Yun Feiyang also hopes that through this art exchange meeting, he can pass on some of his experience to all the participating artists, especially more than 30 masters in various art fields, and Yun Feiyang's experience has a very great reference value for them. Yun Feiyang sincerely hopes that after listening to his story, these people can find a way to break through to the grandmaster-level, and if a few of these people can break through to the grandmaster-level realm, then it will play a very positive and important role in the revival of Huaguo in the field of world art.

"Regarding the experience and experience of the technique, all the masters present are more experienced than me, I will not repeat it here, I will mainly tell you about the experience and experience of artistic conception. Yun Feiyang said.

"No matter what kind of art form you have, you can follow the skills and make further progress through the exercises. However, the artistic conception of the work is the most ethereal, and how to make breakthroughs and progress in this regard has not been specifically discussed from ancient times to the present. Your experience in this area is so valuable to us that we will listen to it. Master Kong Pinxiang said happily.

The other masters also chimed in, eager to know what Yun Feiyang had to say in this regard.

"There is really no clear way to reach the realm of the grandmaster from the master's subtle realm to the realm of the grandmaster's god, but there is a clear requirement, and this requirement is the requirement for spiritual power. The biggest threshold from master-level breakthrough to grandmaster-level is the breakthrough of spiritual power, and spiritual power must reach the realm of perfect integration with artistic conception in order to meet the minimum requirements of grandmaster-level spiritual power. Therefore, if you want to break through from the master level to the grandmaster level, it is not possible to blindly study the breakthrough and innovation of skills, starting from the master-level realm, we must focus on the breakthrough of spiritual power, which is the key to breaking through to the grandmaster level. ”

Listening to Yun Feiyang's words, all the masters suddenly opened, feeling that a new door had opened in front of their eyes, although they could not see the road under their feet, but they had already pointed out the way forward.

Master Liu Xingtong asked excitedly: "It's really better to listen to your words, than to read a book for ten years, this sentence of Feiyang, I don't know how many detours we have to take, at least we have seen the direction of progress." However, we don't have any experience yet, so is there any specific way to break through our spiritual power?"

"The specific approach will vary from person to person, but there are general ideas. If you want to make a breakthrough in mental power, you should not be too scattered in the direction of research, and it is best to devote all your energy to the one that interests you the most. For example, a person's greatest interest is to like orchids, then this can be seen as a breakthrough point for him. If he is a painter, then he is likely to be good at painting orchids, then he has found a way to break through from the master level to the grandmaster level, that is, to temporarily concentrate his energy on this one aspect, and put all his mental power and emotions into the orchids he paints, and over time, his spiritual power will naturally make new breakthroughs. Therefore, the key point from the master level breakthrough to the grandmaster level is to find the entry point of this breakthrough, which is very important. Yun Feiyang gave an example.

"It's so incisive, such a profound truth, and after your examples, it's very clear and clear. I think the masters in the field of painting and sculpture should have fully understood, but those of us who study calligraphy should not be suitable for your method, can you give us more detailed instructions?" asked Master Kong Pinxiang.

"The methods are different, but the principles are the same. For example, if you have a favorite poem, the most experienced sentence, or even the most researched word, these can be counted as the entry point for a breakthrough. However, the more refined and detailed this entry point is, the better, so that it takes the shortest time to break through. If this entry point is relatively broad, it will take a long time to break through, and of course, the achievements after the breakthrough will naturally be greater. Therefore, this entry point needs to be found according to one's own actual situation, which is different for everyone. Yun Feiyang patiently explained.

In this way, I understand that this entry point must be the aspect that I have the most experience, the most research, and the most favorite, so that I can make a breakthrough in the place I am best at and get twice the result with half the effort. Master Kong Pinxiang said clearly.

Yun Feiyang's explanation made all the participants deeply touched, even those ordinary artists, although their realm has not yet reached the master level, but they also understand the theory taught by Yun Feiyang, and have a clearer direction for their future.

"Teacher Yun, your theory is very clear, and we all understand it. I wonder if you could please show us another face-to-face demonstration and let us experience the process of creating your work, can you?" suggested a young artist.

"Feiyang, today everyone came to participate in this art exchange meeting, the main purpose is to communicate with you face-to-face, if you can see your creative process in person, it will definitely give you more inspiration, why don't you give you a demonstration, and then create a work, so that everyone can feel it personally. Combined with your previous theories, the effect will definitely be better. Dean Huang Qun was very much in favor of this proposal.

Naturally, this proposal was embraced by all the participants, and the other masters also spoke in favor of it.

Creating a work is a very simple thing for Yun Feiyang, and he readily agreed, saying: "Since everyone asks for this, then I will be ugly." Just now I gave you an example of an orchid, so I will draw a map of Melan for you and make a simple demonstration. ”

The staff quickly brought a pair of tools, and after Yun Feiyang brewed a little, he began to pick up the pen and paint.

Under his trace, soon a clump of orchids appeared on the screen. Yun Feiyang writes a cluster of orchids in thick ink, scattered and elegant, with unique charm, no water, soil and miscellaneous trees on the picture, concise and sparse, elegant and ungrouped.

In the picture, the orchid leaves are thin, and the thick ink is set out, overlapping and interspersed, and the orchids seem to exude a faint fragrance. The combination of thick and thin strokes, dry and wet ink shapes, and dense and scattered strokes, makes the whole painting appear relaxed and bright, full of business.

Soon, Yun Feiyang's "Melantu" was completed.

Although this Melan picture is simple and plain, its artistic conception is very far-reaching. People seem to see the orchid standing upright in the cold rain and blooming in the cold wind, but it is not shocked by honor and disgrace, not arrogant or impatient, neither humble nor arrogant, and does not compete with the flowers for favor; it seems to see its reading power in the empty and silent valley, absorbing the aura of heaven and earth, taking the essence of the moon, a fragrance and a thousand flowers lose its color; as if seeing the charm of tranquility and elegance, pure heart like water, and beautiful bones that are not impetuous because of its fragrance, but make people fall for it and be fascinated by it.

Just after the painting of the flying Melan, two butterflies flew out of nowhere, fluttering around the flying Melan, and finally stopped on the orchid in the painting.

Seeing this scene, everyone was even more amazed, deeply intoxicated by the artistic conception of Molan flying in the clouds.

Yun Feiyang saw the two butterflies landing on the Melan diagram, and regained his interest, and re-picked up the pen to write a small poem in the blank space of the Melan diagram.

A piece of rice paper and a few strokes of ink draw orchids to welcome spring.

I don't know that the ink fragrance is the fragrance of flowers, which attracts the butterfly hall to come up.

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