(16) Yulin bell

Song Liuyong

The cold cicada is poignant, the long pavilion is late, and the showers are at the beginning of the break. Pen @ fun @ pavilion wWw. ｂｉｑUｇE。 info The tent has no clue, nostalgia, and Lan Zhou urges. Holding hands and looking at each other's teary eyes, they were speechless and choked. Thinking of going to a thousand miles of smoke and waves, the twilight is heavy and the sky is wide.

Affectionate parting since ancient times, even more Nakan, snubbing the Qingqiu Festival. Where to wake up tonight? Willow bank, the wind and the waning moon. This past year should be a good day and a good time. Even though there are thousands of styles, who can you talk to?

In terms of performance, in the order of time development, the virtual and the real are born together, and the layers are progressive, all in one go.

The language is natural and clear, not yet carved, and wins with white drawing, which does show a clear and clear style, which is dense and beautiful.

(17) Butterfly love flowers

Song Liuyong

Leaning on the dangerous building, the wind is fine, looking at the extreme spring sorrow, and the sky is gloomy. In the afterglow of the grass-colored smoke, there is no one who will rely on his will.

I plan to get drunk with the madness, and I sing about the wine, and the strong music is tasteless. The belt gradually widened and did not regret it, and it made people haggard for Yi.

The lyricist combines the depressed feeling of wandering in a foreign land with the lingering feelings of the nostalgic person, and adopts the expression of "winding paths leading to seclusion", lyrical scenes, and sincere feelings.

This first film is written in the first film, and the next film is lyrical. The three sentences of "leaning" are written from afar and sorrowful. The two sentences of "grass color" actually describe the cold scene seen and the meaning of hurting high thoughts. Change your head deeply. The sentence "to put it" and the sentence "clothes and belts" are more soft. and the phrase "not resigned to the mirror", with the purpose of the people.

Those who have become great careers and university questions in ancient and modern times must go through three realms, with "the clothes and belts gradually widen and will not regret it in the end, and the people will be haggard for Iraq" as the second realm.

(18) Looking at the tide of the sea

Song Liuyong

The southeast shape wins, the three Wu capitals, Qiantang has been prosperous since ancient times, the smoke willow painting bridge, the wind curtain and green curtain, and the difference of 100,000 people. The clouds and trees surround the embankment sand, the angry waves roll frost and snow, and the moat is endless. The city is a jewel, the household is profitable, and the competition is luxurious.

Chonghu Stacked 巘 (yǎn) Qingjia. There are three autumn laurels and ten miles of lotus. Qiang tube clear, Lingge flooded the night, frolicking and fishing lotus baby. Thousands of horsemen have high teeth. Listen to the flute and drum while drunk, and enjoy the smoke. The picture of the different day will be good, and return to Fengchi Kua.

Liu Qiqing wrote "Looking at the Sea Tide", the gold lord heard the song, and happily admired the "three autumn laurels, ten miles of lotus", and then set up the ambition of throwing a whip to cross the river.

This poem reverses Liu Yong's usual style, with a wide opening and closing, undulating brushwork, showing the prosperity and magnificent scene of Hangzhou. This poem, the slow and long tone corresponds to the ups and downs of the lyrics, the rhythm is harmonious, and the emotions are tactful, which is a masterpiece of Liu Yong.