Chapter 9 Qiankun Pot

Lao Wang took over the conversation: "Let me talk about it." In those years, between the white mountains and black waters, there were many immortals who had been passed down from generation to generation, and Hu Huang and white willow gray were the five immortals. Because the three of Bai Liu Ash are quite low-key, they have not heard their rumors in the rivers and lakes for many years. And Hu Huang Erxian has always been widely familiar. Both of them are proficient in illusion and the art of change, and their methods are truly superb. ”

China's unique fetishistic customs are deeply impregnated by Buddhism and Taoist beliefs, with a profound Taoist Buddhist color. The foxes, weasels, snakes, hedgehogs and rats are also the most common wild animals in the countryside, and they are considered to be the easiest creatures to cultivate and the most common to deal with people, and these elves are revered as "fairy families".

After taking a sip of tea, Lao Wang continued: "Hu Huang Erxian is often used to worship as Baojia Immortal. Hu is a fox, and is revered as Hu Santai and Hu Santai's grandmother to worship, not called a fox. As creatures born with a sense of mystery, fox fairies and demon foxes can be said to emerge endlessly in various legends. Even the sky fox and the nine-tailed fox are recorded in many ancient classics, and the white fox and the fire fox can probably be seen in the northeast. Wong Tai Sin is a weasel, commonly known as a weasel and a yellow skin in the Northeast, and the Wong Tai Sin who has been cultivated can possess the body and control people. In the Northeast, there are many legends about Hu and Huang Erxian, so you can find a book to read when you have time. ”

Hearing that Lao Wang had the intention of ending this, General Yin looked at Xiao Wang, who was still unsatisfied, smiled slightly apologetically, and began to arrange: "That's it." Brother Wang, let's go our separate ways and look for Hu and Huang separately, Lao Xiong, don't go anywhere, just stay here and gather information from all sides. Mobilize your many disciples and grandchildren, and see if there is any useful information. You're here, so you can easily center and adjust, so you don't miss out on it. ”

Lao Wang said: "I am more familiar with the west, the road is relatively flat, I go west, as far as Shenyang and Dalian, the east is more vast, the snow is vast, or Brother Yin is harder." The child will stay here with the old bear for a while. ”

"No, Dad, I'm going too!" Xiao Wang stopped doing it when he heard it and protested.

"You're feeling a little unwell right now, so don't go. Lao Wang patiently persuaded his son.

"No, I'm fine, I'm going to follow and see, I don't want to be depressed here. "Xiao Wang seems to be fighting to the end. Lao Wang also knows that once his son behaves like this, if he doesn't show the coercion of adults, I'm afraid it will not be easy to hold him down. But in this way, it is not the situation I want to see, after all, bring the child out, this toss, the child did not play very well, but was beaten and scolded, how can I bear it.

General Yin also saw that Lao Wang was in a dilemma, and waved his big hand: "Why don't you let the virtuous nephew go with me." It's not going to be a big deal, and it's more than enough for me to protect him, and I won't feel like a burden. ”

"That's not good, Brother Tiger, not only can he not help you, but there is something in his way, which is really in the way. Lao Wang flatly refused.

"I remember, Lao Wang, don't you have a Qiankun pot, are you not there?" Xiong Shanjun was wise and foolish, and suddenly found the key to solving the problem and provided a feasible way.

Xiong Shanjun can be said to be a reminder of the dreamer.

Qiankun pot. It's a little-known name, and it's just a not-so-successful imitation. It must be said that it is about a fourth-hand imitation. But the original work was the famous Jiuli pot. In the era of the ancient gods, the Jiuli pot is definitely the best among them, and it is an artifact that can be as famous as the Xuanyuan sword. In that distant era of ancient gods, the gods of the Central Plains left ten ancient artifacts on the Shenzhou continent, they are: Donghuang Bell, Xuanyuan Sword, Pangu Axe, Jiuli Pot, Haotian Tower, Fuxiqin, Shennong Ding, Kongtong Yin, Kunlun Mirror, Nuwa Stone, each with amazing and unique peerless abilities.

Speaking of Jiuli pot, people who know some ancient legends know it. Legend has it that it was created by the great god Nuwa. Nuwa created all the lives in the sky, but she found that most of her nature was fierce and cruel. In order not to destroy the balance of power between heaven and earth, he cast a bronze pot that can purify the ferocious qi, hoping that through the refining of the pot, the demons, beasts, and monsters that are too cruel will be sublimated, so as to maintain the harmony of the earth. Later, the Jiuli people passed down from generation to generation, refining, attaching supernatural powers, and after thousands of years, I don't know how many generations of great witches have been refined, and finally have incredible power, which is said to be able to create all things. There is a strange space inside this pot, and the space is so large that it seems to be able to contain heaven and earth. It is said that the pot has its own boundary, and it is really a unique cave.

Later generations have a vast number of legends about this pot, and the most famous is the pot man. Hugong traveled the world in the Later Han Dynasty, often hung a pot such as a five-liter device, changed into heaven and earth, there is the sun and the moon, such as the world, staying in it at night, calling himself Hutian, people call it Hugong. This pot man is the one who taught Fei Changfang. As for other classics, such as Zhang Hua's "Naturalist Records" in the Jin Dynasty, Ganbao's "Sou Shen Ji", and Duan Chengshi's "Youyang Miscellaneous Tales" in the Tang Dynasty, there are more or less records. The most detailed record of this object in the Qing Dynasty is that Mr. Pu Songling of Liaozhai is said to have lived in a pot himself.

Of course, this Qiankun pot was imitated by Lao Wang's ancestors. It is said that this ancestor once had a close relationship with Mr. Liao Zhai, and was able to have the opportunity to travel in the pot. Later, this ancestor refined the art of refining weapons, and finally with the help of Mr. Liao Zhai, he had the opportunity to study such magical items in detail. Of course, it can't be the original work that is being studied.

The imitation of Jiuli pot is the demon refining pot, which is the famous demon refining pot that can create its own world and refine the demons. In the era of the conflict of the gods, there was once a great name, but then the whereabouts of the toss and turns. The less successful imitation of the demon refining pot is said to be the Liuhe pot, and the contact between Mr. Liao Zhai and the ancestor of Lao Wang should also be the Liuhe pot. And Lao Wang's ancestor is really a genius of heaven, and he has studied from the Liuhe pot, and has spent most of his life copying this Qiankun pot. Of course, I also lost a lot of energy and lost a lot of life.

In fact, according to today's cognition, this Qiankun pot is not so much an imitation of an ancient artifact, but a super storage equipment. In fact, it is taking advantage of the superposition of different spaces - "wormholes" are very relevant in scientific research, and can store a large number of items. Immortal cultivators with a little accomplishment have this kind of thing, in order to attract the attention of others, they take things out and call it "the art of big handling", which is not different from the highest level of tricks in the eyes of mortals.

The only thing that makes this pot better than things like storage bags is that it can hold people.

Although the environment in the pot is not beautiful, after all, it is quite spacious, with more than 200 square meters. Put in all kinds of facilities, tables, chairs and beds, but also comfortable, convenient.