The Kanno Performing Arts Club has signed one hundred and twenty-seven artists, more than a dozen more than Liangshanbo worshippers.

SU CHANGQING HAD ALREADY LEARNED BEFORE, HARUMI HACHIMAN SAID THAT THIS WAS NOT MUCH, AND THERE WERE THOUSANDS OF PEOPLE AT BURNING PRODUCTION, JAPAN'S LARGEST ENTERTAINMENT STUDIO.

The business coverage of these 100 people is quite wide, and some of them are mainly engaged in stage performances, mainly dramas, and they are very formal, similar to human art.

There are also professional models who provide services for major advertising agencies.

The rest of the cast made films, specializing in bizarre films, and Kanno was famous in Japan for this.

But it's not the kind of film with color, it's mainly some weird films.

Kanno has two creative teams, shooting everything, violence, sci-fi, horror, most of the stories are bizarre, and the shooting techniques are also unique, the main thing is to stimulate the senses and be controversial, and the words are not shocking and endless.

Su Changqing specially watched some of their films, which belong to niche and marginal cult movies, and you can guess some styles by listening to the names, such as "Evil Spirit Trap" and "Organs of Beauty", sensuality is usually embellishment, and violence is the eternal theme.

The Japanese have always admired that kind of sudden violence, such as in Takeshi Kitano's films, where the protagonist suddenly goes berserk and kills.

In the Japanese concept of life, people's lives seem to be controlled by some invisible devil, and even in the most ordinary life, there is an unknowable power hidden everywhere, and softness is just the calm before violence strikes, and bloodthirsty killing is the last word.

Perhaps this is the main reason for the popularity of Su Changqing's movies in Japan.

If it is strictly classified, Su Changqing's "Moving Labyrinth" is also a cult, it may be that the plasma is used less, and the narrative is relatively normal before it can be released in Japan and South Korea.

"Battle Royale", "Journey to the West" and "Blade Runner" are seemingly ordinary movies that are actually cults, and they have only become popular products because they are popular.

Especially "Journey to the West", the box office was miserable when the plot was too big, and director Liu Zhenwei is recognized as a representative of the Chinese cult, specializing in some bizarre stories.

Taking the classics and changing them is also a cult.

The Japanese people's pursuit of brain holes and appreciation of death have made them go further on the path of cults, and there are many famous directors who shoot this kind of theme, such as Takashi Miike, Tsukamoto Shinya, Sonoko Wen, and Takeshi Kitano are of course also counted, because it is easy to slip through the net from time to time because of the small freshness from time to time.

Harumi Harumi Hachiman said that although these films are difficult to release in theaters, they are very popular in the audio-visual market, and the production level has declined in the past two years, otherwise the entertainment company would be able to make money.

This is nonsense, movies that are really good usually make money, everyone understands this truth, the problem is that the film is not good.

The most famous artist signed by the Arts Agency is Kajiya Aiko, who has won the Best Actress Award at all four top film awards in Japan in addition to the Japan Academy Awards, and the masterpiece "Shura Yukihime", a snow-white kimono, a sword, and a black umbrella to kill the Quartet.

This film is also a cult classic, and was later remade by Hollywood into "Kill Bill", which became another cult classic.

All of the Performing Arts Club actors also collaborate with TV stations and other companies, and appear in various programs when needed.

When "Moving Labyrinth" went to Japan to find a partner, the cult-style plot made the big studio shy away, and Kanno Performing Arts specializes in this kind of film, so I gladly took the job.

Harumi Harumi Hachiman joined this violent performing arts club, apparently on purpose.

Su Changqing watched a Japanese cult movie "The Exposure of Love", the director is Yuan Ziwen, and there is a character in it who specializes in secretly filming women, just to attract the attention of the clergyman's father, Harumi Harumi is probably taking this route.

Kamino Performing is about to be sold and replaced, and of course its personnel have to be relocated.

