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Thirteen days later, the show began in the Kingdom of Sibel, and everyone was surprised to find that instead of performing the comedy they were familiar with, the Glory Sky Riders had changed to a different style.

Tragedy is one of the main genres of drama, tragedy theory believes that tragedy refers to the nature of people's struggle against death, suffering and external pressure; Mr. Lu Xun has an incisive summary of tragedy: tragedy is the destruction of valuable things in life for others to see

...... In other words, the author of your sister's unbroken cāo also has a bit of professional ethics, okay?

Tragedy has a long history in the Lion Continent, and it is also one of the most commonly used themes in the Lion Continent. In fact, the Glory Sky Rider Adventurer's Guild is not the only performance organization in the Lion Continent or the Principality of Hubit, there are many small performance groups on this continent. But those groups perform in a more homogeneous way, for example, if they want to make the audience laugh, the most common means is animal taming, and then juggling. As for the tragedies, they mostly sang songs from the bards, and the performance was as rudimentary as a lame dance, so that the tragedy, although very popular with the nobles and elites who thought they were "elegant", was not really interesting at all, let alone popular

On Earth, there are many tragic scripts, not to mention the tragedies of those epic series, but there are many classics of the tragedy of love between men and women. For example, the "Liang Zhu" of a certain country, as for other kinds of tragedies, there are countless others.

But these classic scripts are not within Chu Shou's consideration. In his opinion, the tragedy of the heroic epic is too difficult, and the fate of the protagonist may bring tears to the eyes, but it is too far away from the reality of ordinary people, and the effect of influence is limited, and it cannot give people the most lasting touch.

As for love ethics, it made Chu Shou feel even more unacceptable. There is a term for "silk anger" on the modern Internet, the so-called "anger of the Son of Heaven, millions of corpses, thousands of miles of blood; Later, in the network society, there was the anger of silk, and the so-called anger of silk is what I like to see.

A tragedy like "Thunderstorm" is a comedy that is pleasing to see in Si's eyes, and "The Legend of the White Snake" even made Si say that "the reason why Fahai broke up Xu Xian and his wife was because he fell in love with Xu Xian" is such an unspeakable reason. In a word, you are so tragic and troubled because you have a sister. Have you considered the mood of people who don't have girls!?

On Earth, Chu Shou, who was avoided by all kinds of girls because he was too perverted, was a fighter in the silk, so he was ...... to this kind of comedy No, the tragedy is even more unbearable. This psychology also directly affects the feminine self.

Therefore. After choosing from a bunch of scripts, the female Chu Shou chose a relatively small and fresh script.

Chu Shou believes that the most infectious ending is best attributed to light, and don't be "sad" all the way to the end. This will only make people feel sadistic, and it is better to add a little healing, which can better infect people's hearts. Become a classic.

And the script she chose is exactly this genre.

This is a famous American writer of critical realism and one of the world's three masters of short stories. He has been hailed by critics as one of O. Henry's masterpieces, The Last Vine Leaf, the Manhattan Essayist Laureate and the father of the modern American short story.

The main content of the story is that the poor painter Joan Shan is seriously ill, and in the hospital room, she watches the ivy leaves on the opposite tree outside the window being blown off by the wind, and she thinks that the withering of the last leaf represents her death, so she loses the will to live. The doctor thought that if this continued, Joan Shan would die. Bellman, a great painter, after listening to Suai tell about his roommate Joan Shan, braved the torrential rain at night and painted a "never withering" ivy leaf with the brush of his heart, so that Joan Shan regained the will to live and was full of hope for life, but he fell ill with pneumonia and died.

This is just a famous short story, to change it into a script, Chu Shou made a small change, in fact, there are many successful scripts on the earth that have changed this touching novel into a stage play, Chu Shou sorted out these scripts according to his memory, and with a slight modification, he plagiarized them openly.

This time, the script is based on Bellman, providing a brief overview of the down-and-out painter's failed life, and then focusing on a scene in the hospital.

After a period of training and the guidance of the female Chu Shou, the acting skills of the girls have been greatly improved, whether it is the inexplicable desolation and despair that Qiong Shan always expresses when Colleen plays, or the approachable kindness of Suai played by Jessiefer, it is impeccable. However, the most difficult is the male character that Jacqueline reverses, the doctor and Bellman, this serious hard-working little girl under the careful guidance and training of Chu Shou, also began to bloom with brilliance that is not inferior to anyone, and the performance is in place, completely grasping the essence of the character.

The sparkle in the hearts of the little people will be accepted regardless of the class, because the subject matter is not far from their world. At the end of the play, it is not sadistic and sadistic, but it makes people seem to rise from their hearts a nameless touch and admiration for the protagonist, and some people even claim that they have been baptized spiritually.

The bespectacled monks were at first disdainful of the girls' singing and dancing, and even at the beginning of the tragedy, they complained of all sorts of sharp criticisms from the audience, but when they heard that the last vine leaf was not a miracle of nature, but the work of the old painter, who was sloppy and mean, they suddenly fell silent, and then the plot follows Suai's description, and then the plot goes back to that stormy night, when the old painter fought alone and struggled with heaven and earth, and painted his most outstanding works on the wall, some monks could not help but begin to pray for this unpreserved figure。 When Qiong Shan learned the truth and knew that the old painter had died of pneumonia because of this, she covered her face and cried bitterly, and the monks burst into tears. Not only the monks, but also those who came to watch the performance, both nobles and commoners, seemed to feel a strong emotion rushing through their hearts, like a mob that urged their bodies to cry.

However, it was not only that that hit the heart even more, as the soundtrack sounded on the stage. This time, Chu Shou did not choose the original "lastaf", but chose "Scarborough Bazaar", without lyrics, but with the accompaniment of suitable instruments, humming with a female voice softly with "ahhhhh

"Scarborough Bazaar" doesn't quite fit the pop music style of the Lion Continent, but when combined with the right situation, its effect is so shocking.

When the magic effects, the music, etc., disappeared to indicate the end of the play, the whole scene fell into an indescribable silence, and after a long time, it was a deafening applause led by the sparse applause.

The show was a huge success, far superior to the one in Genaha, however, it was not limited to the Kingdom of Sibel and the Duchy of Carbon, and it was not long before it spread with unprecedented ferocity and became popular in the Lion Continent. This is all thanks to the propaganda of the monks who had previously opposed the Glory Sky Rider, who often tearfully recalled the whole show and eagerly poured out their opinions to various people: "I never thought that an ordinary person like the protagonist could be so great!" (to be continued). )