Welcome to the group discussion (Page 1/1)

The following is the message that Brother Stove replied to in the group.

@全体成员我回来了, I just finished flipping through the chat history. You're very good! But because you don't have a clue, you haven't discussed anything practical. In this way, I will take the lead, figure out the direction, and then everyone will work together to make a place.

First of all, we have to have a creative idea, or call it the core idea that runs through the whole text, for example, after reading "Zhu Xin", you will remember that "heaven and earth are unkind and all things are dogs", "The big splash monkey" "would rather die than admit defeat", "and sad, angry and crazy", just like the central idea of the book you just said. This is the soul of the book, and it must be made clear first.

Then there is the background of the world according to the soul, the world map. For example, high martial arts and low martial arts, such as the system level of strength, such as forces, and so on.

Then there is the protagonist, setting the protagonist's life experience, appearance, personality, gold finger and so on, of course, the most important thing is the general experience, that is, the plot. You have to think about how to set up likable characters, how to make old bookworms and white readers acceptable, just like you said can't be too cheap and too honest. The golden finger should be creative and sustainable, and it can run through the whole text, it can be a special ability, it can be a gongfa, it can be a sword, a burning stick, a small bottle......

Then there is the main line of the story, that is, the plot, which is composed of large and small stories and all kinds of characters, which can be led by the story to the characters, or the characters can be brought into the story.

First of all, it is necessary to determine a few central characters, that is, the main supporting roles, not necessarily many, but they must have distinct personalities, such as confidantes (Xiaobai in Zhu Xian), master and apprentice (Jiujian Xian in the Legend of Sword and Fairy), brothers, enemies, at least set an important plot for them, if it is a dead person, he can also set his life deeds, like the God King in White, he is also an important character when he dies. The villains you just talked about are not necessarily bad, and decent people are not necessarily good enough. As for the dual protagonists, this can't be touched, first of all, the sense of substitution is a problem, and you can focus on writing a supporting role.

As for how to set up a distinctive character, just like what the group just said, "he moved his eyes to the corner" and "he looked at the alley", we can set up a "timid person who does not dare to make up his mind when encountering problems" according to these two small actions, or it can also be "indifferent and indisputable", or even "harmless in front of people and animals, and people in the back to death". Of course, these people are all in the service of the plot.

Well, before I knew it, I said a lot. Everyone discussed it one by one, and I would flip through the notes and take notes after work.

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