Su Qing thought back to the literary films that could reach the level of inheritance for more than a hundred years in his previous life, and summarized it with his shallow viewing volume. Pen ~ fun ~ pavilion www.biquge.info

When it comes to literary films, there are no more than these.

First, the literary films that are close to erotic films, sex is a very common theme in literary films, the use of so-called film language, including the so-called metaphorical montage, in which a large part of the professional knowledge is called sexual code language, or sexual innuendo.

If you are going to go art and learn choreography and directing in college, then you will participate in various training courses during high school to learn the basics of radio and television directing, which is the first "enlightenment" for choreographers and directors, in which you will learn that in the footage of the movie, whether it is the fluctuating water lines, or the naked feet of a woman, and the fish in close-ups, in most of the allegories, they all represent sexual innuendo.

It may be straightforward to say this, but in fact, this kind of literary film is different from the island *****country after all, it is about the repression and release of human nature, and even more exquisite such literary films, about social relations, which are completely different from the simple release of white milk in the island country.

When many people watch this kind of movie, they like to watch it with preconceived ideas, and the results and feelings are naturally different, of course, it is not excluded that some directors make this kind of literary film, which is itself with a sullen mentality, after all, some people like to watch the straightforward pictures of the island country, and some people like this style of scratching their boots.

In the previous life, this kind of film was the most pinnacle of Spanish filmmakers, but it was extremely difficult to perform in the fairy world, after all, it was the world of immortals, no matter how long the timeline was and how changed the aesthetic views of the monks, in the traditional world where the overall style was completely unified, shooting this kind of fairy shadow was tantamount to deviant.

Second, drug addiction literary films with depressive properties. The overall tone of the movie picture tends to be light blue, whether it is the style of the characters or the plot lines, there is a strong melancholy that can almost be dissolved, and even some have no story at all, the plot is trivial, and even the simple details of life are flat and straightforward, the whole film is in the clouds, even after watching it, I don't understand what this kind of film is about, but after watching it, it is very uncomfortable, as if the whole person is squeezed into some kind of emotion, and I can't breathe when I am depressed.

The feeling of falling from the clouds after flying leaves, looking at the subtitles at the end of the film, I feel at a loss with the whole world.

This is the so-called drug addiction literary film with a depressive nature, in the final analysis, this kind of film is about the essence of people, and the narrative structure may suddenly look unusually clumsy, but the core essence is enough to make people creepy, this kind of director, Su Qing has not seen it in Huaxia in his previous life.

Maybe a quarter of them, that person is called Zhang Yuan, and that movie is called "Green Tea".

Why is it said that it is a quarter? After watching the whole "Green Tea", it is like falling into the clouds, and the story is very literary and artistic, but in terms of plot structure, it is too deliberate after all, and the feeling given to people in the end is not obvious, if a person with a bad temper goes to the cinema to spend money to watch such a film, he is afraid that he will scold his mother at the end of the movie.

There is such a big gap with orthodox literary films, and Su Qing can still give a quarter, because this director really took drugs later, and there were no Chaoyang masses that year, and there was no prison situation that year......

All in all, this kind of fairy shadow is not suitable in the fairy world, it is too avant-garde, and after all, it is because the style does not match.

Third, for the new generation of young people's critical literary films, no matter what era, "the current young generation is abolished" is an eternal topic, this kind of literary and artistic films know no borders, but all palace-level directors who can be recorded in the history of film, basically everyone has such a few masterpieces, which is carrying out this kind of "criticism".

The post-60s director said that the post-70s generation was abolished, and the post-70s director said that the post-80s generation was abolished......

In fact, it is not the real generation, if not the generation, all the descendants are really abolished, the core of this kind of movie is just about the collision between the old and the new, paying attention to the changes of the times, taking the generation gap as the core contradiction, and telling what the director wants to tell.

Of course, after entering the new century in the previous life, this originally good movie topic has gradually become a symbol of the keyboard warrior on the Internet.

And this theme, too, can not be applied to the fairy world, the reason is also due to the long time line that the immortal world has gradually extended because of the long life of the monk, the previous life was ten years as a generation, put it here, only afraid of a realm, for the so-called "generation" has a different cognition, practice for a hundred years, may be a foundation monk, it may also be a god old monster.

Not discussable.

......

After counting it like this, it seems that the literary films that Su Qing was exposed to in his previous life could not be copied to the fairy world at all, or in other words, the literary and artistic films that were not suitable for Huaxia in his previous life were also not suitable for the fairy world.

Yes, in terms of literary films, there was no suitable soil for the existence of literary films in China in the previous life, because of the deep-rooted traditional ideology and culture, literary films have always been displayed in front of the Chinese people with a deviant appearance, and Chinese culture is completely independent of any Western culture, with a completely different development trajectory.

It is true that movies like "Yiyi" have been produced in this land, but after all, there is still a lack of soil for the survival of literary films.

The same problem also appeared in the fairy world.

The three views are different, how to make a literary film?

For a while, Su Qing scratched his head a little, but he had already boasted about Haikou, and he was targeted like this on major forums, the best way to break the siege was to make a genuine literary film, impress the cultivators, and block Youyou's mouth by the way.

As soon as he thought of this, Su Qing suddenly thought of a theme.

Pseudo-literary films, this word may not be very good, in other words, it is a sentimental literary film.

Don't talk about those lofty things, we don't understand, and we don't bother to play, let's just play with feelings, and after playing feelings to the extreme, even if it's not a literary film, it looks like a literary film.

And people who play their feelings to the extreme and don't look vulgar, Su Qing has only one name in his head-

Wong Kar Wai!

The man who always wore sunglasses and always had a maverick film style.

Su Qing still remembers the three standards of petty bourgeois life in his previous life: Nalan's words, Zhang Ailing's novels, and Wong Kar-wai's movies.

That's it!

Su Qing had a plan in his heart.

Carry out the dead Wenqing to the end, and pack the four immortals of the Qianyuan Immortal Sect by the way?