At midnight, Harumi Harumi Hachiman slept quietly on the side.

The tatami mat was too hard, Su Changqing couldn't fall asleep, and finally quietly came to the hall and sat by the door facing the backyard garden.

The autumn insects murmured, and the plants and trees were dyed silver in the moonlight, but they seemed extremely silent, and he stayed for a long time.

Su Changqing blamed himself a little, he was not Ultraman, he would not transform, and if the relationship with Harumi Harumi was not handled well, sooner or later the city would be full of trouble.

Harumi Harumi Hachiman is obviously lonely, and I'm afraid she has no friends since she was a child.

Su Changqing could clearly feel her deep attachment, which made him feel pressured.

At the beginning of their acquaintance, they thought she was a staunch revolutionary, independent and fearless, overcoming obstacles and moving forward on the road ahead, and nothing could stop her pace.

Unexpectedly, she was mixed into the Japanese Communist team to play soy sauce, and everything was different from the initial judgment.

Harumi Harumi Hachiman is still fearless, but it is manifested in personal interests, which are two different things.

The relationship is heating up too quickly, a little unprepared, and it is likely to end if it is not controlled, and in the worst case, Su Changqing will be blasted out of Japan by the extreme right-wing Dead Taijun.

Maybe the situation is not as serious as he thought, his biggest charm to Harumi Harumi Hachiman may be free, he can interact without any psychological burden in a different cultural background, everything is just a temporary novelty, just like buying an expensive Ultraman platinum figure for a while, I'm afraid there will be nowhere to put it after a long time.

If it is just impulsive, it is the best situation, otherwise the future is a tightrope for her, and Su Changqing is also walking on thin ice.

If the two were sensible, they should keep their distance and even go their separate ways, but at the moment, the dry wood fire obviously can't do it.

The lights behind him lit up.

Su Changqing turned around, and Harumi Harumi Hachiman was standing at the door wearing a Japanese-style nightgown with sleepy eyes.

She should have been afraid of coming over rashly to scare Su Changqing, so she flashed the light.

"Why didn't you sleep?"

She crept over like a cat and sat down.

"Come out and see if there are any fireflies. ”

"Did you find it?"

"Not yet, probably there is no rotting grass nearby. ”

"It's September, and the fireflies are burning out. ”

"Perhaps. ”

"Evergreen Jun has something on his mind?"

I'm afraid that the third watch in the middle of the night is not a good time to talk about things, Su Changqing pretended not to hear: "It's cold, and the wind is a little cold." ”

Harumi Harumi Harumi accompanied him to look at the garden silently, and suddenly asked for a long time, "Will Evergreen-kun leave me?"

The contradictions in the future are obvious and inescapable, but she didn't expect her to mention it first, but Su Changqing was a little surprised: "Why do you ask that?"

It is said that 80 percent of the breakups in dating are proposed by girls, and men are clearly less decisive in this regard.

"I can feel that Changqingjun is unhappy, there must be a lot of pressure to associate with someone like me, I'm very sorry. ”

It is true that there is pressure both physically and mentally, and Su Changqing can't imagine what kind of Japanese man dares to soak a priestess like her.

"I'm not Japanese, so it's okay. ”

Since the people were full of apologies and said sorry, he could only be stubborn.

Harumi Harumi Hachiman smiled.

"I know that Changqingjun is by no means a cowardly person, but there will be some pressure, will you leave me because of this?"

How can you talk about this, don't play cards according to the routine, since you are serious about it, you should further face the reality, how can you go down the ladder like this, but will Lao Tzu be an army.

Su Changqing could only stiffen his head: "I didn't think about this. ”

"I'd never think about that," Harumi Harumi Hachiman put her arm around him, "and I'll never succumb to any pressure." ”

It's just that I haven't thought about it, but I haven't said that I will never consider it, this is a warm kidnapping, right?

It's a mess, I already know that I have a good sleep, and I am looking for some fireflies.

It is said that the Japanese have made eight turns in one sentence, and you must pay attention to it in the future.

On the first day of filming, Su Changqing filmed the plot of Duan Takakura's family at the beach.

There are no lines in this paragraph, just the backs of the three of them standing by the sea where the choppy seagulls are flying, and the close-up of their faces with their own hearts.

The first shot is arranged to shoot three leading actors, which can be regarded as giving special respect.

It is said that Ken Takakura's back is particularly dramatic, so it must be arranged, and the filming must cater to the expectations of the audience and the judges.

The three of them performed very well, and Chitsu Kano is still good at this kind of non-line performance, and he did a good job.

