At nine o'clock, Su Changqing woke up in the Japanese-style tatami rest room in the caricature.

Harumi Harumi Hachiman is gone, and I don't know where to go.

After soaking in the hot springs, it was really good to sleep and feel refreshed.

The morning newspaper has been delivered, and the box office data is just like what Simon Xiong said in the early hours of the morning, there are no discrepancies, and more accurate statistics will not come out until later.

The first box office is "Moving Maze", the second is the theatrical version of "Dragon Ball: The Way to the Strongest", the third is "Bad Boy Sky", and the fourth ...... Fourth, it doesn't matter.

When he knew that he was in the same file as the theatrical version of "Dragon Ball", Su Changqing was really worried, he couldn't do Takeshi Kitano, and if he lost to Sun Wukong, he would have no mix, the Japanese market was so big, and the third place couldn't make much money.

Later, the distributor told him that "Dragon Ball" had been released in sixteen theatrical versions since '86, almost two a year.

This release is the first part of the remake, that is, the first part of the remake of "Dragon Ball", and it is unlikely that it will sweep the market.

"There was an ancient legend that once upon a time, there were seven balls called dragon balls scattered all over the world, and if you collected all seven dragon balls and recited a spell, you could summon a divine dragon and grant any wish for the person who made the wish. ”

Su Changqing watched "Dragon Ball" for the first time and went to college, but he didn't expect to compete with it for the box office one day.

Sixteen films have filmed all the plots, and then start over and shoot another version, which can still sell for money, this is the brand effect.

Even if the movie doesn't make money, it doesn't matter, anyway, it can sell another wave with the peripherals, which is the bulk of the business.

After looking around in the newspaper, there is no report on Harumi Harumi's identity, maybe the reflex arc of this matter is relatively long, and the news has not yet reached the reporter.

Although it is not as explosive as the information age, the Japanese media is already very developed, and it may not be easy to hide it.

Su Changqing understands this in his heart, and Harumi Harumi Harumi also understands it in his heart, so he seized the time to go crazy last night, and today something really happened Love, it's a big deal to bow and apologize.

After the exposure, red reporters and actors may not be able to be, for these reasons to break with the family does not seem to be the style of the Japanese, in the current era I am afraid that only Chinese and Americans are still insisting on preaching for the sake of ideals and beliefs.

Su Changqing had a careful observation of Japanese actors during the filming of "Moving Labyrinth", they are generally rigorous, very serious in their work, and always thoughtful in all aspects.

Strangely, they often fail to derive the right decisions from the preparation, and end up doing something that doesn't seem to have anything to do with the upfront work.

It is also because of this incomprehensible characteristic, Japanese literature, film and television creation are especially good at engaging in suspense and playing horror, everything is uncertain, and any reversal may occur, which will scare you to death.

The same is true of Harumi Harumi, no one knows what she thinks or how she will deal with the crisis next.

A big headline catches my eye: "Romanticism from China"

Yo, is this a movie review?

"It's a futuristic film by a Chinese director who tells an action-adventure saga full of glory, carnage and intrigue.

The story also explores loyalty, leadership, sacrifice, and social responsibility. ”

Su Changqing flipped to the first film review, and after reading it, he wondered a little: "What is this about, such a violent and bloody movie is romanticism?

Harumi Harumi Hachiman commissioned a hot spring shop to buy several newspapers, and there were many movie reviews in the past.

"Director Su Changqing's works are obscure in commercial films and entertaining in political films, and I watched them with the attitude of giving three points, and immediately gave five points of praise when I came back.

The rhythm of the film is excellent, the soundtrack is vibrant, the characters are reasonable, the whole film is full of tension, and it is still full of charm for people like me who originally didn't like violent movies.

"Consumption is often impulsive, and based on the Chinese director's work "Taiping" last year, it is still a seemingly profound popcorn movie, and the consequences are correct.

However, the story is very creative, the visual effects, rhythm and conflict settings are remarkable, but it is too violent, and the element of science fiction is not much necessary. ”

"'Our fate cannot always be in the hands of others!' is the cry of the Japanese actor Nobuko Maeda, who is herself a member of the Japanese Communist Party, and it is said that three of the ten Japanese actors who participated in the play were left-wingers.

The rare resurrection of Greater Asianism in this Chinese director, whether this is an anti-war or a challenge film, it is unusual to make such a film, is it already that China already has the ambition to covet Asia?"

This is obviously an ultra-rightist, and the writing thing is still Showa mentality.

"In the current world, it is very difficult to believe in human nature, thirty strange men and women from foreign countries killed each other, only five people survived, this should be a story with an obvious ending, after all, this work is directed by Chinese.

People take it for granted that good virtues such as kindness and bravery are not a weapon of victory in extreme environments, but rather an Achilles heel, and that the more ferocious and unscrupulous people are, can survive.

However, all the speculations are wrong, and I am glad that they are wrong, Director Su Changqing has a good grasp of the plot, if it weren't for the condemnation that would be caused by revealing the plot, I have a great impulse to tell you that this is a good story. ”

Su Changqing looked through all the movie reviews, and most of them were positive, but the analysis was not deep enough.

Except for the right-winger's film review, which mentioned anti-war ideas, there was basically no mention of anything else, let alone an analysis of the East Asian dilemma.

This can't be difficult for them, as a defeated and occupied country, foreign directors can make works that they can applaud the quality of filmmaking, but they don't dare to take a clear stand.

However, it doesn't mean that these people don't understand, twenty years later, Japan has made several World War II movies such as "Man's Yamato", "Forever Zero", "Miracle of the Pacific", and reluctantly expressed the meaning of anti-America in the name of anti-war, but the pattern is limited there, and the desire to talk is still suffocated, and there is never a deep and ruthless atmosphere of "Moving Labyrinth".

There is a film review angle that is very tricky, and although Su Changqing did not emphasize it, he really wanted to express it.

The name of the film review is "Malicious Humanity".

When Wu Whale rushed into the studio with the survivors, it should be understood that the most malicious people were not the people who arranged the show, but the audience who watched their death and cheered.

Perhaps it was the desire of the audience that gave birth to the game and pushed the rules to cruelty.

If most of these people were good, maybe there would be no room for the game.

So the existence of this game itself leads to a conclusion that this world is full of malice.

This film review is really well written, and the critics put their hearts into it.

It didn't take long for Harumi Harumi Hachiman to return.

"I'll take all your clothes and dry clean them, otherwise there will be no clean clothes to wear. ”