About the setting of dimensional repair

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Regarding the dimension, I think it is still necessary to explain that the dimension cultivation in this book talks about the spatial dimension, the space from zero to eleven dimensions, and does not include the time dimension. The pen %fun %pavilion www.biquge.info time dimension as the last big move, even Liu Diyan, who had already soared, and Li Zhan, who had soared in the particle universe, did not comprehend. However, for creatures from zero to eleven dimensions, there is a concept of time, that is, the time dimension as a special dimension runs through all dimensions. Therefore, the zero-dimensional space mentioned in this book is the zero-dimensional space, that is, the one-dimensional space-time, the one-dimensional space is the two-dimensional space-time, the two-dimensional space is the three-dimensional space-time, and so on.

Now let's talk about the dimension setting. First of all, the zero to eleven dimensions correspond to the 12 realms of foundation building, enlightenment, heartbeat, fusion, spiritual silence, golden pill, primal infant, out-of-body, distraction, integration, tribulation, and Mahayana in the cultivation realm.

Zero Dimension: This is the so-called foundation building in the cultivation realm. As we said, time is a special dimension that runs through all dimensions, so zero-dimensional creatures also have the concept of time. For example, if we think of a grain of sand by the sea as a zero-dimensional creature, it can actually feel the passage of time, such as bright spots during the day and black spots at night. But because of the dimensions he could recognize, well, he didn't have the dimension of cognition at all, so although there were countless sands next to him, he couldn't see it, but vaguely felt that his body was being touched by something similar to his own body.

In fact, it is very easy to break through the one-dimensional dimension, because the fewer dimensions, the less things can be explained, and the more unsound the worldview is, so in order to explain the phenomena that they cannot understand, they can easily break through. For example, now there is a gust of wind blowing the sand, and of course the sand that is blown by the wind will feel as if he is moving, so he has a one-dimensional concept. Although the wind blowing on him is actually a rolling and tactful course, as a zero-dimensional sand, it is already remarkable to feel that he is moving, so they can only produce the idea that they are actually in a one-dimensional space. Yes, jog into a line. Although this seems to us as three-dimensional creatures, the sand that has just been blown by the wind is actually moving in three dimensions. Well, in the eyes of a two-dimensional being, the motion just now is actually two-dimensional, and then in the eyes of a four-dimensional being, the motion just now is actually four-dimensional. (Note here, the setting of this book is that all objects are eleven-dimensional, and the so-called multi-dimensional creatures are only hindered by the cognition of the organisms themselves.) )

One-dimensional: We can assume that the pencil is a one-dimensional creature, and there is no concept of fat in the "eyes" of the pencil, although we as three-dimensional creatures can easily see that the one-dimensional pencil is actually fat and thin, but as a one-dimensional creature, it is difficult for them to understand dimensions other than one-dimensional, just as it is difficult for us to understand the fourth dimension. (Well, here's another note: the premise of this book is "infinitely divisible", even if you are just a point of a basic particle, you can be divided into a universe, everything is eleven-dimensional, just as a pencil for one-dimensional creatures, he can't perceive it himself.) Of course, "infinitely divisible" is not really infinitely divisible, which is Li Zhan's long-standing doubt, which will be explained at the end of this book. )

Let's go back to one-dimensional pencils, one-dimensional pencils are limited by the dimensions they know, so they are only long and short, not fat or thin. They can only realize who is how long. But the one-dimensional worldview is also very unsound, and it is difficult for them to explain why sometimes they touch a pencil with a long strip and sometimes with a little rounder. So they started thinking, thinking. In the end, we come to the conclusion that there must be another dimension besides that one.

Two-dimensional: Usually people are used to comparing ants to two-dimensional creatures, and we will continue to use it here. Let's assume here that there is a large, smooth ball on which ants live. In fact, there is a relatively complete world view in the second dimension, just like our ancients, "the sky is round and the place is round" can actually explain many things. Because ants are two-dimensional creatures, they only look at what is in front of them and never look up at the sky. In their eyes, in fact, there is a horizon at the very edge of the earth, and there is a constantly changing scenery outside the horizon, of course, affected by the vision of the two-dimensional creatures themselves, many two-dimensional creatures cannot see the scenery on the horizon. And the ants who are higher in cultivation can see farther, so they find out, and then they begin to suspect that maybe this world is not two-dimensional, but three-dimensional, so the ants in high cultivation began to try to raise their heads and look up at the sky at an angle of 45 degrees, and then they broke through and became three-dimensional creatures, and then began to try to jump up to see if they could touch the sky, and then soared. However, although his realm has arrived, his spiritual power is insufficient, he can jump, he can jump, but he doesn't have enough spiritual power to make him jump out of this huge and smooth ball, so the level of the realm only affects the means that this creature can use, and the amount of spiritual power can affect the ability of this creature in the realm it has.