In addition, the heavier role is the owner of the company that hired Ken Takakura as the undertaker, and he is also the master who brought him into the industry, played by an old artist from Kanno.

This is a pure green leaf character, although there are a lot of lines, but they always accompany the plot to advance.

The acting industry is very cruel, many people don't grow into the protagonist's face, and no matter how good the acting skills are, it is useless.

Su Changqing plans to finish this film in three months, which is a bit too long for the Japanese staff, and they basically complete a movie in a month.

This is also the reason why Japanese movies look relatively bland, they love to use fixed camera long shots, which saves money and effort, and relies on the support of the plot, coupled with a single color, which actually forms a style.

But that doesn't mean that the Japanese don't know how to shoot better, just watch their anime, and they're very skilled in the use of angles and colors, and they're quite skilled.

"The Undertaker" can't try to save trouble, although the plot is unique but there is no very fierce conflict, it is a film that relies quite on the expressiveness of the camera and the micro-expressions of the actors, and it must be carefully crafted.

After the actors all went back, Su Changqing took the energetic Leo to shoot a lot of scenery, which can be interspersed in the film later.

"The Undertaker" is a warm movie, there is no cold thing, Su Changqing requires that the actors' performances must be warm, and the scenery must also be warm.

The film crew ran all day, the sea, wetlands, streams, and white swans took a lot of photos, Su Changqing pointed to the distant mountains and said to Leo: "The tones should be soft, I want to let these scenery interweave with a cello solo, and cross the softest place in everyone's hearts." ”

Su Changqing used to travel around a lot, and went to the airport and train station a lot of times, so he often watched those who were looking forward to picking up people, or those who were reluctant to send people away, the joys and sorrows were written on his face, and whenever he felt that life was very real and cruel.

If life is compared to a trip, "The Undertaker" is the starting point of an endless long-distance journey, no matter how unwilling anyone is, they can't stay, but Su Changqing doesn't want to show the truth and cruelty, and hopes to let the audience experience the value and beauty that once existed.

Ken Takakura filmed "The Railroadman" a few years later, sticking to the station of life in the heavy snow, and remembering his deceased relatives, in fact, the theme is the same.

"Death is not the end, but a door, symbolizing the beginning of another journey. ”

Su Changqing is most satisfied with this line in "The Undertaker", and he also thinks it is true, the meaning is the same as what Haruki Murakami said: "Death is not the opposite of life, but eternal as a part of life." ”

He decided to start making this movie, in large part because he liked these two sentences.

The filming after that went very smoothly, there were not many scenes in Chitsu Kano, although there were more reshoots, but it did not affect the progress, and the overall performance was remarkable, which should be the biggest winner of this drama.

"Some professions require courage. ”

In between shooting, Ken Takakura often chatted with Su Changqing.

Today, I filmed the son of a deceased man scolding the mortuary to make money from the dead, which made Ken Takakura feel a lot of emotion.

He's a slow-burner, and once he's acquainted with him, he's very sincere.

Sitting in a country wooden house decorated into a mourning hall, Su Changqing agreed with his words: "For example, this kind of profession is tainted with the atmosphere of despair. ”

"Evergreen-kun?"

"Now I read some occasionally, and I read more when I read. ”

"I've read Melville's Battellby the Scribe, which is a short story.

Battleby, a thin, pale scribe, has an indifferent personality and is a minor clerk in the Dead Letter Section.

Dead letters are those that cannot be delivered, and when they accumulate a certain number, they are burned in a centralized manner. ”

Su Changqing nodded: "I've seen this, Battelby will open those dead letters, sometimes a remittance slip will fall in the letter, but it will never reach the hand of the person who may be waiting for it to save his life, sometimes it is a ring, like an unreachable promise, and he will never have the opportunity to wear it on his lover's hand." ”

"You said it very well," Ken Takakura's voice was deep and deep, "Life is full of regrets and sorrows, and those who face death every day and maintain respect are true warriors." ”

He looked at Su Changqing: "When you are alive, you should be fearless." ”

Maybe he meant something, Su Changqing nodded with a faint smile.

Maybe it's really time to be fearless, why not?

It is impossible for the crew to film every day, which does not comply with Japanese labor laws.

Taking advantage of the vacation time, Su Changqing also frequently returned to China to deal with company affairs and determine other people's new plays.

Du Coco and Huangyang have also formed two creative teams at present, both waiting to start work.

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It's Monday.,The beginning of a new week.,I don't know how many old friends are reading now.,Please show your head to everyone.,Give me some confidence.,Monthly passes、Recommend votes to report to the office (っ'-')╮=??????????