Yang Fei thought about this lightning step repeatedly, the truth seemed absurd but extremely wise. Pen Fun Pavilion www.biquge.info But can this simple swordsmanship really kill in one hit, this is the real difficulty. In Yang Fei's psychology, no move is invincible, and most of them are mutually reinforcing, so he definitely doesn't believe that any move can completely win in one step.

Although this lightning sword move is very exquisite, but it is not enough to rely on these ten moves, Yang Fei repeatedly practiced these ten moves, his left foot was like an old tree rooted tightly on the ground at this time, he knew that this kung fu was very unusual, but it was really arrogant to hit within one step.

Constantly rehearsing these ten moves, Yang Fei's psychology is empty, these ten moves are indeed very exquisite, although there are only ten moves, but there are countermeasures for various situations and changes, not a sword move that ordinary people can come up with casually, no matter which move is carefully considered, even every lifting, cutting, and stabbing makes Yang Fei feel that this move can hardly find any flaws. In terms of swordsmanship, no move is perfect, just because the moves are derived from each other, it is difficult to stand without breaking, this step of lightning is to break the move in one step, and then win the move in one step, even the most complex sword move is impossible to boast of how to Haikou.

But the more he practiced this move, the more twisted Yang Fei's heart became, because this sword move was very strange, because judging from the sword move alone, there was really no opponent in this step. Yang Fei once again practiced these ten swordsmanship, feeling very strange in his heart, but he seemed to gradually understand the mystery of this swordsmanship.

It's not so much the mystery of the swordsmanship, it's better to say that the person who created the swordsmanship is a little idealized, if it's a fantasy, then the sword move is indeed invincible.

Judging from the fourth form in this step of lightning, the left foot is at the bottom of the plate, and then one bends up and quickly draws the sword out, and then goes down and plunges the sword straight into the opponent's heart. When Yang Fei practiced this move, it was very easy, and he learned this style in two or three clicks.

It wasn't until the fifth time that Yang Fei really understood what this strange feeling was. This move is against a long weapon, or a big sword, if you just practice it yourself, there is no problem. But the move is that the dead are alive, not to mention that the opponent is using a heavy weapon, which I only have a short sword in my hand, how can I just pick it up and pull away the opponent's weapon. According to this posture, if the strength is not enough, not only may you not be able to provoke the opponent's weapon, but it will affect the next move in your move, and it is likely that you will be directly knocked down by the opponent's weapon because you can't dodge.

The move is dead, and the man is alive. According to this move, it is indeed invincible, but breaking the move in the cheats and really breaking the move in the duel are two completely different things, and it is precisely because of this that each sword move has room for it, especially in the face of some long weapons, there is generally room for two or three moves, and it will not be as decisive as in this set of swordsmanship.

Yang Fei couldn't stand it anymore, but the creator of this set of swordsmanship did make Yang Fei a little curious, what would happen within one step.

Turned over a step of lightning, two steps flying into the sky these four words imprinted into Yang Fei's eyes, this second step is one move less than the first move, only nine moves, and these nine moves are not many changes, just let people turn themselves into a sword in a different way and shoot it directly, what is particular is one word, fast.

In the distance of two steps, you have to take a step to be able to hook the opponent, even if you use a long weapon, you also need a step to find the right point of force, but the use of a short sword is different, the advantage of the short sword is that you don't need to charge, you can attack at any time. One side needs to take a step first and then make a move, but the other side doesn't even take a step, and directly jumps into the air and stabs with a sword. I have to say, this idea is also very exciting. 、

Short weapons are generally based on a fast word, Zhao Er's mandarin duck knife is like this, the same is true of the knife technique of the Golden Knife Gate, and even the owner of the Blood Knife Building who fought with Yang Fei before, but everyone's handling of fast is different. Zhao Er's speed lies in making moves, he can make a few moves in an instant, the chain knives on the left and right hands can continue to attack, the speed of the golden knife door is above the knife, and the speed of the blood knife building owner is above the body method, his knife is not too fast, but his body is extremely fast, and it is not even under Yang Fei at all.

And these two steps of flying fast, is to combine all of this together, the body to be fast, the move to be fast, the sword to be faster, in general, in two steps of the distance, to overcome the enemy quickly. But the most important thing is to be fast. There can be no hesitation in this move, once it is used, the whole person must be like an arrow out of the string, and no one can stop it.

Compared with one step of lightning, the idea of these two steps to fly into the sky is very bold, but it really works. Fast is always a constant topic in the rivers and lakes, what changes is just how fast you can be. For ordinary people, it is already commendable to be able to do one aspect of the fast, whether it is the move, the body or the speed in the hand, fast is only part of it, but the speed of this two-step flying is the ultimate fast. Any aspect has to reach this extreme.

