In Qian Qingjian's memory, the Liancheng swordsmanship is second only to the magical swordsmanship of Dugu Jiujian, but in the original book, except for the text descriptions of sword moves such as "Lonely Honghai Comes", "Chi Heng Dare Not Gu", "Slap Style", "Stabbing Shoulder Style", "Go Sword Style" and other sword moves, the ins and outs of this set of swordsmanship are not explained.

Therefore, even if Qian Qingjian's knowledge of the world's martial arts at this time is far better than Wang Yuyan five hundred years ago and the current Shaolin Chengguan, he still can't figure out the whole set of Liancheng swordsmanship.

It's just that when he saw Mei Niansheng using this set of Liancheng swordsmanship, he had a vague feeling of acquaintance.

What kind of swordsmanship is this all the way? This move, no matter how you look at it, it looks like the jade girl Suxin sword that Xiaolongnu used to fight left and right.

It's like a return image, but the difference is still significant. Because Xiaolongnu's Jade Girl Suxin Sword is a combination of two swords, it is a move for the two swords to use the Quanzhen Sword Technique and the Ancient Tomb Sword Technique respectively. At this moment, Mei Niansheng is using a single sword, and there is no way to talk about fighting left and right.

Therefore, Qian Qingjian watched nearly a hundred moves before he finally determined that this so-called Liancheng Sword Technique turned out to be a single sword Jade Girl Suxin Sword Technique!

With Qian Qingjian's high vision at this time and his deep understanding of the essence of martial arts, he can certainly see the mystery of this.

The mystery of this is that although the little dragon girl was fighting left and right, she only had two arms to make a sword instead of three heads and six arms.

Since it's just two arms wielding the sword, can this kind of swordsmanship be learned by people who don't know how to fight left and right?

The answer, of course, is yes, just remember the trajectory of the two arms of the little dragon girl every time she casts a "pair" of sword moves, and you can imitate it stiffly.

For example, Xiaolongnu's left hand uses the "Wandering World" of the true swordsmanship, and the right hand uses the "Wandering World" of the ancient tomb swordsmanship, synthesizing a move of the Jade Girl Suxin swordsmanship "Wandering the World", and its actions are manifested as: the left sword strikes obliquely upward, and the right sword crosses the illusion into a sword curtain, which is of course a move made by the left and right fighting techniques, but as long as this set of actions is memorized and imitated, anyone can make it.

To put it bluntly, no matter how many martial arts synthetic moves you use to fight each other left and right, I just need to imitate the movements of your two arms and legs.

It is true that according to this statement, there is still a problem with the martial arts mental method to imitate the left and right fighting techniques, that is, the internal martial arts mental method used by Mei Niansheng's Jade Girl Suxin Sword is definitely not the Quanzhen Dao Song and the Ancient Tomb ********.

But even so, the moves he uses on the surface can be exactly the same. This is the same reason as when Gu Mozhi and Xiao Yuanshan, Murong Bo and others were able to use their own internal skills to practice the Shaolin Seventy-two stunts.

What Qian Qingjian didn't understand was, where did Mei Niansheng learn the Jade Girl Suxin Sword Technique? That is to say, even if the practice method of "copying" was established, Mei Niansheng needed a "sword post", didn't he?

As far as Qian Qingjian knew, Xiaolongnu had never passed on the Jade Girl Suxin swordsmanship and left-right fighting techniques to anyone. It is impossible to say that the old naughty boys Zhou Botong and Guo Jing are impossible, because the latter two only know how to fight left and right but do not understand the martial arts of the ancient tomb.

In fact, it is no wonder that Qian Qingjian was puzzled, because he failed to connect Wu Liuqi and Mei Niansheng to guess. Since it was not mentioned in the original book, how did he know that Wu Liuqi and Mei Niansheng were both disciples of Wan Yunlong? And Wan Yunlong had obtained the martial arts collection of the Golden Wheel Dharma King!

