Xuan Che followed this Aunt Zhao into the kiln, and there was a faint excitement in his heart. She has grown so big, she has never been to this kind of place, although she used to secretly see the ** and excerpts on Anqi Island, but after all, it is better to see than to hear. When she used to secretly look at ** behind her master's back, the characters in ** were always in brothels, and those ** changed various postures to please the guests, which made her admire her tightly, so she especially wanted to go to the brothel to see. It's just that in the past, the master was in charge of it tightly, not to mention going to the mortal world, even to take a look, it was also necessary to sneak around. As soon as Zhao Si's eyes moved, she already knew what he was thinking, so she let him sell herself, take the opportunity to take a look, and have a long experience, if she was discovered by Zangyue, it can also be said that she came to experience.

Xuan Che looked at Aunt Zhao in front of her, thinking that she was going to arrange accommodation for herself, and after the arrangement, she would naturally leave. After she left, she naturally took the opportunity to slip away. So she followed Aunt Zhao to the inner hall, and Aunt Zhao casually pointed to a little girl and asked her to take her to change her clothes, and she went to the outer hall.

Xuan Che saw that the little girl was only eleven or twelve years old, and she was not too surprised when she saw Xuan Che, as if she had seen this kind of thing very commonly. She was impatient and said to Xuan Che, "Come with me." He turned around and walked away.

Xuan Che followed behind her, secretly happy in his heart, this is a good guide, and the two little girls will not attract everyone's attention. So he cast a trick behind her back and asked her to take herself around here.

The little girl was cast a spell, and she didn't know it, so she only wandered around with Xuan Che in a daze, from the inner hall to the front hall. The front hall is really lively, the spring and snow, the lower riba people, gathered together. There are also some poor people who are eager to read, crowded in the corners of the hall, pretending to be calm while peeking at the passing maids.

As soon as Xuan Che came out, many people stared at her, although she was a child at this time, her appearance was also first-class, and it was no wonder that Aunt Zhao said that she was worth five taels of silver. In this small city, even a young woman may not be able to sell for five taels of silver, and a child like her is extremely valuable.

As Hyun Cheol walked through the hall, many people looked at her, but after a few glances, most of them turned their heads and stared at the singer performing in front of her. After all, although Xuan Che is beautiful, he is just a child, and no matter how beautiful a child is, he can't teach people to mention **, unless he is a person with a special fetish.

Xuan Che walked around this hall and was about to find a place to watch the next Oiran performance, but he met the pimped Aunt Zhao, and saw that she was talking and laughing with a few people who looked like rich businessmen with fat brains, although Xuan Che was not afraid of this Aunt Zhao, but he didn't want to make a big deal about it, so he sneaked away while she hadn't seen it.

Without the person to lead the way, Xuan Che had to wander around here alone. Since the Living Spring Palace she wanted to see the most had not yet been found, she naturally would not leave so lightly.

As he passed through a corridor, Hyun Che finally heard the voice of his own thoughts. Suppressing the secret joy in his heart, Xuan Che made a trick to penetrate the wall and entered the room with the loudest screams. Sure enough, as soon as she entered, she saw the scene she wanted to see the most. After Xuan Che cast the invisibility trick, Shi Shiran walked to a round table facing the bed, sat and poured a cup of tea, and carefully observed the living **.

The woman on the bed is not very good-looking, but her figure is good, bumpy and remarkable. The man may have been a farmer or a woodcutter, but in short, he had a very strong body and good features. The honest man, who naturally can't play in bed but the kiln sister who rolls in the party, after a few rounds, the man has exhausted all his postures, but the woman is obviously not satisfied. The woman saw that the man was already a little sluggish, so she pushed the man lying on top of her away, and then reflexively pressed on his body, and before the man could react, she used her own sandalwood mouth to take the thing between the man's crotch.

