January summary and February guaranteed monthly pass (chapter has been changed)
This month coincides with the Chinese New Year, and encounters the epidemic, whether it is the work state, or the psychological state, it is a little unstable, thank you for giving me time to rest, and I will resume double shifts on February 3.
Regarding the summary of the content, I plan to put the detailed part at the end of this part, because it is almost the last big chapter, so I will briefly talk about it here:
I said, in this book, I will learn the lessons of the first life and the arcane, so that many characters created in the early stage will be abandoned by the plot, gradually weaken, and lose color, which is actually a lot of the way to do things, because if you give the supporting role the treatment of the protagonist, everyone will feel unfair, feel that the golden finger is too big or give too much space, cumbersome, heavy, procrastinating, bloated, but otherwise, it will be difficult for the supporting characters to keep up with the speed of the protagonist, and they will inevitably lose their sense of existence.
Before writing Mystery, in order to solve this problem and other creative problems, I came up with the escalation system of potions, sequences, and roles, on the one hand, to ensure that there are enough changes at each level to bring something new, and on the other hand, it can also reasonably make the supporting characters a little faster, hehe, in fact, many of my inspiration sources for setting are to solve problems.
In the same way, the setting of the Tarot Club is actually to control the supporting characters well, and show different cross-sections through them, becoming Xiao Ke's arms and tendrils.
Therefore, in the later stage of mysterious writing, I have been warning myself that I must be calm and must expand the branch lines of the supporting characters, of course, it is really difficult to write like this, because the later I go, the more supporting characters there are, and the lines are intertwined, which is really huge and difficult to control, and it will obviously drag down the rhythm and reduce the attractiveness of the plot.
In addition, the shaping of different characters and different sequences must not be the same, if everyone has ups and downs, peaks and loops, and there is a great horror between life and death, it will be boring, losing its uniqueness, and some characters need to be the inner precipitation again and again, the accumulation of small forces again and again, and then burst out.
Well, thank you for your support in January, thank you to the friends who subscribed and voted, the average booking is just over 90,007, and we will continue to ask for monthly ticket support in February!
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