Hearing Feng Yiting's words, the red-haired man was shocked.

He took a step and was just about to say something, when he saw Wu Zu take a step forward, stopping his intentions, and then said: "Troubadour, I didn't expect that your cultivation was like this, and the deity 'Void Destroying Thunder Palm' could also withstand it, but it was unexpected!"

Feng Yiting said respectfully: "The seniors agreed, and the juniors did their best to escape the catastrophe." ”

Wu Zu looked at Feng Yiting silently, and then said, "Bard, since you have taken a move from the deity, it is now up to you to make a move." ”

Feng Yiting looked at Wu Zu, and then pondered for a while, and then said: "Senior, although the junior is not talented, he was lucky enough to get a few magic weapons, since the senior used the shield to protect the body, I am afraid that the attack of the junior will not have any effect." In that case...... There is one thing that juniors can ask for advice from their seniors!"

Only then did the red-haired man find an opportunity to speak, he took a step forward and said: "Bard, since you have reached an agreement with the villain master, no matter what magic weapon you use, he will not regret it, hurry up and use your special skill, so that you can distinguish the winner from the loser!"

Feng Yiting smiled, and then said to the red-haired man: "Since this is the case, please hide again, otherwise it will be affected." ”

The red-haired man was stunned for a moment, and then shouted with a straight neck: "Even if the villain dies, he will not leave the master, you just have to do it!"

Feng Yiting understood that the red-haired man refused to leave, and he must be thinking about going with Wu Zu, so that when something unexpected happened, he could block the sword or top the sword for his master, and wanted to sacrifice himself to save the Lord.

Feng Yiting was angry and funny, but the red-haired man was brave and loyal. His instinct to devote oneself to the Lord gave him some admiration.

He slowly stepped back so that he could stand with Shi Jiuhan and not trap them in the attack.

After standing still. At this time, he hugged his fists again and said to Wu Zu: "Since this is the case, the seniors will stop blaming the juniors for being rude!"

After Feng Yiting finished speaking, he took out the "Taiyi Seven Scenes" from his sleeve.

He took out the immortal diagram and immediately opened it, and saw that ten thousand rays of light were floating in front of him, and the powerful immortal barrier was immediately destroyed and operated as the immortal diagram opened, and Ying Nian multiplied.

Wu Zu is gathering momentum. In case Feng Yiting made a move.

Originally, he had Xingtian's Aegis in his hand, and he was not afraid of any attack from Feng Yiting at all. Even if he took out the Heaven Destroying Gourd, Wu Zu had a way to deal with it, but what he never expected was that Feng Yiting suddenly found a painting!

Wu Zu was stunned, and instinctively glanced at the immortal painting. Immediately stunned.

Immortal painting was born in response to the thought. The situation in front of Wu Zu suddenly changed and evolved.

The Seven Scenes of Taiyi was originally an ancient spiritual treasure, which was first created and refined by an unknown immortal.

The nameless immortal is carved by the art of miniature carving, and various charms and spells are carved into seven open fourteen fairy pictures.

The whole immortal painting is all the immortals with a special pen, ink, paper and inkstone, some subtle talismans and spells are carefully depicted and combined, forming a variety of magic circle immortal talismans, and constructing seven powerful groups of patterns.

Each of the seven patterns is opened, and there are fourteen single synthetic fairy paintings with different magical powers.

Immortal paintings are divided into seven categories according to their supernatural powers and mana effects. They are shock, strange, illusory, sad, absolute, injured, and dead.

Once the immortal painting is unfolded, there will immediately be seven types of wonders. Scenes that can show the final result of horror, strangeness, fantasy, sadness, despair, injury, death, etc., are enough to collapse the people or creatures that are compared to the immortal paintings.

After Feng Yiting took out the immortal painting, he divided the first opening and covered Wu Zu with a "shocking" scene.

Wu Zu's life is ill-fated, it can be described as extraordinary ups and downs, after the circle of the Dao Ancestor, the power of the immortal painting has increased greatly, so as soon as he moved, he immediately firmly controlled the Wu Zu's divine thoughts!

"Shocking" scene corresponds to shock, as soon as Wu Zufu saw it, his consciousness immediately floated in his consciousness in ancient times, all kinds of thrilling moments of following his father to fight, all kinds of horror can be described as terrifying, and the cold sweat on his forehead secreted a lot!

The red-haired man originally wanted to stay by his master's side, thinking about guarding his master to the death, but Feng Yiting's immortal painting was displayed, and his consciousness was also trapped in the painting, and the master and servant stared at the immortal painting blankly, where else could they have any other thoughts?

The effect of the "startling" scene is to dissipate the consciousness and mind of the other party, so that the subsequent scenes can further control the other party, so this is a spectacle that induces the target to obtain a gradual sense of shock. This scene is powerful, and if it continues, it will make the other party frightened and frightened, and at the end of the day, it will be extremely terrifying, until the will collapses and even dies of panic.

After Feng Yiting opened the "shock" scene in the immortal painting, Wu Zu was still calm, only to see that the red-haired man's face quickly floated with extreme horror, his eyes were scattered, it was completely because he was surprised to the realm of collapse, Feng Yiting admired his loyalty to the Lord, and didn't want to scare him to death, so he raised his hand and turned the picture back a page.

I saw that time and space changed, and the scene also changed, and the scene displayed in front of Wu Zu and the red-haired man suddenly changed completely as Feng Yiting's painting pages were revealed.