The man, apparently this was his first encounter with this kind of technique, and was surprised and delighted, so he lay down and let her swallow up and down. The woman saw that the man had regained her excitement, so she rode directly on top of her body, twisting her body up and down. At this moment the man regained his passion, and began to burn with the woman again. Xuan Che had seen this style in a book, this trick was called Guanyin Sitting on the Lotus, and then they tried the old man's cart, ape fighting style, milk push, etc., which made Xuan Che also breathtaking.

Sure enough, this live-action version of ** is different from reading a book. At least Hyun Cheol understands that there are some postures in the book that can't be done in bed. Xuan Che felt that it was not very enjoyable to read, so she went to the bedside to read it up close, and then took away a book by the pillow, a ** she had never seen at that time. Xuan Che looked at the cover, the text on the cover is the text of a small country called Fusang on the side of the East China Sea, Xuan Che saw a lot of ** back then, all of them were passed on from Fusang, but she had never seen this "Edo Forty-Eight Hands", I think someone just drew it.

The copulation between men and women on the bed was nearing the end, and there was nothing to look at, so Xuan Che took the book, sat under the lamp, and watched it carefully. When I opened the book, I realized that the postures they couldn't name were from this book. The posture in this book was originally used for sumo wrestling in Fuso Province, but now it is painted as **, which is really breathtaking. And what rock clear water in the book is a common face ride, the woman straddles the boy's face, and then the boy's tongue attacks, as for why it is called rock clear water, Xuan Che This action can make the clear water in the rock flow out,

The warbler is a man who gets up on the ground and kisses the woman's whole body with his tongue, and the warbler represents the man's head, and the posture of the man probing his brain when he kisses the woman back and forth is as wonderful as the yellow warbler crossing the valley.

立ち花菱

Place a cushion or pillow under the girl's buttocks, or the woman uses her legs to raise her buttocks and spread her legs for the man to serve. Xuan Che guessed the reason for the pillow or the pillow raised, or because of this, it was in line with the name - the flower that stood up,

鹎越えの逆落とし

Women stand upside down, men serve women from above, seeing this posture, Xuan Che imagined it for a moment, and then couldn't help but shake his head, this posture is too tricky. However, seeing the following explanation, Xuan Che somewhat understands the origin of this pose. At the end of the Heian period of Fuso, Minamoto Yoshitsune, a powerful figure, launched a cavalry surprise attack tactic in the place of "Ou Yue え" and successfully broke the Taira army, which is the famous "Battle of Ichigoku". And this surprise attack tactic is to ride a horse from the cliff to rush down the cliff, killing an enemy by surprise, at that time not every horse 'landed' successfully, and some fell head-down, hence the name of this pose.

And then there's the female **,

The head of the goose

The woman straddles the man's calf and rubs the calf while blowing, and the point is that the man can raise his head to appreciate the woman's work, so it is called the goose head.

Chidori song

While the woman is blowing, she caresses the man's ** with her fingers, just like playing the guzheng in the Central Plains, so there is the word "song". But why is it "Chidori" Xuan Che thought about it for a long time, and he didn't know the trick of it, but he only knew that Chidori was a kind of bird that Fuso people loved very much, and it had an elegant body. Xuan Che didn't understand the subtlety, so he saw it directly.

茶臼のばし

"Tea mortar" is a kind of utensil, forty-eight hands use "tea mortar" to metaphor the woman's active posture on it, and this trick is the woman lying on the man's body, the expression of her eyes is the same as you**, and the bottom is rubbing your little brother.

Niba

This posture is very simple, it is the upside-down phoenix in the **, strictly speaking, this is not a woman**, it should be the two sides of each other**, as for why it is Erba, you can reverse the arrangement of the two "Ba" words, you can see this position, that is, women suck yang, men.

Xuan Che was about to turn the page to see the next style, when he suddenly noticed something unusual outside the door. The aura of a mortal approaching was completely different from that of an immortal cultivator, and she could feel that there was a person outside the door who was no less than herself, hovering at the door, as if she was about to push the door in. When Xuan Che was about to grab the window and leave, he suddenly thought, isn't Zangyue looking for it?