At that time, the Golden Wheel Dharma King Jiuli was repeatedly defeated in the hands of Yang Guo, Xiaolongnu and Qian Qingjian, and finally returned to Tibet to work hard and lonely, although he did not dare to expect to be able to compete with Qian Qingjian before his death, but he always wanted to study all the way to the martial arts to crack this set of jade girl Suxin sword that can dominate the world without deep internal strength only with sword moves.

Although he was unable to crack this magical combination of swordsmanship until he died, he drew a map of this set of swordsmanship that he had seen in his memory, which was put together with his Divine Illumination Sutra, Prajna Dragon Elephant Skill, and some important documents he had collected and treasured in his life, but it was obtained by Wan Yunlong hundreds of years later.

In the previous part of this book, I told some of the deeds of the Golden Wheel Dharma King Jiuli before middle age, including his cooperation with Ouyang Feng's brother Ouyang Lei to steal the martial arts classics in the Mingjiao Guangming Ding Secret Path, and also included the fact that he and Ouyang Lei competed for the "Divine Foot Sutra" and each got half, the half that Ouyang Lei got was read as the "Blood Knife Sutra", and the half that Gu Li got was translated by him into the "Divine Lighting Sutra".

In addition to the classics such as "Shenzhao Sutra", "Jade Girl Suxin Sword Atlas", "Prajna Dragon Elephant Gong" and other classics, His Holiness also collected some legendary secret treasure maps, including the secret passage map of Kunlun Guangming Peak, and also an ink painting of Tianning Temple in Jingzhou.

It's just that he later joined Kublai Khan's account and became a Mongolian teacher, so he didn't have time to dig out these real or false treasures according to the map.

After Wan Yunlong got the collection of the Golden Wheel Dharma King, he studied for a long time, and after copying and practicing the Jade Girl Suxin Swordsmanship, he consulted the great treasure from the ink painting of Tianning Temple in Jingzhou, so he went to Jingzhou to explore the treasure, and therefore returned to Huangquan with severe poison.

In fact, in this era, there is no such thing as "Liancheng Sword Technique" and "Liancheng Treasure", and the Liancheng Sword Technique and Liancheng Treasure are all 20 years after this time in the book. If it weren't for Qian Qingjian's crossing that led to the emergence of this river and mountain fight, then maybe twenty years later, Wan Zhenshan, Yan Daping and Qi Changfa would be able to discover the secret of Jingzhou's treasures, so as to kill Mei Niansheng like in another life, and in order to compete for the treasure, they fabricated the "Liancheng Sword Technique" and "Liancheng Treasure" and spread the words in the rivers and lakes.

I won't mention the treasure here for the time being, but I just said that when Wan Yunlong was learning "Jade Girl Suxin Swordsmanship", he felt that the name of this swordsmanship was not suitable for men, so he removed the word "Jade Girl" and changed it to "Suxin Sword".

And when he taught it to his second apprentice Mei Niansheng, he named this sword technique Tang poetry swordsmanship, and far-fetched to use the poems in the Tang poetry anthology as the name of the sword moves in this swordsmanship, so as to confuse Mei Niansheng, so that Mei Niansheng mistakenly thought that the set of formulas (Liancheng Jue) was the sword trick in Tang poetry swordsmanship.

Of course, these things are just trying to break Qian Qingjian's head, and he can't figure it out.

..............................

PS: Just like Qian Qingjian before the crossing, readers who have read "Liancheng Jue" will always have a question that cannot be solved after reading the full text - is Tang poetry swordsmanship and Liancheng swordsmanship the same thing? This chapter can be regarded as giving the most reasonable, perfect and logical answer.

Here, please allow the author of "Martial Arts World Little Dragon Set" to brag a little - about the above problems, even Mr. Jin Yong himself can't give such a perfect explanation, although the original name of his old man's book "Liancheng Jue" is "Suxin Sword".