This "Eternal Tea" by the combination of one and three is really interesting. Maybe it was inspired by "Tang Bohu's Autumn Fragrance", this story is really funny, and the laughter is so dense that you can't even take a breath.

Du Ziyuan sometimes really admires Wang Zhiqiu, just this time of the Seven Blades Festival, he has grown a lot. And what prompted him to grow up so fast may be Du Ziyuan himself. The works of the first and third groups often have the shadow of Du Ziyuan, Zhou Wei imitates his painting style, and Wang Zhiqiu is learning his narrative style.

Not to mention the blue, but at least the quality of their work this time is really high. Du Ziyuan has the golden finger of the system as a support, and they really have nothing, at this point Du Ziyuan really feels that he is inferior to them.

[It's funny if you can't get merit for such a work, and Matsuko is difficult this time.] 】

Du Ziyuan then clicked on the works of Yanyun Songzi.

The title given to her by the one-three group is "Family, the story scene cannot go beyond one city". This is indeed a limitation for pine nuts, who are good at grand layouts.

Coincidentally, Du Ziyuan found that Songzi's work this time turned out to be a funny style comic. It's just that unlike the nonsensical style of the one-three group, her work is a light comedy.

The comic is called "The Little Things of the Yun Family", and the protagonists are a pair of brothers surnamed Yun, the eldest brother is called Yunlong, and the younger brother is called Yunfei. The brothers live a poor life, but they are optimistic and positive, even if the family can't open the pot, the atmosphere is still warm.

At the beginning of the story, the two brothers are waiting for the battle, as if they are facing a great enemy, and the atmosphere is very tense. Just when everyone was guessing what they were going to do, the truth was revealed, and it turned out that they were catching mice. As a result, the clumsy brothers were teased by the rat, and instead of catching it, it ate the last bit of rice in the rice bowl.

But in the end, the mouse was so happy and sad that he accidentally bumped into the fake mouse hole that his brother painted in the corner of the wall and fainted. The brothers were overjoyed and began to boil the water to stew the mouse, because in this way the whole pot of water would have a meaty taste and fill their stomachs. The brothers gathered around the stove, waiting for the rat meat to cook, and began to chat.

is obviously just the lowest level of the common people, but the brothers are talking about national affairs. This country is at war with that country, and whether that sect has sent undercover agents to that sect, Du Ziyuan usually plays a lot and watches a lot of news, and he finds that these things seem to have happened in real life. In other words, this cartoon is a satire of reality.

It's a very serious matter, but it has a very funny feeling when it comes out of the mouths of the two brothers, because they have their own unique perspective. Although Matsuko is limited to the story scene, her overall view is still brought into play.

This comic is not only funny, but also thought-provoking, both on the surface and on the inside. After Du Ziyuan finished reading it, he couldn't judge which of the two comics was better or worse for a while.

"Eternal Tea" is not without connotation, it tells a story of the pursuit of immortality, but the ending of the story is to expose the fact that immortal tea does not exist at all, and it is important to pay attention to "only poor life can burst out with infinite brilliance", and the principle is not weak.

And "Little Things of the Yun Family" reminded him of a work that he liked very much and planned to start painting after the end of "Variety Sakura": "The Three Sisters of the Southern Family". Yanyun Songzi's storytelling skills are not inferior to Wang Zhiqiu at all.

[If you really want to talk about the quality of the work, there is really no way to distinguish between high and low, at most it is the difference in personal taste, but the merit is not simply based on the quality of the work, and the stimulation of readers is also very important, but I don't know which of these two works can stimulate the gods more. 】

Du Ziyuan didn't expect the quality of the two works this time to be so high, it looks like he released the big move that he had been holding back in order to advance.

Now that this is already the case on their side, what will happen to the even more terrifying Seven Stars Falling Moon?

Du Ziyuan finally opened Liang Yuxing's work. The title he gave was "Women, there must be a description of men and women", which was definitely a deliberate embarrassment for Liang Yuxing, who was so thin-skinned.

He has also seen a lot of Liang Yuxing's works, most of which are without a heroine, which makes him very uncomfortable. He doesn't object to the protagonist not looking for a partner, but all the villains, supporting characters, and passers-by in the whole book are all men, which is too disgusting, it feels like a's world, and there is a serious imbalance between yin and yang.

"Genius Mahjong Girl" is also a lily manga, but having a Kyotaro Suga makes the whole story a lot more comfortable. Writing and drawing comics is like creating a world, and if the world is deformed, it will naturally not feel good.

So Du Ziyuan deliberately asked him to write what he didn't want to write, which made Du Ziyuan very happy. It's just that what he didn't expect was that Liang Yuxing not only wrote, but also wrote very well.

Liang Yuxing's story this time is about a family ruled by a woman, who has guarded a secret for generations, and the male protagonist, as the son-in-law of this family, gradually reveals this secret under many constraints. Among them, the description of men and women is set by him as a ritual required for sacrifice, which is not obscene, but mysterious and solemn.

In this world, there are thousands of double cultivation exercises, and there are countless sacrificial methods, and the way of relying on the combination of yin and yang is also in line with the Great Dao, so he has no sense of disobedience at all in such a setting. After all, there are many masters like Ling Blood Dao around him, and there is definitely no shortage of knowledge in this area.

Du Ziyuan finished reading Liang Yuxing's "Imperial Sacrifice" in one go, which is the only carrier work in the semi-finals, although there are more than a dozen illustrations during the period, but it is still very different from the comics. Because it is text, the content of the story is much more than that of comics, which just gives Liang Yuxing enough room to play.

Rise, undertake, turn, and close, ambush the pen, create suspense, shape the atmosphere, and expose the truth, all in one go. There's even a big reversal at the end. After reading it, Du Ziyuan had to admit that this is really a masterpiece.

Works on Earth are also written by people, and there is no situation where the entire armillary star is inferior to the Earth. Du Ziyuan's invincibility lies to a greater extent in innovation, the novelty of the thinking mode and the novelty of the comic mode, which allowed him to take the lead. If he really stands on the same starting line, the author of the Armillary Star may not be able to compete with him.

For example, this time, Du Ziyuan felt that "The Imperial Sacrifice" was really no worse than some gods in his dream. There is definitely a reason why the Seven Stars Falling Moon is so famous, which is even more true after Du Ziyuan really fell in love with him.