Answer relevant questions
The setting of this article is that there is no female protagonist. There are women just because the world is not all men, so it is impossible for all the characters to be men, or whether some of the characters are women. However, there should not be much weight of women in the novel, and they are all just an episode in Wu Changkong's experience. So I don't think the woman who appears in the novel is the heroine.
The first is Lu Yuanyuan, who represents the innocent feelings of an innocent era. Wu Changkong rejected her feelings. Because if she struggles again, Wu Changkong may kill her in order to solve the trouble. If you write it like this, I'm afraid it will ruin the three views. So I had to arrange for someone else to do it for me, otherwise Wu Changkong would really kill her. I wrote this from: Innocence is not only beautiful. The reason why innocence is innocence is because it is emotional and irrational.
Marbury represents a strong woman and does not want to lose to a man. She has to be strong even emotionally, so a man who is unique and innovative and powerful but doesn't care about her has become her target. She is also true of her feelings for Wu Changkong. This is written from: Whether a man is reluctant to a woman or a woman is reluctant to a man, children are innocent.
But even if Wu Changkong had a relationship with her and gave birth to a daughter, he didn't have any feelings for her. The daughter is innocent, and if Wu Changkong's strength recovers, he will definitely abandon his wife and daughter. However, it would be incorrect to write it like this. So they were killed by Xiao Lauri, which can be regarded as the cause and effect of Wu Changkong's revenge for abusing children. In order to avoid the wrong views, Wu Changkong will also die early, he will not be a good father and husband.
Little Laurie was abused (not to describe too much), and she won't be grateful to Dade. In reality, such children are either stupid or crazy, so little Laurie has become a very powerful madman. In fact, if she didn't trouble Wu Changkong, Wu Changkong would not get rid of her, because Wu Changkong thought that this was the cause and effect of his own making. Do not do to others what you do not want to do to yourself, Wu Changkong can find cause and effect for others, and others can also find cause and effect for him. It's a pity that Xiao Lauri thinks that her strength surpasses Wu Changkong, so she goes to Wu Changkong for revenge. This is actually little Laurie's failure to recognize her hatred barrier.
Wennet's crush has always been buried, and it's worship vanity or something. However, seeing that Wu Changkong is no longer a person, she will not agree with such a love if she has not reached such a height, so she is a little broken. I was still thinking about confessing, but I was snatched away by my cousin, and when I confessed after the resurrection, I found that I didn't love people in the ordinary sense. If Wennette stalks her, then Wu Changkong will kill her happily. Write this from: Reality is cruel and often strikes people when hope is great.
The protagonist may no longer have emotional entanglements in the future.
There are two descriptions, one is Mona's seduction. It represents objective external lust and desire. The second is the section where Mabrie forced Wu Changkong. That's the lust and lust of the physiology itself. Both of these are hurdles that must be crossed in the course of practice, and those who are aspiring to practice may understand. They are all problems that practitioners do not want to encounter, but they do arise.
The character of the main character.
Personality: The psychological characteristics shown in the attitude and behavior of people and things: such as cheerful, strong, cowardly, rough, etc.
The protagonist's mind is actually pessimistic (pessimistic and misanthropic), but he wants to find liberation, so he chooses to practice. This is something that he has been carrying since he was born, which is why he thinks about death at a very young age. How many people think about death in elementary school, so deep down the protagonist longs for eternal life (suicide doesn't necessarily mean relief).
When you give up having fun and cultivating, as long as you cultivate for a certain amount of time, the cultivator will know that you have gained something from cultivating. This can also occur in reality, but few people can insist on it.
Wu Changkong has gained in practicing martial arts, which has increased confidence and strengthened conviction. Later, I met the martial arts people and confirmed the persistence in my heart.
Because different stages of cultivation have different understandings of people, things, and the world, the protagonist's personality is uncertain, and there may be repetition.
In reality, when many people look back on the past or look at the people around them when they get old, they will find that there are many changes.
But the character of the protagonist will only change around the goal of unwavering practice.
Killing, ruthlessness, and indifference are just manifestations of seeing through the world and not wanting to trouble.
Sometimes not killing, sometimes hesitating, this is the experience of changing and correcting concepts in the process of practice.
The main body is withdrawn, solitary, persistent, and ruthless.
That's all I have to think about for the time being.