"Zheng Feng Zijin" expresses a woman's longing for a man, while "Wang Feng Caige" expresses a man's longing for a woman.

In the studio, pens, ink, paper, and inkstones were readily available, and Liu Suifeng quickly prepared them and personally polished the ink for Yun Feiyang.

Yun Feiyang attaches great importance to this work, this is a love token he wants to give to Liu Suifeng, he must play his full level, so as to repay Liu Suifeng's unreserved love for him.

After Yun Feiyang brewed for a long time, the wolf was full of thick ink, and poured all his love for Liu Suifeng into between the lines, and a "Wang Feng Cai Ge" was swept away.

Pi Cai Gexi, not seen for a while, such as March.

Pi Cai Xiao Xi, not seen for a while, such as three autumns.

Pi Cai Aixi, I don't see it, like a three-year-old Xi.

Yun Feiyang's "Wang Feng Cai Ge", the layout is strict and proper, the words are sonorous and powerful, the combination of rigidity and softness, the pen and ink are vertical and horizontal, and the momentum is overwhelming; carefully look at each word, and feel that it is sparse and elegant, if there is a refreshing breeze passing slowly, the words are like a green lotus blooming in the water; the penmanship is even more precise, one breath of attention, the pen is condensed, the dot painting is vigorous, and the refreshing and refreshing have the tendency to fly, giving people a sense of vitality.

Yun Feiyang's font is a teacher of many calligraphy celebrities, since the machine, rigid and soft, bold and free, very beautiful. This character was finalized after Yun Feiyang had been trained for a long time with his natural powers, and it was very consistent with Yun Feiyang's own surname, so he liked it very much.

In addition to the strict layout and beautiful font, the most shocking thing about Yun Feiyang's calligraphy work is that the charm revealed by the whole work is very clear and intense. The strong feelings of longing and strong love are all over the lines, unusually sincere and mellow, and have a very strong appeal.

For the emotions in this work, Liu Suifeng's experience is definitely the most profound, because Yun Feiyang's love was originally shown to her.

Liu Suifeng was completely immersed in the artistic conception of this work at this time, she was not only shocked and intoxicated by the perfection of this work, but also moved by Yun Feiyang's strong love for her. Although she knew that Yun Feiyang was already a great master of jade carving, and his artistic level was beyond her expectations, she didn't expect that Yun Feiyang's attainments in calligraphy were so profound, even his teacher Kong Pinxiang was far behind.

After a long time, Liu Suifeng broke away from the intoxicated artistic conception, looked at Yun Feiyang with a look full of strong love and admiration, and said: "Brother Feiyang, this work of yours is so perfect, my work is simply different from yours, I now feel that my calligraphy work as a love token for you does not seem to be very suitable, why don't I change another item to you?"

"Your work is already very good, I like the emotions you give to the work, in your work I can feel your love for me very strongly, so I like it very much, I must collect it. And this calligraphy work is the first work you have reached the level of a master, and it is of great significance, so I want to treasure it even more. Yun Feiyang reassured.

"Brother Feiyang, I didn't expect that your attainments in calligraphy are not inferior to your level in jade carving, how much talent you still have and how much talent you still have not told me? You don't have such high attainments in painting, right?" asked Liu Suifeng adoringly.

"Actually, it's all because you like calligraphy and painting, so I did a special study during this time, and the level between the two is about the same. ”

"I'm right, your painting attainments are so high! Then can you also paint me a picture and give it to me?" asked Liu Suifeng excitedly.

"Of course no problem, your best lotus picture has been given to me, and I will also draw the best picture for you. How about I draw a portrait of you and give it to you?"

"Well, then I'll have to wait and see what I look like under your brush. Liu Suifeng is very much looking forward to this.

After preparing the painting utensils, Yun Feiyang thought for a moment before he began to paint.

Yun Feiyang first depicts not a portrait of a person, but the background behind the figure.

Yun Feiyang directly used a corner of the "Pinlan Garden" in his impression as the entire background of the picture. In the background of this corner, Yun Feiyang took the corner of the slope stone in front of Liu Suifeng's studio. The picture is extremely concise, next to the skinny rockery, a cluster of fine bamboos, sparse and falling, green and straight, a few spring orchids, scattered distribution, fine leaves. The overall background gives people a sense of elegance and leisure.

After painting the background, Yun Feiyang began to deliberately depict a full-body portrait of Liu Suifeng. In the picture, the willow flutters in the white skirt with the wind, the long hair shawl flutters in the wind, and the scroll in hand, staring at it with a very focused expression.

The willow in the picture is dressed up in ancient costumes, the expression is focused and quiet, natural and leisurely, as if everything does not linger in the heart, a group of leisurely and elegant, like clouds, quiet as the lake of leisurely demeanor, the bones are even more revealing the grace and calmness of the ancient talented woman.

Yun Feiyang in this painting is beautiful and beautiful, the colors are bright, bright and vulgar, the structure is clear, the lines are smooth, the delicate and delicate, and the agility and elegance are elegant. The overall picture has a strong visual impact and appeal, exuding an elegant and beautiful temperament, and the quiet and leisurely atmosphere that permeates it is particularly obvious.

After Yun Feiyang finished painting the full-body portrait of Liu Suifeng, he mentioned Cao Xueqin's "Police Fantasy Fairy Gu Fu" in a large blank space on the left side in fly-headed cursive script.

Fang left the willow dock and came out of the flower room.

But where the line is, the birds are frightened by the trees, and when the time comes, the shadow of the corridor.

The fairy robe flutters at first glance, smells the fragrance of musk orchid, and the lotus clothes want to move, and listens to the sonorous sound of the ring.

The smile is peachy, the clouds are piled with green buns, the lips are full of cherry blossoms, and the durian teeth are fragrant.

The slender waist is Chu Chuxi, the wind dances in the snow, the pearl and the green shine, and the forehead is full of goose yellow.

Haunted among the flowers, it is appropriate to be angry and happy; wandering on the pond, if it is flying.

The moth frowned and smiled, but did not speak;

Envy of his good quality, ice and jade;

Audemars Piguet's appearance is beautiful, fragrant and jade, and the attitude of the beautiful one is beautiful, and the phoenix and dragon soar.

What is the essence of the spring plum blossoming snow.

Its cleanliness is like that, and the autumn chrysanthemum is frosted.

Its tranquility is like that, and the pine is born in the empty valley.

Its glamour is like that, and the glow reflects Chengtang.

If the text is like this, the dragon travels to the swamp.

If the god is there, the moon shoots the cold river.

should be ashamed of Xizi, and he is really ashamed of the princess.

Amazing!

Where were you born and where did you come from?

Believe it!

Yaochi is the same, and the purple mansion is unique.

Who is it?

Cao Xueqin's poem praising the dream fairy is most in line with the temperament of Liu Suifeng in Yun Feiyang's painting, and Liu Suifeng's peerless elegance will indeed not insult these pearl-like words.

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