After the "shocking" scene, there is the "strange" scene.

The seven scenes are sorted according to surprise, strangeness, fantasy, sadness, absoluteness, injury, and death, but in fact, there are rules to follow.

First of all, it must be opened with "surprise" to disturb the opponent's mind and mind, and then win with "strange" scenery, implying the meaning of comfort and comfort, and use strange and mysterious and incredible scenes to grab the opponent's mind so that it is firmly controlled and unable to break free from the fairy scene.

Only in this way will the scenes complement each other, and finally achieve the attack control effect required by the strange painting.

Wu Zu practiced witchcraft, the pursuit of the ultimate powerful witch power and supernatural powers, although not to say that it is completely sideways, but also like to take shortcuts, so as soon as the wonders came out, Wu Zu immediately floated a curious look, feeling countless past hard to find the incomprehensible feelings, plausible but not addictive, completely immersed in the fairy scene!

As soon as the "strange" scene came out, he saw the red-haired man dancing, extremely excited, no one knew what scene the Dao Immortal Painting would give birth to in his heart, just look at his full devotion, it is estimated that what he saw was also a very touching fairy scene, it was difficult to dial it.

Feng Yiting saw the immortal painting on display, and his master and servant were immediately dumbfounded, completely controlled by the strange scenery of the immortal painting, and couldn't help but sigh lightly, understanding that the master and servant should be controlled by this immortal painting, but they were afraid that the catastrophe would be lost.

With this emotion, he slowly walked forward with the fairy painting in his hand, wanting to see what was going on.

Seeing this, the tiger baby on the side said in surprise at this time: "Strange, isn't this the handwriting of the 'Holy Pen Fangshi' Tan Kun? This is obviously the 'Taiyi Seven Scenes' that he made all his life, how could the painting fall into the hands of Yiting?"

Feng Yiting suddenly heard the tiger baby mention this painting, and couldn't help but be stunned, so he listened to her carefully.

Xiang Yong was the most caller about these hearsay, and then hurriedly stepped forward and asked: "Sister Tiger Baby, it turns out that you know the origin of this painting? No wonder as soon as Yiting took out this painting, Wu Zu immediately fell into a daze, this painting has a provenance!"

Shi Jiuhan is the longest-lasting head of the Great Sect in ancient times, and there are a lot of relevant monk materials in the sect, so he has a lot of information. At this time, he heard Xiang Yong asking: "Yes, Tan Kun is one of the most elegant monks among the ancient monks, and he has a treasure called 'Dianmeng Xianhao', who has powerful magical powers and mana. If you can draw something to a realistic god, you can directly resurrect it from the painting, which shows the powerful magic power of this brush, which can be regarded as a wishful treasure. ”

The tiger baby nodded, and then said, "I have heard about the deeds of this ancient monk, but I don't know much. Moreover, I heard that his ending was not very good, and the ending was quite mysterious. ”

Shi Jiuhan was speechless, then sighed softly, and no longer expressed his position on this matter.

But Tang Ming was curious, Xiang Yong was groaning, so he heard Tang Ming ask: "There is such a thing, the magic pen Ma Liang?!"

Xiang Yong approached Shi Jiuhan and went to the bottom with great interest: "Senior Shi, it seems that there is really a legend of the magic pen in the cultivation world, I don't know what is going on between this 'holy pen scholar' called Tan Kun and the immortal painting in the hands of Yi Ting?"

Shi Jiuhan silently looked at the Wu Ancestor who was subdued by the immortal painting, and said strangely: "As far as I know, 'Dianmeng Xianhao' must have a few things, such as 'Qibao Inkstone' and 'Ruyi Ink', in order to paint the best divine products. 'Dianmeng Xianhao' and 'Qibao Inkstone' can be recycled, but the number of 'Ruyi Ink' is not much. When talking about Kun's 'Taiyi Seven Scenes', it is said that the first seven scenes were all painted with ordinary ink treasures, and when it came to the last 'dead' scene, they were painted with 'Ruyi ink'. ”

Xiang Yong and Tang Ming looked at each other, it seems that there are allusions to this immortal painting, and it turns out that the author ended up because of this painting.

was stunned, so he heard Shi Jiuhan continue: "However, because the 'death' scene is too depressing and gloomy, Tan Kun regretted it after finishing the painting, and was annoyed why he made such a poignant murderous painting. Because the realm of this painting is too fierce, Tan Kun did not dare to embed this picture in the seven scenes of Taiyi, but made another painting instead. ”

Everyone was shocked when they heard this, and they heard Shi Jiuhan say after hearing it: "The death scene is too fierce and cruel, and in the end, it will affect Tan Kun's state. After the completion of this painting, Tan Kun has been depressed, and finally because of self-blame and self-resentment, he could not relieve the repression and committed suicide. ”

Feng Yiting covered Wu Zu with a painting, while listening to Shi Jiuhan's eloquent talk, only then did he understand that this "Taiyi Seven Scenes Painting", when the first six scenes were not painted by Daozu, the power was mediocre, it turned out that the raw materials of the painting were different, resulting in the power could not reach the peak.

It wasn't until this time that he realized that Daozu deliberately didn't make any more paintings because of the lost real paintings, and it is estimated that he has reached the highest level of "dead" scenes!

Although the whereabouts of this scene are currently unknown, if it can be found, it is estimated that these seven scenes will definitely become the treasure of the immortal family! (To be continued......