last Supper" appears on the white screen The picture, then, the gray-haired knight starts from this picture, completely quoting historical materials, and using irrefutable information to uncover the mystery of ancient Europe for 2,000 years.
And all this in front of me is almost exactly the same as the scene in the film!
Then, I recalled everything that happened along the way, and met two gods of wealth from the train, the police asked, the Taoist priest of Maoshan Mountain, and the thousand-year-old snake demon...... Almost every scene can be found in the film.
If there is any difference, then the characters and events that appear in the singular in "Da•The Vinci Code" all appear in multiples during Guan Xiao's journey, such as beauty, God of Wealth, and so on. Of course, there is another difference, that is: compared with the protagonists on the two sides, Guan Xiao is obviously a little younger and promising, a little more talented, and not a little more young and handsome-"But it's not my fault, right?" Guan Xiao laughed at himself in his heart.
"It doesn't work out...... I've crossed over too, haven't I?" Xiao Guan Xiao's mind began to think irresponsibly.
The old man of the Luo family has not read "Da•Vinci Code", even if he has seen it, he can't guess that Guan Xiaothief is now thinking in his mind, and the old man's red laser flashlight swept on the thangka: "Guan Xiao, you take a look at this thangka first, you must know what a thangka is, I won't explain it to you more, I believe that you will remember it." ”
After speaking, Old Man Luo casually turned off the thangka, then picked up a pen and drew a coordinate map on the handwriting board. Horizontally is the era, the old man's calligraphy is good, and the handwriting pen Leng Shengsheng writes the feeling of the face: Shang and Zhou, Spring and Autumn, Han, Jin, Tang, Song, Yuan, Ming, and Qing.
"My nephew must know a lot about Chinese religion, and I have talked about it before. As he spoke, the old man drew two wavy lines on the coordinate map, one blue and one red, blue marked "Buddha", red marked "Dao", Guan Xiao immediately combined with the knowledge points in his mind to judge the role of this wavy line, obviously, the peak of the wave is the climax of the religion in history, and the valley of the wave is precisely the period when the ruling class is attacked everywhere.
At first glance, the trajectory of the wavy lines in these two days is like a sine curve and a cosine curve, and the peak of Taoism is exactly the trough of Buddhism, and vice versa is almost exactly the same - this is normal, in Chinese history, most of the rulers either believe in Taoism or advocate Buddhism, and these two religions are opposed in some aspects, so there have been several large-scale official acts of exterminating Buddhism or destroying Taoism in Chinese history.
However, when these two curves arrived here in the Ming Dynasty, they suddenly fell downward at the same time, and finally almost fell to the coordinate axis.
Guan Xiao originally knew that most of the sects of Taoism and Buddhism did begin to decline rapidly at the same time in the early Ming Dynasty, but there was no information that could accurately tell Guan Xiao where the answer was.
"In Chinese history, there are many myths and legends, but in fact, most of these myths are real. The origin of Taoism can no longer be traced back to the earliest, before the first dynasty of mankind or even the Yellow Emperor Yandi, Taoism had already taken shape, and, before that, there were already immortals. The second child said to me, you saw the feather man in a god of wealth, that ...... It is indeed the image of an immortal. Before the Ming Dynasty, there were a large number of real cases that could confirm this. ”
I don't know if the old man of the Luo family has watched "Da•The Vinci Code", but the old man's current expression is indeed eight points similar to that of Jazz in the film - everything, although it has long been sunk to the bottom of history, but it is all under his control.
The same is true for Buddhism. The laser electro pen in the old man's hand swept the curve representing Buddhism again: "However, at the end of the Yuan Dynasty, the major sects of Buddhism and Taoism suddenly disappeared mysteriously - this is why in the Ming and Qing dynasties, the Ming emperor who believed in Taoism had to build Wudang Mountain, and in the Qing Dynasty, the emperor who believed in Buddhism had to promote Tibetan Tantra." ”
"Actually, the reason is very simple. Luo Xiao stared at Guan Xiao carefully for a while with squinted eyes, and then said, "Because we ...... Abandoned by our ancestors!"