A moment in history

The 2012 Nobel Prize in Literature was announced at 7 p.m. Beijing time on October 11, and Chinese writer Mo Yan won the Nobel Prize in Literature. Pen, fun, and www.biquge.info

Mo Yan won the Nobel Prize in Literature! This is the first Chinese writer to win the Nobel Prize in Literature, and on this day, Chinese writers have waited too long, and Chinese have waited too long. We congratulate Mo Yan!

A traditional literary country that had the charm of the pre-Qin dynasty, the Han and Tang dynasties, and the Song and Ming dynasties, and an ancient civilization that gave birth to Confucius, Qu Yuan, Li Du, and Cao Xueqin, has finally left their names on the Nobel Prize in Literature roster. We need a Nobel Prize in Literature. The Nobel Prize in Literature is a consolation, a proof, an affirmation, and the beginning of a new starting point.

Whether it is recognized or not, the Nobel Prize in Literature is valued by the world because of its generous prize, great influence and authority. The Nobel Prize in Literature is a symbol with a definite directional value. The fact that the Chinese writer Mo Yan won the Nobel Prize in Literature shows the high standard of his writings, and the deeper significance lies in the fact that this is a process of acceptance and integration, a process of dialogue among civilizations. If Chinese literature wants to go abroad, it must also go abroad, and Chinese writers must go to the world as well.

Of course, one Mo Yan is not enough, and China cannot have only one Mo Yan. At the same time, no writer writes for the sake of winning an award. At the award ceremony of the 5th Lu Xun Literature Award, Tie Ning, chairman of the Chinese Writers Association, said: "I think the most important thing is whether we win the award or not, the important thing is that we have a common identity - writers, cherish literature together, and take on a common mission." ...... The process of writing is a process of constantly reflecting on oneself, and it is also a process of considering how far away one's heart is from life, and between life and the times. "This is true for winning the Lu Prize, the Mao Prize is like this, and the Nobel Prize should be the same. Every writer should ask themselves whether their writing is worthy of this great and difficult era.

It can be expected that after Mo Yan, there will be Chinese writers or Chinese writers who will win the Nobel Prize in Literature. As long as writers dare to look directly into their hearts, as long as they live up to this era, and as long as the creative environment continues to improve, responsible writers will inevitably launch more wonderful works.