(1) Fishing songs

Tang Zhang Zhihe

The egret flies in front of the Xisai Mountain, and the peach blossoms flow and the mandarin fish is fat. Pen Fun Pavilion wWw. ｂiquge。 ｉｎfo

Green hats, green clothes, slanting wind and drizzle do not need to return.

This poem describes the scene of fishing during the spring flood season in the water towns of the south of the Yangtze River. There are distinct mountain scenery and water color, there is the image of a fisherman, and it is a landscape painting written in poetry.

The whole poem is brightly colored, the language is lively, and the whole poem is described in white, vividly expressing the leisurely life of the fisherman.

(2) Flowers are not flowers

Tang Bai Juyi

Flowers are not flowers, fog is not fog, come in the middle of the night, and go in the morning.

How long has it been like a spring dream?

Semantic puns, rich in hazy beauty are the biggest characteristics of this little poem. Fog, spring dream, morning clouds, these images are hazy, ethereal, and the connection between the images is deliberately omitted, showing a greater jump, the text is ethereal, refined, so that people can chew inexhaustibly, showing the poet's extraordinary artistic skills.

Yang Shen, a famous writer in the Ming Dynasty, "Words and Words": "Bai Letian's words, I love his "Flowers Are Not Flowers" alone, cover his own songs, and give birth to writers because of love. "Flowers are not flowers, fog is not fog", although "Gao Tang" and "Luoshen" are not as beautiful.

(3) Remembering Jiangnan

Tang Bai Juyi

The south of the Yangtze River is good, and the scenery is old.

The sunrise river flowers are red, and the spring river is as green as blue, can you not remember the south of the Yangtze River?

This word is written in the spring of the south of the Yangtze River, and the first sentence uses a shallow and round "good" word to capture all the advantages of the spring in the south of the Yangtze River, and the author's praise and yearning are also contained in it.

The river flowers and rivers are like a freehand splashed ink landscape painting, which is realistic and dreamlike. Ending the whole word with "can you remember Jiangnan" not only supports the infinite admiration and nostalgia of the author who was born in Luoyang for the spring color of Jiangnan, but also creates a long and profound charm, bringing readers into the realm of residual feelings.