The plan has already been discussed, and Japan also has strict laws in this regard, in principle, the wishes of the cast and crew are respected, and those who want to stay must be taken in, and no reason can be found to dismiss them.

Su Changqing expected that some people would leave, and the Japanese would be that urine, don't look polite and respectful on the surface, pretentious in their bones, and some people may not be willing to stay in a Chinese-owned arts club to continue working, so sign a confidentiality agreement and leave.

Harumi Harumi Harumi Hachiman said that many employees went to see "Moving Labyrinth" after learning that Su Changqing was going to acquire Kanno, and came to the conclusion that the new boss was ruthless, or at least hard-hearted, and that the departing personnel would basically go through the formalities in Takeo Kanno's hands.

It's okay, it saves a lot of work.

Su Changqing has been focusing on revising "The Undertaker" these days, and some of the settings he doesn't like very much, and obviously they are not suitable for Takakura Ken, so they all have to be changed.

Although this is a movie that promotes the brilliance of human nature, Su Changqing can still feel the discrimination against the mortuary in the bones of the main creators.

The male protagonist is set with a lot of not very good qualities, so that it feels like a person like him is suitable for funeral.

For example, he was slow to react, and the members of the troupe knew that the orchestra was about to disband, but he was the only one who was wandering, and he didn't understand what it meant after listening to everyone's chat.

He was so weak that he couldn't get a position in another orchestra, but he couldn't do anything but play the cello.

Lying inexplicably, he took out a loan of 18 million yen to buy a cello and told his wife that it was 1 million.

This also shows that the male protagonist is very stupid, his life is not rich, and it is impossible to hide this huge amount of arrears for too long.

In the original film, the man took the initiative to look at Tianmu Ran in a daze for no reason, without the spirituality of an artist, giving people the feeling that his IQ was not high.

Simon Xiong has an IQ of eighty-five, and he is not as bird-like as him.

And the reason why the male protagonist suggested going back to his hometown in the countryside is even more incredible, just to not have to pay rent anymore.

Is this a young couple who haven't even given birth to a child yet, so they just give up their efforts?

Because the male protagonist's woodenness, sluggishness, indifference and incompetence actually weaken the theme of the film.

It's like an anti-Japanese drama that sets up extremely stupid enemies, so it's not much fun to win, and there is a feeling of bullying others.

Of course, the inappropriate setting has to be changed.,Part of the plot is because Ken Takakura is old.,It's reasonable to modify it slightly.,And those numb, dishonest plots are not necessary.,Explain the plot in other ways instead.。

Regarding the actor candidates for his wife and daughter, Su Changqing and Takakura Ken have also communicated, such as Sayuri Yoshinaga has worked with him more than once, and he is in his early fifties this year, whether he can be invited to star.

Ken Takakura denied it, Sayuri Yoshinaga has been a jade woman since she was a child, and the agency may not allow her to take over this role.

In that case, I recommend Kajime's own Kajiya Cloth, and Ken Takakura approved it.

Kajiya is the same age as Sayuri Yoshinaga, and in her early years, she used a katana as the main prop to act like Ken Takakura, and now she is a professional mother in the TV series.

And as Japan's third actress, she is also qualified to play with Ken Takakura.

In the blink of an eye, by mid-August, the domestic box office had accumulated more than 80 million, surpassing "Taiping".

The box office in Japan and South Korea was basically the same as expected, and the final revenue totaled nearly 70 million, although the Taiwan box office was missing, but the revenue in Asia except for the mainland was comparable to "Taiping".

As some kind of reward, "My Love from the Star" finally landed on CCTV, and the word of mouth exploded after the broadcast.

Du Keke took Mu Mu and Hu Jun to run around the country, accepting invitations to various programs, and was very busy.

Huang Yang and Huang Bo were also busy finishing the work at hand, waiting for Su Changqing to arrange a new play.

The situation in East Asia is very good, but Su Changqing is under great pressure, and he nests in the lotus alley for several days, writing and hurrying to catch up with the script.