However, although the spiritual power of this ant who had just broken through was insufficient, in the eyes of other ants who had not broken through, this ant had already become an immortal, because he could inexplicably enter their field of vision, and then appear in their field of vision without warning, which was an ability that they could not understand. Although it seems to us that it is just the ant jumping over, the two-dimensional ant does not understand. So in the eyes of the two-dimensional ants who have not yet broken through, this three-dimensional ant has become an immortal, although it looks no different from them.

Three-dimensional: Three-dimensional is the dimension of our human beings, three-dimensional is one more dimensional than two-dimensional, the world view is more perfect, and many things can be directly explained from the perspective of three-dimensional. It's easy to collect all the two-dimensional faces perpendicular to our eyes and make them into three-dimensional images, even though the two-dimensional planes we collect are no different from two-dimensional photographs.

However, as three-dimensional, we are limited by the dimensions we know, but we cannot see the six sides of an object at the same time. So if you want to cultivate the truth, after you cultivate the truth, you will be able to perceive that when you break through into the four-dimensional realm, you will be able to see the six faces of the upper and lower and left and right sides at the same time, because the fourth dimension can be perpendicular to the six sides of the upper and lower sides, the left and right, the front and back at the same time.

Four dimensions: Four dimensions are currently beyond our reach, but they are not unthinkable. We think of the universe as a river from west to east, and zero-dimensional creatures are like a molecule of water, they can only feel that something else is faintly touching them, but they don't know that they are actually moving from west to east.

The one-dimensional creature was like a small boat on the river, and he could clearly feel himself being pushed by the current, moving all the way east. The thrust of this current is relative to that of a one-dimensional vessel, and he does not really know how it is generated. Just as three-dimensional humans only know that gravity accelerates at 9.8 m/s, one-dimensional boats only know the speed of water, and the speed of the water is what they see as a one-dimensional force.

Two-dimensional creatures are like ants on this small boat (well, I mentioned ants again.) When these ants don't have enough vision, they think that the two sides are moving westward, just as we think that the sun, moon and stars are revolving around our earth, and when they are more advanced, they begin to realize that it is actually the boat they are in that is drifting from west to east. In addition to feeling the water flowing from west to east, the ants can also see the hull of the ship passing by, and the water behind the boat will flow from south to north and from north to south, and this flow is very difficult to observe, because the ship is drifting with the current, and the speed of the water is almost equal. It only occurs when a gust of wind blows and the speed of the hull is greater or less than the speed of the current. Water will automatically return to the plane, and this so-called two-dimensional tension is actually the two-dimensional force in the eyes of ants.

In the eyes of three-dimensional human beings, the most important force is three-dimensional gravity, and the two-dimensional surface tension is almost negligible compared to the three-dimensional gravity. Three-dimensional humans can not only feel the breeze on this ship, but also know that the reason why the ship is moving this way is the result of the interaction between gravity and the buoyancy of the water. But just as two-dimensional ants don't know why water returns to a flat surface, three-dimensional humans don't know why there is such a thing as gravity. They only know that the more massive the object, the greater the gravitational force, and the more massive the object, the greater the gravitational pull on other objects. And they have never been able to give a reasonable explanation for how gravity is created. Until one day, they discovered the existence of the fourth dimension.

The immortals jumped out of the third dimension and into the fourth dimension, and they began to discover that in fact, the gravitational force between objects is like the surface tension of objects, which is almost negligible in the face of the force of space in the fourth dimension. The power of space is the power of the four dimensions in the eyes of the immortals. Through the four dimensions, the immortal observed that the more massive the object, the greater the distortion of space, just like the object on a trampoline, the heavier it is, the greater the curvature of the trampoline plane. Then they began to speculate whether there was a five-dimensional force that caused the three-dimensional object to distort the surrounding space, just as the three-dimensional gravity bent the two-dimensional trampoline plane, thus forming the curvature of space that the four-dimensional immortal could feel. Therefore, the immortals practiced all the way, delusionally trying to unravel the mysteries of the universe.

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