Yang Fei roughly understood the meaning, and then began to repeatedly try out the two-step swordsmanship in the center of the room. The idea is simple, but it's even harder to do. Once Yang Fei puts his mind on making moves, then the sword in his hand will be slow, and in the same way, once the speed of the body technique is emphasized, the move will be a little slower.

I tried several times, and almost none of them really satisfied Yang Fei, in fact, it was the heart that was really fast. Yang Fei began to understand this meaning, if his heart is only placed on a part, then it will inevitably affect the speed of the whole, the fastest is the heart, but how can the heart be fast.

Unlike Sima Wu's adventure and Yang Fei's persistence, Li Fengchen did not have much hope for the three cheats in his hand, even though the three cheats in his hand were very good. This is the background of being born as a disciple of the Great Gate Sect, this Eagle Flying Snake Sword is the treasure of the town sect of the double sword, even in today's rivers and lakes, it is definitely a first-class swordsmanship. The three swordsmanship that Li Fengchen chose is also very good, if it is put into some small sects, it is indeed enough for them to practice for a lifetime, but in Li Fengchen's eyes, it is impossible for him to give up the Eagle Flying Snake Sword, so his only purpose is to make another breakthrough in the sword moves through the study of the three swordsmanship.

This kind of breakthrough is very particular about feeling, and even a kind of chance. Opened these three cheats, Li Fengchen read it two or three times, the killing intent of the seven swords is too heavy, every move and every style is full of killing intent, such a realm is not quite in line with Li Fengchen's temperament, the eighteen-style nameless swordsmanship does not look like an ordinary sword move, but this swordsmanship pays attention to lifting weights like light, and what is made is not a thin long sword, but a rare Changdun sword in the rivers and lakes, this kind of sword is a bit similar to the long sword in the hands of the double swordsman Rick Bado, the sword body is very thick and very weighty, obviously this swordsmanship is not suitable for Li Fengchen。

Therefore, this choice of kung fu is very important to chance, and Li Fengchen understood what the middle-aged man said at that time.

Good luck.

It's inexplicable.

Li Fengchen opened the last copy of the Cangbei Thirteen Swords, his first reaction was Hu Cha'er's Cangbei Han Whip, this whip method is very strange, at least Sima Wuregret once said that he almost suffered a big loss at the hands of this woman. Inadvertently, Li Fengchen's thoughts drifted out again, and he thought of the scene when Hu Cha'er put the dragon sword in his hand at that time, what did she mean, and who was she?

Soon, Li Fengchen grabbed back the thoughts that had floated out. He only had two weeks to perfect his swordsmanship, and now was not the time to think about the love of children.

After opening this book of Cangbei Thirteen Swords, Li Fengchen began to feel more and more the wonder of sword moves, different sword moves have different intentions, and there are changes between moves, but they do not become artistic conceptions. As Qiu Lin said, sword intent and sword intent are not only understood by people whose moves have reached the transformation realm, but even if ordinary people understand it, it is difficult to exert it. Of course, the Wind Cutting Cloud Knife used by Sima Wuregret is an exception, because this Wind Cutting Cloud Knife is said to be a knife technique, which is more like a knife intent. At least outside of Qiu Lin, no one will understand what a big breakthrough the heavy knife intent light knife style is. Qiu Lin was able to do this not only because of his original rich qualifications, but also because of his determination after losing to Nangong Ming. He must create a set of moves that surpass the Thunder Sword Technique, but ordinary methods can't do it at all, so he chooses to go off the rails with his sword.

At this time, Li Fengchen was different, although he seemed to have touched the threshold of some sword intent, but in his opinion, what he needed now was still the change of sword moves, and he needed to use different sword moves to learn to feel the essence of sword techniques.

The Cangbei Thirteen Swordsmanship is not complicated, at least for Li Fengchen, it is still relatively simple. There are thirteen articles in the general outline, each of which has ten moves, and the idea of swordsmanship is vigorous. There aren't many changes to this sword move, and there isn't a lot of elaboration. What is paid attention to is the strength of every move and style, as soon as the sword is drawn, it is a sword, and this sword does not have the slightest moisture, in fact, this is very much to Li Fengchen's appetite, and it is also the virtue of the two of them after communicating for a long time at that time.

Rick Bardo's swordsmanship is very simple, but he insists on practicing stabbing every day, so every sword he stabs, head to head, tail to tail, without any mud and water, and without any hesitation. When it's time to exert force, there is no ambiguity. Although the artistic conception of this move is very different from the eagle flying snake sword, Li Fengchen thinks that the foundation of the move lies in the hard practice of one move and one style every day, rather than any showmanship.

Good sword moves are important, but what is even more important is the sword heart of this swordsman. (To be continued.) )